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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Mease, Dr. James (1771-1846)</text>
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                <text>Attributed to John Neagle</text>
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                <text>Gift of The Philadelphia Society for Promoting Agriculture</text>
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                <text>Dr. James Mease (1771-1846) was a prominent Philadelphia physician, scientist and author with wide-ranging intellectual interests. He earned his medical degree from the University of Pennsylvania in 1792; served as a hospital surgeon during the War of 1812; corresponded regularly with notable figures in the United States and abroad; and published on topics including medicine, agriculture and geology. In 1814 he published the first-known ketchup recipe to include a tomato base, effectively transforming the sauce that had previously existed in various forms to the now familiar condiment.&#13;
&#13;
Dr. Mease was a member of the American Philosophical Society and the Philadelphia Society for Promoting Agriculture, and a founding member of the Pennsylvania Horticultural Society.  In 1814 he helped found the Athenaeum of Philadelphia; among the original 139 charter shareholders, Dr. Mease held share number 7, and served as the Athenaeum’s first vice-president. &#13;
&#13;
In 1800, Dr. Mease married Sarah Butler, the daughter of South Carolina Senator Pierce Butler. They had two sons who later changed their last names from Mease to Butler as a prerequisite for inheriting their grandfather Senator Butler’s vast fortune.  One of the sons, Pierce Butler, married the renowned English stage actress Fanny Kemble.&#13;
&#13;
Dr. James Mease died in Philadelphia in 1846.&#13;
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Gift of The Philadelphia Society for Promoting Agriculture</text>
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                <text>Legislator and financier Nicholas Biddle (1786-1844) was a member of the prominent Biddle family of Philadelphia, whose ancestors came to America with William Penn.  A child prodigy, Biddle graduated from Princeton at the age of 15. He spent several years traveling throughout Europe, and served as secretary to James Monroe, then the US minister to Great Britain.  Upon returning to the United States in 1807, Biddle practiced law, edited the literary magazine Port Folio, and helped edit the Lewis and Clark expedition journals for publication.  &#13;
&#13;
Biddle belonged to many Philadelphia civic organizations, among them: the Athenaeum of Philadelphia (which he helped found in 1814), the Pennsylvania Horticultural Society, and the Philadelphia Society for Promoting Agriculture.  Additionally, Biddle served as President of the Girard College Board of Trustees and was instrumental in fulfilling Stephen Girard’s vision of building a school for poor orphaned boys.&#13;
&#13;
As a member of the Pennsylvania General Assembly, Biddle advocated for the reestablishment of a national bank.  In 1816, the second Bank of the United States was chartered, and in 1819, Monroe, now president of the United States, appointed Biddle to the board of directors of the Bank.  In 1822 Biddle became president of the Bank, serving in that role until 1839, when it became increasingly clear that President Andrew Jackson’s refusal to renew the Bank’s charter all but guaranteed the Bank’s failure.  The Bank ultimately closed in 1841.&#13;
&#13;
Throughout his career, Biddle often took respite at his country residence known as Andalusia.  In 1811 Biddle had married Jane Craig, and in 1814 obtained her parents’ large house located 14 miles north of Philadelphia overlooking the Delaware River. He commissioned architect Thomas Ustick Walter (who had designed Girard College) to transform the existing Craig house into a Greek Revival masterpiece. Biddle applied his lifelong interest in the arts, architecture, and experimental agriculture to develop the home and gardens into a stately and serene estate.   Today, Andalusia is a National Historic Landmark open to visitors.&#13;
&#13;
Nicholas Biddle died at Andalusia in 1844 at the age of 58.&#13;
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Carr, Benjamin (1768-1831)</text>
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                <text>Darley, Jane Cooper (nee Sully) or John Clarendon Darley</text>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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                <text>Purchased from Theodore Siegel with gift funds from Mr. Frederick Lewis</text>
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                <text>Benjamin Carr was born in England and received a good musical education in London.  He emigrated to Philadelphia in 1793.  There he opened a music store and promoted music.  He was a publisher, editor, organist, pianist, singer, composer, teacher and conductor, as well as one of the founding members of the Musical Fund Society in 1820.  He was also a member of the Atheneaum.  Carr never married.  When he died he was living at 72 South Fifth St.</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Armatt, Jane Caroline (1798-1856)</text>
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                <text>Inman, Henry (attributed).   Alternate attribution: Jacob Eichholtz.</text>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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                <text>Gift of Major and Mrs. Coryndon Luxmoore.</text>
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                <text>Born in the autumn of 1798, the younger of two daughters, Jane Caroline Armat was raised in the newly built family home of Loudon in Germantown, Philadelphia. By the age of 11, Jane and her sister Sara were left solely in the care of their grandparents following the death of their mother and father within just three years of each other.</text>
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                <text>At the age of 21, in 1819, Jane married her cousin William Armatt with whom she had two daughters. It was in the early years of their marriage that the artist Henry Inman is believed to have painted this portrait of Jane. </text>
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                <text>Gift of Lydia Smith Thomson.</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                <text>Gift of Lydia Smith Thomson.</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                <text>Gift of Jane Woodward Sherwin.</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                <text>Oil on canvas; gilt frame</text>
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                <text>Bequest of Emilie DeHellenbranth.</text>
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            <description>An account of the resource</description>
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                <text>Wife of Charles Vezin.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38297">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Shareholders (and Family)</name>
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              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Vezin, Charles (1782-1853)</text>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="38281">
                <text>2001.M07.01</text>
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          <element elementId="40">
            <name>Date</name>
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                <text>1835-1840</text>
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          <element elementId="64">
            <name>Medium</name>
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              <elementText elementTextId="38284">
                <text>Oil on canvas; gilt frame</text>
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          <element elementId="72">
            <name>Is Part Of</name>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>Bequest of Emilie DeHellenbranth.  This portrait was inherited by Mrs. DeHellebranth from her father, Henry Paul Busch, who probably inherited it from the previous generation.  </text>
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                <text>Charles Vezin was extremely influential in the development of chess in Philadelphia. He came to the United States from France in 1813; and for over twenty years, Vezin conducted an informal chess "school" with his friend Henry Vethake, a chess prodigy. The school was held in the Athenaeum of Philadelphia and produced many talented chess players. Students of Charles Vezin were sometimes known as "Men of the Athenaeum."  Charles Vezin became a stockholder of the Athenaeum of Philadelphia in 1815. He was an ancestor of the donor.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38288">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Shareholders (and Family)</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Vaux, Roberts (1786-1836)</text>
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            <name>Identifier</name>
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                <text>1999.M05.01</text>
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            <name>Creator</name>
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                <text>Inman, Henry (attributed)</text>
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                <text>Oil on canvas; gilt frame</text>
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          <element elementId="90">
            <name>Provenance</name>
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                <text>Gift of Katharine Vaux McCauley and Mary James Vaux.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Roberts Vaux (1786-1836) was a successful Philadelphia businessman, politician and philanthropist.  He was a moving force among Philadelphia Quakers behind the change of penology, inventing the concept of correctional institutions.  He was a founder and early director (first Treasurer) of the Athenæum.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38279">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Board of Directors</name>
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        <name>Henry Inman</name>
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        <name>Vaux Family</name>
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                <text>1993.M01.01</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Oil on canvas; gilt frame</text>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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                <text>Athenaeum Purchase.  Commissioned by The Athenaeum Board of Directors.</text>
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                <text>George Vaux (1908-1996) became a member of the Athenaeum in 1947 and was elected President of the Board of Directors in 1965 a position he held until a few months prior to his death in 1996.  During the Vaux administration, the Athenaeum building was restored, expanded, the institution given new direction as a special collections library with museum collections.  This portrait was presented to the Athenaeum at the 178th Annual Meeting in April, 1993.</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Busch, Henry Paul (1873-1942)</text>
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                <text>1992.M01.01</text>
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                <text>Schule, Clifford Hamilton</text>
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                <text>Oil on canvas; gilt frame</text>
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            <name>Is Part Of</name>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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                <text>Gift of Emilie DeHellenbranth.</text>
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                <text>Mr. Busch (1873-1942) was President of the Welcome Society at the time Pennsbury Manor was reconstructed, thus the reason the artist included that house in the background.</text>
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                <text>The Athenaeum reading room is named in Mr. Busch's honor.  It was dedicated on April 6, 1992, by Mrs. deHellebranth--member of the Athenaeum board of directors, Mr. Busch's daughter, and the donor of the renovation funds.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="38249">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Shareholders (and Family)</name>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Stork, Charles Wharton (1881-1971)</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37979">
                <text>1972.42.01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="37980">
                <text>Oakley, Violet</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="37981">
                <text>1943</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="37982">
                <text>21" x 25.5"</text>
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          </element>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37983">
                <text>Pastels on paper; gilt frame</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37984">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of G. Frederick Stork, Rosalie Regen (Stork), and Francis W. Stork.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Charles Wharton Stork (1881-1971) was a Philadelphia born poet and dramatist educated at Haverford College (A.B., 1902), Harvard (M.A., 1903) and the University of Pennsylvania (Ph.D., 1905).  From 1903-1916 he taught in the English department at the University of Pennsylvania.  For the next twenty years Wharton, as he was called, devoted his time to private literary endeavors, translating and editing verse and writing poetry, plays, critical essays, book reviews and fiction, in addition to lecturing and poetry reading.  From  1935-1951 he taught again, this time at Harcum Junior College in Bryn Mawr, and continued writing and publishing until the 1960's.  He served on the Athenaeum Board of Directors from 1919-1968.</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37987">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Board of Directors</name>
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        <name>Athenaeum Shareholders (and Family)</name>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Burt, Mary (d.1908)</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37960">
                <text>1970.01.01</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Uhle, Bernard</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1891</text>
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              <elementText elementTextId="37963">
                <text>38" x 54"</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37964">
                <text>Oil on canvas</text>
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            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="37965">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="90">
            <name>Provenance</name>
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                <text>Gift of Mary Burt-Jume; Exhibited at 65th Annual Exhibition of PAFA, Dec. 23rd 1895-Feb 22nd 1896.</text>
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                <text>Mary Burt (d. 1908) was the niece of William Lehman whose legacy of $10,000 in 1829 provided the funds to construct this building.  This three-quarter length portrait was painted by Bernard Uhle (1847-1929) in 1891.</text>
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                <text>Born in Chemitz, Saxony, Uhle emigrated with his family to Philadelphia in 1851 and at the age of fifteen became a student at the Pennsylvania Academy of the Fine Arts.  He opened a portrait studio in Philadelphia in 1877 and later became an instructor at the Academy (1886-1890).  It was soon after this time that Uhle became a recluse.  He lived alone (with seven cats) for nearly a quarter century.  Uhle was presumed dead until 1915, when he suddenly reappeared to present a painting ordered twenty-three years before.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37969">
                <text>http://www.philaathenaeum.org/rights.html</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37892">
                <text>Lewis, Hon. Edwin O. (1879-1974)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37893">
                <text>1959.03.01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="37894">
                <text>Allen, Agnes</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37895">
                <text>1959 (circa)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37896">
                <text>26" x 32"</text>
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            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37897">
                <text>Oil on canvas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37898">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37899">
                <text>Probably aqcuired from the artist.  The painting was unveiled at the Athenaeum in October of 1959 at a reception held in honor of Judge Lewis.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="37900">
                <text>Edwin O. Lewis (1879-1974) was a long-time member of the Athenaeum and its President from 1950 to 1955.  Born in Richmond, VA, Lewis came to Philadelphia at the age of eighteen to attend the University Of Pennsylvania Law School.  In 1923 he was elected Judge of Philadelphia's Court of Common Pleas, a position he held for thirty-four years. </text>
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              <elementText elementTextId="37901">
                <text>Lewis's distinguished record of public service is highlighted by his efforts to restore the Independence Hall area.  He was the leader of the drive which created both Independence Mall and the Independence National Historical Park in the 1950s.  The Mall's Lewis Quadrangle and the Lewis fountain were named for him.</text>
              </elementText>
              <elementText elementTextId="37902">
                <text>In this portrait, by Agnes Allen (b. 1897), Lewis holds the Independence Mall blueprints.  A native Philadelphian, Allen specialized in portraiture; she studied at the Pennsylvania Academy of the Fine Arts, the University of Pennsylvania, and the Barnes Foundation. Frame is an early 20th-century reproduction, installed in 2001.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37903">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Board of Directors</name>
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        <name>Athenaeum Shareholders (and Family)</name>
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  <item itemId="2197" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37878">
                <text>Scott, John Morin (1858-1945)</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37879">
                <text>1954.01.01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37880">
                <text>Hopkins, Kendle</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37881">
                <text>32" x 40.5"</text>
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            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37882">
                <text>Oil on canvas </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37883">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="37884">
                <text>Gift of Mrs. William Wightman Phillips</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="37885">
                <text>Son of Lewis Allaire Scott (1819-1896)</text>
              </elementText>
              <elementText elementTextId="37886">
                <text>Grandson of John Morin Scott, mayor of Philadelphia during 1840's riots, who lived on Washington Square and was an Athenaeum shareholder (Share #181) from 1816-1863.</text>
              </elementText>
              <elementText elementTextId="37887">
                <text>Married Anna F. Barker</text>
              </elementText>
              <elementText elementTextId="37888">
                <text>Oct. 8, 1923-Elected Vice President of the Athenaeum</text>
              </elementText>
              <elementText elementTextId="37889">
                <text>Oct. 14, 1924-Selected to present the Athenaeum address to the Historical Society of Pennsylvania on the occasion of its 100th anniversary.</text>
              </elementText>
              <elementText elementTextId="37890">
                <text>Dec. 21, 1925-ELected President of Athenaeum at special meeting to succeed George Harrison Fosher on his death.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37891">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="24">
        <name>Athenaeum Board of Directors</name>
      </tag>
      <tag tagId="25">
        <name>Athenaeum Shareholders (and Family)</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="2196" public="1" featured="0">
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      <file fileId="229">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37868">
                <text>Lewis, Howard W. (1854-1940)</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37869">
                <text>1949.02.01</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37870">
                <text>Molarsky, Maurice</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37871">
                <text>1936 (circa)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37872">
                <text>25" x 30"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37873">
                <text>Oil on canvas; gilt frame</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37874">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37875">
                <text>Bequest of Mabel Potter Lewis; PAFA 131st Exhibtion in Oil and Sculpture #1552</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37876">
                <text>Howard W. Lewis was a member of the Athenaeum Board of Directors for fifty-two years, serving as Treasurer from 1888 to 1926 and as Vice President from 1926 until his death in 1940.  A banker by profession, Lewis was also a philanthropist, historian, and sports enthusiast.  This portrait was acquired in 1949 by bequest of Lewis's widow, Mabel Potter Lewis, who also served on the Athenæum Board of Directors.   Molarsky, born 1885 in Kiev, emigrated to Philadelphia where he became a student at the School of Industrial Arts.  An accomplished portrait and still life painter, he won many awards, including a silver medal at the Panama-Pacific Exposition, San Francisco (1915), a gold medal from the Art Club of Philadelphia (1919), and a silver medal at the Sesqui-Centennial Exposition (1926).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37877">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="24">
        <name>Athenaeum Board of Directors</name>
      </tag>
      <tag tagId="25">
        <name>Athenaeum Shareholders (and Family)</name>
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  </item>
  <item itemId="2195" public="1" featured="0">
    <fileContainer>
      <file fileId="228">
        <src>http://omeka.philaathenaeum.org/collections/files/original/e4de61ba423cc5b5b791241ef561e8da.jpg</src>
        <authentication>366660a7098720ada59738fcd07b1f59</authentication>
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37858">
                <text>Woodhouse, Thomas Roberts (1821-1885)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="37859">
                <text>1939.02..01</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37860">
                <text>Bowers, Edward</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37861">
                <text>20" x 24"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37862">
                <text>Oil on canvas; gilt frame</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37863">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="37864">
                <text>Gift of Dr. Samuel W. Woodhouse, Jr.  Exhibited at The Pennsylvania Academy of the Fine Arts, 1857.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37865">
                <text>Thomas Roberts Woodhouse (born c.1821) served on the Board of Directors of the Athenaeum, from 1869 until his death in 1885.  Woodhouse, who lived at 1111 Walnut Street, was a supporter of Philadelphia's hospitals, churches, and charities.  He was a member of the St. Andrews Society, founded in 1749 by men of Scottish birth or descent for the relief of their "poor and distressed countrymen."</text>
              </elementText>
              <elementText elementTextId="37866">
                <text>The portrait is signed and dated by Edward Bowers (c.1822-c.1865), a Maryland-born artist.  Living in Philadelphia from 1854 to 1858, Bowers participated in the exhibitions at the Pennsylvania Academy of the Fine Arts.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37867">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>Athenaeum Board of Directors</name>
      </tag>
      <tag tagId="25">
        <name>Athenaeum Shareholders (and Family)</name>
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