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              <text>Cambridge Jan 20./69&#13;
&#13;
Received from Louis&#13;
A. Godey Esqr. $30.00 in&#13;
payt [payment] for "Miss Marshall"&#13;
CA Hopkinson&#13;
&#13;
Dear good friend, I certainly&#13;
will do any thing I can do for your&#13;
relief in the Editor's Table, &amp; shall&#13;
be most happy to do what you say,&#13;
just as an assistance to you, and&#13;
shall feel my myself amply repaid&#13;
and most pleasantly so, by the&#13;
possession of your books. - I read&#13;
your article on jewelry and I always&#13;
do all your Editor's Table &amp; liked it&#13;
much - you think Women the ultimate&#13;
of created things I see - they ought&#13;
to be, but I am afraid the ultimatest&#13;
of them are not the most given to jewelry.&#13;
I do love to see a precious stone on the&#13;
hand or at the throat of a woman, where&#13;
it seems to speak not only for itself&#13;
but for a long story. They are always&#13;
suggestive on old people, &amp; interesting,&#13;
but I dont think I like to see young&#13;
people adorned with them.&#13;
My eyes are not much better,&#13;
but I write a little, &amp; shall&#13;
&#13;
[ED: the following line is upside down at the top of the page]&#13;
&#13;
With this I send a receipt for Mr. Godey.&#13;
make it my business to write your&#13;
articles first. Oh! dear - I would&#13;
not be an Editor for any money, &amp;&#13;
"I admire asking you", that you can go&#13;
on so enduringly, &amp; that your wits&#13;
last you so, one moon after&#13;
another - Ellen thanks you for&#13;
your kind message to her, &amp; sends&#13;
her love - If you could see the&#13;
interest which your book creates&#13;
when it comes, you would smile -&#13;
such a hurry to read Miss (or Mrs?)&#13;
Havilands's story - tell me something&#13;
about her if you know her - I&#13;
send you an article wh was sent&#13;
to me by the author, about Womens&#13;
partial suffrage - perhaps you&#13;
may find material in it for&#13;
a paragraph. I heard Lucy Stone&#13;
the other night for the first time, &amp;&#13;
was surprised to see &amp; hear a calm&#13;
gentle person who made some excellent&#13;
points. Affectionately CAH&#13;
&#13;
Mrs. Sarah J. Hale.&#13;
Care of Louis A. Godey Esqr&#13;
Philadelphia.&#13;
&#13;
&#13;
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              <text>April 17, 1869&#13;
&#13;
My Dear Aunt,&#13;
&#13;
I have just&#13;
learned through James,&#13;
that it is your intention&#13;
to be in New York about&#13;
the 20th, &amp; as our wedding&#13;
takes place the 22d, I&#13;
have proposed to him&#13;
to bring you up to Troy&#13;
on that eventful occasion.&#13;
Our house will be&#13;
full until after the &#13;
wedding, but the day&#13;
following (Friday) I can&#13;
give you comfortable&#13;
quarters, &amp; shall be most&#13;
&#13;
most happy to entertain &#13;
you for any length&#13;
of time that may suit&#13;
your own convenience&#13;
to remain. Until some&#13;
of my guests depart,&#13;
my daughter Sarah, (Mrs.&#13;
Gilbert-) who lives almost&#13;
within sight, desires that&#13;
you, her Aunt Elect &amp;&#13;
Uncle James will come&#13;
directly to her house.&#13;
She will be delighted&#13;
to have you do so, &amp; I&#13;
am quite positive that&#13;
you will enjoy your&#13;
visit.&#13;
I am not able to &#13;
write any details, further&#13;
than to say, that&#13;
it will be a full dress&#13;
wedding, very large,&#13;
&#13;
&amp; also that I hope to see&#13;
you among the guests&#13;
With much love believe&#13;
me to be,&#13;
Your affectionate&#13;
Niece, M.[?] Plum.&#13;
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Note: From the time he was born in 63 BCE until 44 BCE, he is generally referred to by historians as Octavius. After 44 BCE, when he became the adopted son and heir of his recently-assassinated great-uncle Julius Caesar, he is known as Octavian. Beginning in 26 BCE, he is known as Augustus, the name conferred upon him by the Roman Senate.   (See also 1972.03.01.)</text>
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                <text>Gift of Edwina Hare.</text>
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                <text>Edwin Forrest Durang (1829-1911) was born into a prestigious family of professional actors and performers.  His grandfather, John Durang, was credited with being the first native-born American actor; his father and uncle, Charles and Richard Durang were the first to perform the "Star Spangled Banner."</text>
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                <text>Edwin F. Durang was listed in the Philadelphia city directories as an architect by 1855.  He specialized in ecclesiastical design, most notably those churches and institutions associated with the Catholic Church.</text>
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            <name>Rights</name>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Robert L. M. Camden Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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            <name>Identifier</name>
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                <text>219-MS-007</text>
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                <text>Letter from R.L.M. Camden to his son, October 4, 1876</text>
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        <name>Napoleon Bonaparte (Napoleon I)</name>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                <text>A bronze equestrian statuette representing a "chasseur à cheval," a French cavalry soldier of the Napoleonic era. Faces left. Soldier is depicted wearing a short fur hat with plume; a coat with fur collar, cuffs and braided front with four rows of buttons; and boots with spurs. Hanging from the belt around the soldier's waist is a sword and cartridge box with an eagle badge. The horse carries the soldier's blanket roll. The statuette rests on an oval wooden base, which is painted black.&#13;
&#13;
Born in Paris of Russian parents, Pierre Nicolas Tourgueneff (1854-1912) specialized in portrait and equestrian sculpture. He exhibited at the Paris Salon from 1880 to 1911, four times receiving honorable mentions and the Grand Prize at the Universal Exposition of 1889. Tourgueneff's realistic modeling of this uniformed soldier and horse reflects more than an artistic interest in his subject. He was a member of the Legion of Honor, achieving the rank of "Chevalier" in 1903, after twenty years of active service. The Legion of Honor, instituted by Napoleon in 1802, is France's highest honor for citizens of military or civil distinction.&#13;
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Additional sculptures relating to Napoleon Bonaparte and his family may be viewed online in the Athenaeum's Featured Collection, "Bonaparte Collection." </text>
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                <text> Russell Smith (1812-1896)  was born in Glasgow, Scotland and came to the U.S. in 1819 and later studied art with James R. Lambdin.  His diversified career included work as a scene painter, landscape painter and scientific draughtsman.   He was a regular contributor at the Philadelphia Academy of Fine Arts (PAFA).</text>
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                <text>Untitled</text>
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            <name>Identifier</name>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Sino-Japanese War Ukiyo-e Prints, The Athenaeum of Philadelphia</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Robert M. Skaler Postcard Collection</text>
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              <description>An account of the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>A Half Timber and Stone Residence</text>
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                <text>Price, Walter Ferris, 1857-1951</text>
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                <text>Image</text>
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                <text>1 postcard</text>
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                <text>Postcards</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>290-PC-14-059</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237769</text>
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                <text>en</text>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-14-059.jpg</text>
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                <text>full:001:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/84FDE88D-155D-01E7-00EE17AEAD9FF92D/full/1000,/0/default.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-14-059_Verso.jpg</text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1777/manifest</text>
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                <text>Pennsylvania (Overbrook)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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            <name>Identifier</name>
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                <text>219-PR-047</text>
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            <description>A name given to the resource</description>
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                <text>A Sail with the Ports from St. Patricks Pier</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1896</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>print</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Bonaparte Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>Napoleon Bonaparte, French General (pin)</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2016.34.01</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Whitehead &amp; Hoag Company</text>
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            <description>The size or duration of the resource.</description>
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                <text>0.875" diameter</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Metal; celluloid</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>Athenaeum purchase</text>
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            <name>Description</name>
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                <text>Pin with image of Napoleon Bonaparte, French general. Made by the Whitehead &amp; Hoag Company, c. 1896, for the American Pepsin Gum Co. as an advertising giveaway.</text>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                <text>The Church Standard, Thanksgiving 1897</text>
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            <description>The nature or genre of the resource</description>
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                <text>print</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46908">
                <text>http://www.philaathenaeum.org/rights.html</text>
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              <description>A name given to the resource</description>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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            <name>Rights</name>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Nightingale</text>
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            <name>Identifier</name>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Medium</name>
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                <text>Imported from Japan by the J. B. Millet Co., Boston</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                <text>Postcard to Mr. Simon Oppenheimer</text>
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                <text>1 postcard</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236424</text>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-03-134.jpg</text>
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                <text>full:001:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/84FC2B50-155D-01E7-00B3A321AB2E435F/full/1000,/0/default.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-03-134_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/6404F97B-155D-01E7-007BE7003820DD80/full/1000,/0/default.jpg</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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