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              <name>Title</name>
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                  <text>Sculpture Collection</text>
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                  <text>The Athenaeum’s Sculpture Collection comprises a variety of European and American works in marble, bronze, plaster and ceramic, dating mostly from the 19th century.  A variety of historical literary, mythological, ancient classical, political, military, arts and science figures are represented. &#13;
&#13;
Additional sculptures relating to Napoleon Bonaparte and his family may be viewed online in the Athenaeum's Featured Collection, "Bonaparte Collection." </text>
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                <text>Samuel Breck</text>
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                <text>Henry Dmochowski Saunders</text>
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                <text>1855</text>
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                <text>Bronze bas relief portrait of Samuel Breck, depicted in profile view within an oval ornately-carved oak rococo style frame. &#13;
 &#13;
Born in Boston and educated in France, Breck (1771-1862) served as president of the Athenaeum from 1845 to 1862. It was during his tenure that the cornerstone of the present Athenaeum building was laid in 1845. In 1855 the Board of Directors decided to honor Beck's service to the institution by commissioning a medallion of him by sculptor Henry Dmochowski Saunders.  A political exile from Lithuania (then part of Russian Poland), Saunders lived in Philadelphia from 1853 to 1857, having developed a good reputation for creating busts, medallions and statuettes of many notable figures. His busts of Kosciuszko and Pulaski are in Washington, at the Capitol.</text>
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                <text>42.5" H x 34.0" W</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Bronze, oak</text>
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                <text>Commissioned from the artist by the Athenaeum</text>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia&#13;
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                <text>AP.37.01</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Beck</name>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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            <description>A name given to the resource</description>
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                <text>McIllhenney, William, Jr. (c.1779-1853), </text>
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            <name>Identifier</name>
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                <text>AP36.01</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Neagle, John</text>
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                <text>Oil on canvas; gilt frame</text>
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            <name>Is Part Of</name>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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                <text>Gift of John Neagle.</text>
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                <text>William McIlhenney, Jr., (c.1779-1854), scholar and attorney at law educated at the University of Pennsylvania, became the Athenaeum's third librarian in 1820.  He served the Athenaeum well and was its popular librarian for thirty-four years.  During his tenure the collections were greatly expanded and the present building was erected.  On the back of the canvas: "Post mortem portrait of the late Wm. McIlhenney for thirty-four years the librarian of the Philadelphia Athenaeum. Painted for the Athenaeum by John Neagle. Phila. June 30, 1855."</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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            <description>A name given to the resource</description>
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                <text>Schaffer, William Lehman (c. 1804-1884)</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>24.5" x 29"</text>
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                <text>Oil on canvas; gilt frame</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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                <text>Gift of Elizabeth Schaffer.</text>
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                <text>William L. Schaffer (c. 1806-1884), Vice president of the Girard National Bank, and his sister, Elizabeth, are among the Athenaeum benefactors whose names are inscribed in the marble tablets of the Reading Room on the second floor. After Schaffer's death, the Board of Directors asked Elizabeth to lend a portrait of her late brother "in order that a copy be made and hung on the walls of the Library". Instead, she presented the Athenaeum with this portrait in March 1893.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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              <description>A name given to the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Price, William L. (1861-1916)</text>
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                <text>L86.3</text>
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                <text>Day, Francis</text>
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                <text>1902</text>
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                <text>21.5" x 28"</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Oil on canvas; wood frame</text>
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                <text>, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>On Loan from Eleanor Morris Potter and Felicia Janney Mather </text>
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                <text>William L. Price was one of an influential group of architects working during the late nineteenth and early twentieth centuries in Philadelphia. Aside from his importance in the area of design based on Arts and Crafts Movement ideals, Price was one of the founders of an arts and crafts community, Rose Valley, outside of Philadelphia. He attended the Westtown School, but left in 1877 to practice carpentry, abandoning that for architecture when he entered the office of Quaker architect Addison Hutton in 1878. According to the obituary published by the Philadelphia Real Estate Record and Builders Guide, Price also spent some time with Furness &amp; Evans; however, that information has not been documented by other sources. By 1881 Price and his brother Frank L. Price had established a partnership which would last until 1895, with a practice chiefly based on residential design, including houses for Wendell &amp; Smith, the developers of Wayne and St.Davids, PA, as well as the Pelham and Overbrook neighborhoods of Philadelphia. In 1895 Price began to practice independently, but in 1903 he established a partnership with M. Hawley McLanahan which would endure under the name of Price &amp; McLanahan until his death, with McLanahan continuing to use the name for several years thereafter and eventually producing a successor firm, McLanahan &amp; Bencker. Although well-known for residential design, Price's work also included the Traymore Hotel in Atlantic City, NJ, and Jacob Reed's Sons store in Philadelphia. </text>
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                <text>As interested in social reform movements as he was in architecture, Price helped Frank Stephens to found Arden, DE, a single-tax community outside of Wilmington. In 1901 he helped establish Rose Valley, an arts and crafts community in which many architects were involved, but none so vitally as Price. Although the earlier parts of the community were based on existing buildings, Price later designed a number of residences, among those several for the Rose Valley Improvement Company. Price was joined in the Rose Valley endeavor by his brother Walter Price and Walter Price's partner, William McKee Walton, as well as by younger architects like Carl deMoll and John M. Dickey.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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Plates are primarily aquatints and mezzotints executed by a variety pf artists and engravers; signed by artists: Russel [Russell], Opie, Reinagle, Perther, S. Edwards, Thornton and Henderson; and engravers: Caldwall, Burke, Ward, Elmes, Warner, Earlom, Lewis and Hopwood, Sutherland, Medland, Dunkarton, Stadler and Landseers.&#13;
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                <text>[28] leaves of plates : all ill. ; 52 cm.</text>
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                <text>INCOMPLETE: Volume consists of [28] colored plates, not the [31] as issued by Thornton, and does not include the accompanying text, frontispiece, title page leaves or the contents page; Athenaeum copy missing 3 plates: "Flora dispensing her favours on the earth" (Plate I), "Tulips" (Plate X) and "Narrow-leaved Kalmia" (Plate XXVII); 4 have their alternate plates substituted: "A group of Auriculas (two)" substitutes for "A group of Auriculas (four)"; "The queen flower" for "The queen"; "The American aloe" for "The aloe"; and "American bog plants" for "Pitcher plant". Cf. Grigson, G. Thornton's Temple of flora, (1972)&#13;
&#13;
Plates are dated 1799-1807 with the exception of "Queen flower" which bears the printed date of 1812.</text>
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                <text>Athenaeum copy: Gift of Peter J. Koblenzer.</text>
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                <text>https://www.philageohistory.org/rdic-images/iiif.cfm/BI1799.Thornton_TempleOfFlora/manifest</text>
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                <text>full:001:https://www.philageohistory.org/rdic-images/common/get-jpeg-book.cfm/BI1799.Thornton_TempleOfFlora.001.jpg</text>
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