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                <text>Gift of Emily G. Hopkinson.  Inscription attached to back "Presented to Mrs. Hopkinson her kind wish acordingly by her faithful friend P. Poletica, Bordentown August 31st 1821"</text>
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                <text>Gift of Emily G. Hopkinson.  Madame Dashkov presented this portrait to her friend, Mrs. William S. Biddle (1800-1842), daughter of early Athenaeum member Joseph Hopkinson.</text>
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                <text>Evgeniia Osipovna Dashkov (c. 1780-c.1870) was the wife of Andrei I. Dashkov (1776-1831), who in 1809, became the Russian Consul General at Philadelphia under Emperor Alexander I.  Aside from fostering diplomatic and commercial relations, Andrei Dashkov was an ambassador of culture.   In 1816, as a visitor to The Athenaeum, he gave the society maps and books relating to Russia which helped to acquaint Philadelphians with the resources, customs and culture of the Russian Empire.</text>
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                <text>1972.42.01</text>
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                <text>Oakley, Violet</text>
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            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37983">
                <text>Pastels on paper; gilt frame</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
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              <elementText elementTextId="37985">
                <text>Gift of G. Frederick Stork, Rosalie Regen (Stork), and Francis W. Stork.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Charles Wharton Stork (1881-1971) was a Philadelphia born poet and dramatist educated at Haverford College (A.B., 1902), Harvard (M.A., 1903) and the University of Pennsylvania (Ph.D., 1905).  From 1903-1916 he taught in the English department at the University of Pennsylvania.  For the next twenty years Wharton, as he was called, devoted his time to private literary endeavors, translating and editing verse and writing poetry, plays, critical essays, book reviews and fiction, in addition to lecturing and poetry reading.  From  1935-1951 he taught again, this time at Harcum Junior College in Bryn Mawr, and continued writing and publishing until the 1960's.  He served on the Athenaeum Board of Directors from 1919-1968.</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="37987">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Board of Directors</name>
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        <name>Athenaeum Shareholders (and Family)</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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            <name>Title</name>
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              <elementText elementTextId="37970">
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          <element elementId="43">
            <name>Identifier</name>
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                <text>1971.05.01</text>
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              <elementText elementTextId="37972">
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>24" x 27"</text>
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              <elementText elementTextId="37974">
                <text>Oil on canvas; gilt frame</text>
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              <elementText elementTextId="37976">
                <text>Gift of Robert C. Smith.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37977">
                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37959">
                <text>Burt, Mary (d.1908)</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37960">
                <text>1970.01.01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="37961">
                <text>Uhle, Bernard</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="37962">
                <text>1891</text>
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            </elementTextContainer>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="37963">
                <text>38" x 54"</text>
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            </elementTextContainer>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37964">
                <text>Oil on canvas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37965">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Mary Burt-Jume; Exhibited at 65th Annual Exhibition of PAFA, Dec. 23rd 1895-Feb 22nd 1896.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="37967">
                <text>Mary Burt (d. 1908) was the niece of William Lehman whose legacy of $10,000 in 1829 provided the funds to construct this building.  This three-quarter length portrait was painted by Bernard Uhle (1847-1929) in 1891.</text>
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              <elementText elementTextId="37968">
                <text>Born in Chemitz, Saxony, Uhle emigrated with his family to Philadelphia in 1851 and at the age of fifteen became a student at the Pennsylvania Academy of the Fine Arts.  He opened a portrait studio in Philadelphia in 1877 and later became an instructor at the Academy (1886-1890).  It was soon after this time that Uhle became a recluse.  He lived alone (with seven cats) for nearly a quarter century.  Uhle was presumed dead until 1915, when he suddenly reappeared to present a painting ordered twenty-three years before.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37969">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
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    <tagContainer>
      <tag tagId="25">
        <name>Athenaeum Shareholders (and Family)</name>
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    <fileContainer>
      <file fileId="236">
        <src>http://omeka.philaathenaeum.org/collections/files/original/2d4dac5a839609e592f6ef73ae82a492.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37948">
                <text>Samuel, Bridgeda B.</text>
              </elementText>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37949">
                <text>1968.02.01</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="37950">
                <text>3.75" x 5"</text>
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          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37951">
                <text>Oil/wood</text>
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          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="37952">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Lois Samuel.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Portrait of Bridgeda Benjamin Samuel, seated on sofa, facing forward.</text>
              </elementText>
              <elementText elementTextId="37955">
                <text>Frame is pine painted black with metal liner.</text>
              </elementText>
              <elementText elementTextId="37956">
                <text>French labels on backing board "Maison Lambert / Fondee en 1789/ Specialite de Dorure &amp; d'Encadrements Artistiques/ Grand Assortiment de Modeles Riches/ 19 Cour cu Commerce, ST. Andre-des_Arts, Paris" </text>
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              <elementText elementTextId="37957">
                <text>1968.01.01-Portrait of husband, Samuel David Samuel</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37958">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Samuel, Samuel David (1732-1798)</text>
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            <name>Identifier</name>
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              <elementText elementTextId="37938">
                <text>1968.01.01</text>
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            <name>Extent</name>
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                <text>3.75" x 5"</text>
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          <element elementId="72">
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="90">
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                <text>Gift of Lois Samuel.</text>
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            <description>An account of the resource</description>
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                <text>Portrait of Samuel David Samuel from the waist up, facing forward, wearing a dark coat. </text>
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              <elementText elementTextId="37944">
                <text>Frame is pine and painted black with metal liner. </text>
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              <elementText elementTextId="37945">
                <text>French labels on backing board "Maison Lambert / Fondee en 1789/ Specialite de Dorure &amp; d'Encadrements Artistiques/ Grand Assortiment de Modeles Riches/ 19 Cour cu Commerce, ST. Andre-des_Arts, Paris” </text>
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              <elementText elementTextId="37946">
                <text>1968.02.01-Portrait of wife Bridgeda Benjamin Samuel</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37947">
                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Seascape</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1960.15.01</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Birch, Thomas</text>
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          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1835</text>
              </elementText>
            </elementTextContainer>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>30" x 25"</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37932">
                <text>Oil on canvas; gilt frame</text>
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            </elementTextContainer>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="37934">
                <text>Athenaeum Purchase.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Thomas Birch (1779-1851), son of artist William Birch, distinguished himself as a prolific painter of marine views and ship portraiture. He achieved early success with his depictions of American naval engagements of the War of 1812. He enjoyed a long career, exhibiting regularly at the Pennsylvania Academy of Fine Arts for forty years.</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37936">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37916">
                <text>Eves, Joseph Bennett</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37917">
                <text>1959.07.01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37918">
                <text>Anonymous [Monogram TA]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37919">
                <text>25" x 30"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37920">
                <text>Oil on canvas; gilt frame</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37921">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="37922">
                <text>Gift of The Ludwick Institute.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="37923">
                <text>Joseph Bennett Eves was one of the founders and first president of the Ludwick Institute.  Incorporated in 1801 as the Philadelphia Society for the Establishment of Charity Schools, it took the name of its original benefactor, German-born Christopher Ludwick (d.1801), in 1872.  Director of Baking in the Army of the United States under Washington, and a Philadelphia civic leader, Ludwick left an $8,000 estate "for the schooling and educating gratis, of poor children of all denominations, in the city and liberties of Philadelphia."</text>
              </elementText>
              <elementText elementTextId="37924">
                <text>The University of Pennsylvania, originally founded as a charity school, had also been anxious to receive this bequest, but Governor Thomas McKean maintained that it would go to the first organization to submit documents of incorporation in the Rolls Office at Lancaster.  Thus, a messenger from the University, on horseback, and Joseph Bennett Eves, in a sulky, set out from Philadelphia in a "hot race...but Eves soon distanced his competitor and arrived in Lancaster, sixty-six miles distant, in seven hours," establishing legal claim to the Ludwick legacy.</text>
              </elementText>
              <elementText elementTextId="37925">
                <text>The Ludwick Institute remains in existence today.  Its assets have grown considerably, and it supports a wide range of programs to benefit poor children.  The Institute has, for many years, held its meetings at the Athenaeum.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37926">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>Ludwick Institute</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Portraits and Paintings</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37904">
                <text>Beck, Paul</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37905">
                <text>1959.06.01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37906">
                <text>Sully, Thomas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37907">
                <text>1860 (From an 1813 Portrait)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="37908">
                <text>29" x 35.75"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37909">
                <text>Oil on canvas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37910">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37911">
                <text>Donated to the Athenaeum by the Ludwick Institute in 1959.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37912">
                <text>Paul Beck, Jr. (1760-1844), was a distinguished Philadelphia merchant and philanthropist.  Appointed to the post of Port Warden, Beck helped to improved the city's shipping facilities and was instrumental in building a canal to connect the Delaware and Chesapeake Bays.  Among the many charitable institutions served by Beck was the Ludwick Institute, founded in 1801 as a free school for poor children.  For many years its vice president, Beck bequeathed to it a property at 6th and Catharine Streets.  In 1859 the Institute removed to that site (which became known as the Beck School House) and soon after it commissioned this portrait.</text>
              </elementText>
              <elementText elementTextId="37913">
                <text>Executed by Thomas Sully (1783-1872) in 1860, this portrait was copied from an earlier one he had painted in 1813.  An Athenaeum shareholder from 1818 to 1822, Sully was Philadelphia's leading portraitist.  His canvases show a fine use of colors and textures, as well as an attention to detail.  In this example he has included a biographical accessory, the gold snuff box given to Beck in 1812 by Major William Jackson (1759-1828), once personal secretary to George Washington.</text>
              </elementText>
              <elementText elementTextId="37914">
                <text>The Ludwick Institute has long met at the Athenaeum and a majority of its managers are usually also directors of the Athenaeum.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37915">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="15">
        <name>Ludwick Institute</name>
      </tag>
      <tag tagId="16">
        <name>Thomas Sully</name>
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  </item>
  <item itemId="2198" public="1" featured="1">
    <fileContainer>
      <file fileId="231">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37892">
                <text>Lewis, Hon. Edwin O. (1879-1974)</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37893">
                <text>1959.03.01</text>
              </elementText>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="37894">
                <text>Allen, Agnes</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37895">
                <text>1959 (circa)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37896">
                <text>26" x 32"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37897">
                <text>Oil on canvas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37898">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37899">
                <text>Probably aqcuired from the artist.  The painting was unveiled at the Athenaeum in October of 1959 at a reception held in honor of Judge Lewis.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37900">
                <text>Edwin O. Lewis (1879-1974) was a long-time member of the Athenaeum and its President from 1950 to 1955.  Born in Richmond, VA, Lewis came to Philadelphia at the age of eighteen to attend the University Of Pennsylvania Law School.  In 1923 he was elected Judge of Philadelphia's Court of Common Pleas, a position he held for thirty-four years. </text>
              </elementText>
              <elementText elementTextId="37901">
                <text>Lewis's distinguished record of public service is highlighted by his efforts to restore the Independence Hall area.  He was the leader of the drive which created both Independence Mall and the Independence National Historical Park in the 1950s.  The Mall's Lewis Quadrangle and the Lewis fountain were named for him.</text>
              </elementText>
              <elementText elementTextId="37902">
                <text>In this portrait, by Agnes Allen (b. 1897), Lewis holds the Independence Mall blueprints.  A native Philadelphian, Allen specialized in portraiture; she studied at the Pennsylvania Academy of the Fine Arts, the University of Pennsylvania, and the Barnes Foundation. Frame is an early 20th-century reproduction, installed in 2001.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37903">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>Athenaeum Board of Directors</name>
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        <name>Athenaeum Shareholders (and Family)</name>
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      <file fileId="230">
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              <description>A name given to the resource</description>
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                  <text>Portraits and Paintings</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <description>A name given to the resource</description>
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                <text>Scott, John Morin (1858-1945)</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37879">
                <text>1954.01.01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="37880">
                <text>Hopkins, Kendle</text>
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            </elementTextContainer>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>32" x 40.5"</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Oil on canvas </text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="37883">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="90">
            <name>Provenance</name>
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              <elementText elementTextId="37884">
                <text>Gift of Mrs. William Wightman Phillips</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="37885">
                <text>Son of Lewis Allaire Scott (1819-1896)</text>
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                <text>Grandson of John Morin Scott, mayor of Philadelphia during 1840's riots, who lived on Washington Square and was an Athenaeum shareholder (Share #181) from 1816-1863.</text>
              </elementText>
              <elementText elementTextId="37887">
                <text>Married Anna F. Barker</text>
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                <text>Oct. 8, 1923-Elected Vice President of the Athenaeum</text>
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              <elementText elementTextId="37889">
                <text>Oct. 14, 1924-Selected to present the Athenaeum address to the Historical Society of Pennsylvania on the occasion of its 100th anniversary.</text>
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                <text>Dec. 21, 1925-ELected President of Athenaeum at special meeting to succeed George Harrison Fosher on his death.</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="37891">
                <text>http://www.philaathenaeum.org/rights.html</text>
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          </element>
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        <name>Athenaeum Board of Directors</name>
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        <name>Athenaeum Shareholders (and Family)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37868">
                <text>Lewis, Howard W. (1854-1940)</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37869">
                <text>1949.02.01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="37870">
                <text>Molarsky, Maurice</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="37871">
                <text>1936 (circa)</text>
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          <element elementId="63">
            <name>Extent</name>
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                <text>25" x 30"</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37873">
                <text>Oil on canvas; gilt frame</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="37874">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="37875">
                <text>Bequest of Mabel Potter Lewis; PAFA 131st Exhibtion in Oil and Sculpture #1552</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="37876">
                <text>Howard W. Lewis was a member of the Athenaeum Board of Directors for fifty-two years, serving as Treasurer from 1888 to 1926 and as Vice President from 1926 until his death in 1940.  A banker by profession, Lewis was also a philanthropist, historian, and sports enthusiast.  This portrait was acquired in 1949 by bequest of Lewis's widow, Mabel Potter Lewis, who also served on the Athenæum Board of Directors.   Molarsky, born 1885 in Kiev, emigrated to Philadelphia where he became a student at the School of Industrial Arts.  An accomplished portrait and still life painter, he won many awards, including a silver medal at the Panama-Pacific Exposition, San Francisco (1915), a gold medal from the Art Club of Philadelphia (1919), and a silver medal at the Sesqui-Centennial Exposition (1926).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="37877">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
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    <tagContainer>
      <tag tagId="24">
        <name>Athenaeum Board of Directors</name>
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        <name>Athenaeum Shareholders (and Family)</name>
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  </item>
  <item itemId="2195" public="1" featured="0">
    <fileContainer>
      <file fileId="228">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37858">
                <text>Woodhouse, Thomas Roberts (1821-1885)</text>
              </elementText>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37859">
                <text>1939.02..01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="37860">
                <text>Bowers, Edward</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="37861">
                <text>20" x 24"</text>
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            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37862">
                <text>Oil on canvas; gilt frame</text>
              </elementText>
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          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37863">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Dr. Samuel W. Woodhouse, Jr.  Exhibited at The Pennsylvania Academy of the Fine Arts, 1857.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="37865">
                <text>Thomas Roberts Woodhouse (born c.1821) served on the Board of Directors of the Athenaeum, from 1869 until his death in 1885.  Woodhouse, who lived at 1111 Walnut Street, was a supporter of Philadelphia's hospitals, churches, and charities.  He was a member of the St. Andrews Society, founded in 1749 by men of Scottish birth or descent for the relief of their "poor and distressed countrymen."</text>
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              <elementText elementTextId="37866">
                <text>The portrait is signed and dated by Edward Bowers (c.1822-c.1865), a Maryland-born artist.  Living in Philadelphia from 1854 to 1858, Bowers participated in the exhibitions at the Pennsylvania Academy of the Fine Arts.</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37867">
                <text>http://www.philaathenaeum.org/rights.html</text>
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            </elementTextContainer>
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        <name>Athenaeum Board of Directors</name>
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      <tag tagId="25">
        <name>Athenaeum Shareholders (and Family)</name>
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    <fileContainer>
      <file fileId="227">
        <src>http://omeka.philaathenaeum.org/collections/files/original/7d32962c2d30089a141ac71c071ed137.jpg</src>
        <authentication>997e489b9f5ae2052c5573e7e17f115b</authentication>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37851">
                <text>Unidentified Male Portrait</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37852">
                <text>149-POR-002</text>
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            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="37853">
                <text>1.5" x 2.25"</text>
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          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37854">
                <text>Watercolor on ivory</text>
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            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="37855">
                <text>Robert Raley Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="37856">
                <text>Gift of Robert Raley.</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37857">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
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    <fileContainer>
      <file fileId="226">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Portraits and Paintings</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="37844">
                <text>Unidentified Female Portrait</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37845">
                <text>149-POR-001</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="37846">
                <text>1.5" x 2.25"</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Watercolor on ivory</text>
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            <name>Is Part Of</name>
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                <text>Robert Raley Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>Gift of Robert Raley.</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="37850">
                <text>http://www.philaathenaeum.org/rights.html</text>
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                <text>Porcelain dinnerware</text>
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                <text>Gift of Mrs. C. Buck Churchman</text>
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                <text>Several pieces of this white porcelain dinner service with overglaze of polychrome decoration have survived with a tradition that they were acquired at the "Point Breeze" sale.  They are of the correct period and of a handsome and serviceable type that might have been regularly used in such a house.  (Matching bowl is 1979.15.01.)</text>
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        <name>Joseph Bonaparte</name>
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                <text>Porcelain bowl</text>
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            <name>Temporal Coverage</name>
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                <text>Gift of Mrs. C. Buck Churchman</text>
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                <text>Glazed white porcelain bowl with overglaze polychrome decoration. Rim painted black with polychrome flowers (including roses, tulips, daisies, pansies, etc.) and gilt stylized leaves. Double rimmed base with narrow gilt band around outer base.  Family tradition believes that this bowl was owned by Joseph Bonaparte.  (Matching dinnerware is 1983.06.01-19.)</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bonaparte Collection</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Napoleon Bonaparte, French General (pin)</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37014">
                <text>2016.34.01</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Whitehead &amp; Hoag Company</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1896 (circa)</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>0.875" diameter</text>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="37018">
                <text>Metal; celluloid</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Athenaeum purchase</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="37021">
                <text>Pin with image of Napoleon Bonaparte, French general. Made by the Whitehead &amp; Hoag Company, c. 1896, for the American Pepsin Gum Co. as an advertising giveaway.</text>
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        <name>Napoleon Bonaparte (Napoleon I)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bonaparte Collection</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Napoleon paperweight</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="37007">
                <text>2015.45.01</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Bronze</text>
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            <name>Is Part Of</name>
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                <text>Gift of Deana Pitcairn Duncan    </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Bronze paperweight sculpture in the shape of Napoleon's head with a laurel leaf wreath. </text>
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        <name>Napoleon Bonaparte (Napoleon I)</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Josephine porcelain plate</text>
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            <name>Identifier</name>
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                <text>2012.48.26</text>
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            <name>Creator</name>
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                <text>Limoges</text>
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                <text>Porcelain</text>
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                <text>Gift of Clifford J. Brooks</text>
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            <description>An account of the resource</description>
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                <text>Porcelain plate with green and gold border with an image of Josephine in the center. </text>
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                <text>Porcelain; metal wire</text>
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                <text>Camus Napoleon Cognac</text>
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                <text>Gift of Clifford J. Brooks</text>
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                <text>Gift of the Anthropology Department, California Academy of Sciences, 2001. </text>
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                <text>Gift of the Anthropology Department, California Academy of Sciences, 2001.  According to the California Academy of Sciences, “These items were donated to the Academy in 1961 by the descended family of Louis Mailliard, who according to family history, was Joseph Bonaparte’s son, born to one of Queen Julia’s ladies in waiting.  Louis Mailliard later served as his father’s personal secretary and married Marguerite Redet, the daughter of one of Joseph Bonaparte’s equerries.  Their only child, Adolph Mailliard, was born at ‘Point Breeze’ and later married Annie Ward of New York.  The Bonaparte items passed through the Mailliard family were either given to Louis Mailliard by Joseph Bonaparte or were purchased by Adolph Mailliard at two estate sales following Joseph Bonaparte’s death.”</text>
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                <text>Leather-covered toiletry case with silver plaque engraved "Legs du roi Joseph Napoleon a Adolph Mailliard." Hinged lid of case lined with red velvet contain 4 scissors (stamped Macdaniels, Oxford St.), nail file, 2 razors (stamped Joseph Rodgers &amp; Sons, Liverpool), pocket knife, corkscrew, 2 button hooks (?); lower half of case lined with red leather and sub-divided to hold 6 glass jars with silver lids (engraved with crown and shield with eagle and several hallmarks), shaving brush; 2 ivory-handled toothbrushes, leather strop, and 2 indeterminate tools; hand mirror contained in removable velvet lined sleeve.</text>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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                <text>Circular box with portrait of Napoleon</text>
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                <text>6.0 cm diameter x 2.5 cm H</text>
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                <text>Ivory (box); oil on ivory (portrait)</text>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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                <text>Gift of Mrs. Samuel R. Shipley III</text>
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                <text>Circular ivory box with miniature portrait of Napoleon I inset in lid, held in place by tooled brass and glass cover; French, 19th century.</text>
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                <text>Miniature portrait of Napoleon Bonaparte</text>
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            <name>Identifier</name>
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                <text>Lemaitre</text>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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                <text>Gift of Mrs. Samuel R. Shipley III</text>
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                <text>Oval miniature three quarter length portrait of Napoleon I, signed Lemaitre, French, 19th century.  Ivory backed with vellum; set in oval gilt brass easel frame with glass cover. </text>
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                <text>Porcelain chocolate set </text>
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            <name>Identifier</name>
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                <text>1994.M05.01-18</text>
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                <text>Gift of Mrs. Samuel R. Shipley III</text>
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                <text>Old Paris porcelain chocolate set, white with gold drapery decoration, France, c. 1830, consisting of one 9" plate; five 2 3/4" straight-side cups; five 2 1/4" round-sided cups; four 4 3/4" saucers; three 5" saucers.  According to family tradition, this set was a gift from Joseph Bonaparte, former King of Spain, elder brother of Napoleon I.</text>
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                <text>Oil on ivory</text>
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                <text>Gift of Mrs. Gustavus Plantou Middleton in memory of Gustavus Plantou Middleton</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Chasseur a Cheval</text>
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            <name>Identifier</name>
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                <text>1979.08.01</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Pierre Nicolas Tourgueneff</text>
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                <text>1890 (circa)</text>
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                <text>24.0" H x 19.0" W x 6.0" D</text>
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                <text>Cast bronze</text>
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                <text>Gift of Pauline T. Pease</text>
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            <description>An account of the resource</description>
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                <text>A bronze equestrian statuette representing a "chasseur a cheval," a French cavalry soldier of the Napoleonic era. Faces left. Soldier is depicted wearing a short fur hat with plume; a coat with fur collar, cuffs and braided front with four rows of buttons; and boots with spurs. Hanging from the belt around the soldier's waist is a sword and cartridge box with an eagle badge. The horse is represented carrying the soldier's blanket roll. The statuette rests on an oval wooden base, which is painted black.  Born in Paris of Russian parents, Pierre Nicolas Tourgueneff (1854-1912) specialized in portrait and equestrian sculpture. He exhibited at the Paris Salon from 1880 to 1911, four times receiving honorable mentions and the Grand Prize at the Universal Exposition of 1889. This cast bronze statue portrays a "chasseur a cheval," a French cavalry soldier of the Napoleonic era. Tourgueneff's realistic modeling of the uniformed soldier and horse reflects more than an artistic interest in his subject. He was a member of the Legion of Honor, achieving the rank of "Chevalier" in 1903, after twenty years of active service. The Legion of Honor, instituted by Napoleon in 1802, is France's highest honor for citizens of military or civil distinction.</text>
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                  <text>Bonaparte Collection</text>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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            <name>Title</name>
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                <text>Fusilier</text>
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            <name>Identifier</name>
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                <text>1979.04.01</text>
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                <text>Luca Madrassi</text>
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                <text>1885 (circa)</text>
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                <text>Cast bronze; marble</text>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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                <text>Gift of Frances Sabina Fernley and Mary Elizabeth Fernley</text>
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                <text>This late 19th-century bronze statuette represents a fusilier in Napoleon's army. Armed with musket and bayonet, the well-equipped soldier wears a tall bearskin hat which is fitted at the front with an eagle badge, and decorated with plume, pom poms, and braided cord. The belt which crosses over the subject's shoulders holds his sword and a cartridge box, which also bears a Napoleonic eagle. Buttoned gaiters, worn to protect the soldier on the march, cover the fusilier's shoes and reach mid thigh. The long skirt of  the subject's coat is folded back and hooked up to allow better mobility. Born in Tricesimo, Italy, Luca Madrassi (fl. 1869-1914) studied at "L'Ecole des Beaux-Arts" in Paris. In addition to his realistic military sculpture, Madrassi was a master of the fantastic, modeling such allegorical subjects as fairies, cupids, satyrs and genies. Madrassi exhibited at the Paris Salon and was a member of the "Artistes Francais." Statuette has serpentine-shaped green and white marble base.</text>
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                <text>Madame LaCoste</text>
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            <name>Identifier</name>
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                <text>1973.08.01</text>
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                <text>Charlotte Bonaparte</text>
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                <text>1823</text>
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                <text>Watercolor on wove paper</text>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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                <text>Gift of Emily G. Hopkinson, 1973</text>
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            <description>An account of the resource</description>
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                <text>Watercolor of Madame LaCoste painted by Charlotte Bonaparte at Point Breeze. Signed and dated in lower left corner.  Emilie Lacoste was the beautiful Creole wife of Felix Lacoste, publisher of Joseph Bonaparte's New York City newspaper, Le Courrier des Etats-Unis. She was brought to "Point Breeze" as a companion for Charlotte Bonaparte during her three years in America. After Charlotte returned to Europe, Emilie remained at "Point Breeze" to comfort the lonely ex-king as his mistress. (She later returned to Paris where she engaged in a tempestuous love affair with the poet Prosper Merimee which ended in a duel between the poet and her husband.) </text>
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        <name>Charlotte Bonaparte</name>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Joseph Bonaparte, Comte de Survilliers</text>
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            <name>Identifier</name>
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                <text>1973.07.01</text>
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            <name>Creator</name>
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                <text>Adolph Maillard, Jr.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1840 (circa)</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>13.0" H x 10.0" W</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Pencil on paper</text>
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            <name>Is Part Of</name>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>Gift of Emily Gilpin Hopkinson</text>
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            <description>An account of the resource</description>
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                <text>This pencil portrait is by Adolph Mailliard (b. 1819 in Bordentown, New Jersey), son of Bonaparte’s personal secretary, Louis Mailliard (b. 1795).  It is believed that Adolph made the portrait on one of the many trips which Bonaparte and the Mailliards made to Europe.  He sent the portrait as a gift to Mrs. Langhorne Thorne, the concierge at Point Breeze.  Adolph settled in San Rafael, California in 1867. </text>
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        <name>Joseph Bonaparte</name>
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              <description>A name given to the resource</description>
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                  <text>Bonaparte Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Elizabeth Patterson</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1973.06.01</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="36725">
                <text>E.W.B.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1810 (circa) -1815 (circa)</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>Image 3.0" H x 2.5" W.  Frame 10.0" H x 9.25" W.</text>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Oil on Ivory</text>
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          <element elementId="72">
            <name>Is Part Of</name>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Joseph Bonaparte gave this painting to Mrs. Joseph Hopkinson. Gift of Emily Gilpin Hopkinson, 1973.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Jerome Bonaparte (1784-1860), youngest of Napoleon's brothers, married Elizabeth Patterson of Baltimore in 1803. (From that union are descended the American Bonapartes.) Napoleon, however, annulled the marriage by imperial decree and Jerome was made King of Westphalia shortly after his arranged marriage to Princess Catherine of Wurtenberg in 1807. Joseph Bonaparte gave this portrait of Elizabeth Patterson to Mrs. Joseph Hopkinson.</text>
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        <name>Joseph Bonaparte</name>
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        <name>Joseph Hopkinson (and family)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bonaparte Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Charlotte Bonaparte</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1973.05.01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lawrence, Charles B. (attributed)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1824 (circa)</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>16.5" H x 13.25" W</text>
              </elementText>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Oil on wood panel</text>
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          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Emily Gilpin Hopkinson</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="36722">
                <text>Charlotte Bonaparte (1802 – 1839) was the daughter of Joseph Bonaparte and the niece of Napoleon.  Raised in France, Charlotte joined her father in 1821 at his New Jersey Estate, Point Breeze, and remained there until 1824.  This portrait of Charlotte is attributed to painter Charles B. Lawrence.</text>
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        <name>Charlotte Bonaparte</name>
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        <name>Joseph Hopkinson (and family)</name>
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  <item itemId="2069" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bonaparte Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Pair of side chairs</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="36707">
                <text>1973.03.01-2</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="36708">
                <text>1815 (circa)</text>
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          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>32.5" H x 18.5" W x 19.0" D</text>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Mahogany   </text>
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          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="90">
            <name>Provenance</name>
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                <text>Gift of Emily G. Hopkinson</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Pair of mahogany Grecian side chairs, scroll back, saber legs, and Boulle inlay in cresting rail. These chairs are believed to have been made for Joseph Bonaparte's first home at Point Breeze near Bordentown, New Jersey, c. 1815.  When the first Point Breeze burned in 1820, some of the furniture from the home was saved.  It is believed that these two chairs were retrieved from the fire, as the forelegs on both chairs are charred on their back edges.  The chairs were supposedly presented to Judge Hopkinson by Joseph Bonaparte, and they were presented to the Athenaeum by Miss Emily G. Hopkinson, who was one of Hopkinson's descendants.</text>
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        <name>Joseph Bonaparte</name>
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      <tag tagId="14">
        <name>Joseph Hopkinson (and family)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bonaparte Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <text>Gift of Dr. Fred B. Rogers</text>
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                <text>Engraved portrait of General Jean Victor Marie Moreau </text>
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      <name>Still Image</name>
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                <text>Commemorative medal</text>
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                <text>1961.13.01</text>
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                <text>Nicolas Guy Antoine Brenet (1770-1846)</text>
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                <text>Gift of Dr. Fred B. Rogers</text>
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            <description>An account of the resource</description>
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                <text>Medal commemorating the reinstallation of the figure of Napoleon in the Place Vendome.</text>
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        <name>Napoleon Bonaparte (Napoleon I)</name>
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              <description>A name given to the resource</description>
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                  <text>Bonaparte Collection</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fall front secretary desk</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1961.03.01</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bouvier, Michel</text>
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            <name>Date</name>
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                <text>1818 - 1820</text>
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            <name>Extent</name>
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                <text>65.0" H x 43.375" W x 21.75" D</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Mahogany, cherry, pine, maple; ormolu mounts</text>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>Gift of Gertruda Vroom Brooks Lushington</text>
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                <text>This fall front secretary desk is attributed to the French-born and trained cabinetmaker Michel Bouvier (1792-1874) who emigrated to Philadelphia after the collapse of the Empire in 1815.  By 1819 he had established himself as a cabinetmaker, and in 1825 he was operating a "cabinet &amp; sofa warehouse" on South Second Street, where he remained for more than thirty years.   According to family tradition, Bouvier supplied this desk for Joseph Bonaparte (1768-1844) while superintending the building and furnishing of Bonaparte's home, "Point Breeze" near Bordentown, NJ on the Delaware River.  It is believed that the desk later passed to Garret Dorset Wall (1783-1850), a New Jersey lawyer who handled Bonaparte's legal affairs.  The desk descended to Wall's daughter, Maria Matilda (b. 1815), the wife of New Jersey Governor Peter Dumont Vroom (1791-1874), and it remained in the Vroom family until presented to the Athenaeum in 1961. </text>
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        <name>Joseph Bonaparte</name>
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        <name>Michel Bouvier</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bonaparte Collection</text>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Pauline Bonaparte Borghese</text>
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            <name>Identifier</name>
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                <text>1961.01.01</text>
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            <name>Creator</name>
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              <elementText elementTextId="36663">
                <text>Antonio Canova</text>
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            <name>Date</name>
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                <text>1811 (circa)</text>
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            <name>Extent</name>
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                <text>22.0" H x 14.0" D x 39.0" L</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Marble</text>
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            <name>Is Part Of</name>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Stewart Huston</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Sculpture of Pauline Bonaparte Borghese reclining semi-nude on a cushioned day-bed, holding a piece of fruit. She is posing as "Venus Vincitrice." This piece is almost identical to the life-size original in the Villa Borghese in Rome, except this version has no bracelet and a non-extended pinky.</text>
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        <name>Antonio Canova</name>
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              <name>Title</name>
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                  <text>Bonaparte Collection</text>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Napoleon Premier Empereur des Francais</text>
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            <name>Identifier</name>
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                <text>1960.18.01</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Levachez , Carle Vernet</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>33.25" H x 24.75" W</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Engraving with gouache handcoloring on wove paper</text>
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            <name>Is Part Of</name>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Mrs. John Gilbert</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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