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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>SW corner of N 20TH ST and CHERRY ST, Philadelphia, PA</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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        <name>Churches</name>
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                <text>2012.30.01</text>
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                <text>Page, Marie Danforth</text>
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                <text>Oil on canvas; gilt frame</text>
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                <text>Gift of Trina Vaux McCauley and Molly Vaux.</text>
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                <text>Anne Hawks Vaux (1913-1978) was closely associated with the Athenaeum for many years. Her husband, George Vaux, served as President of the Board of Directors from 1965 to 1996. The Vaux family’s Athenaeum connections date back to the institution’s founding: lawyer and abolitionist Roberts Vaux held Share #3 from 1814 to 1836.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Shareholders (and Family)</name>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Postcard to Helen Stokes Haines</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>B.P.O. Elks' New Home</text>
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                <text>Buffalo Paper and Post Card Co.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Postcard to Mr. and Mrs. Green</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Doe, Lester Adrian (1896-1981)</text>
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                <text>Gift of Allen Doe</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                <text>Letter to Mrs. E.R. Camden re: Monro &amp; Co. knitting yarns</text>
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                <text>manuscript</text>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>Robert M. Skaler Postcard Collection</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <description>An account of the resource</description>
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                <text>Postcard to Mr. Charles Long</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="64">
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            <description>The material or physical carrier of the resource.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>290-PC-01-019</text>
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              <elementText elementTextId="355">
                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236011</text>
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                <text>en</text>
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                <text>New Jersey (Atlantic City)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38618">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Curt Teich &amp; Co.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Postcard to Mrs. Deutcher</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Postcard to Mrs. Abrahams</text>
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                <text>290-PC-05-137</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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              <elementText elementTextId="39999">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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  <item itemId="727" public="1" featured="0">
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Central City branch of the Philadelphia Saving Fund Society</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>The Philadelphia Saving Fund Society</text>
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                <text>1 postcard</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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            <name>Identifier</name>
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                <text>290-PC-05-155</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0727/manifest</text>
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                <text>12th St and Market St, Philadelphia, PA</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="40034">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
              </elementText>
              <elementText elementTextId="40035">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Portraits and Paintings</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cret, Paul Philippe (1876-1945)</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2013.38.01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Elliott, Arthur, from the original by Adolphe Borie (1914)</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1935</text>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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          <element elementId="64">
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            <description>The material or physical carrier of the resource.</description>
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                <text>Oil on canvas; gilt frame</text>
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          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>H2L2 Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Barry Eiswerth, Thomas Piatrowski, Mikaylo Kulynych, Douglas Steele.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>One of the most influential forces in Philadelphia architecture during the early part of the twentieth century, Paul P. Cret was born in Lyons, France. He first studied at the Ecole des Beaux-Arts of Lyons; and there won the Paris Prize, which enabled him to move to Paris and attend the Ecole there as well as become a member of the Atelier supervised by Pascal. In 1903 when many schools of architecture in the United States were importing teachers from the Ecole, Cret was persuaded to move to Philadelphia and become a Professor of Design at the University of Pennsylvania, arriving in August 1903. Throughout his 34 year tenure, Cret trained many of the students graduating from the University's Department of Architecture and acted as patron of the T-Square Club Atelier; the Beaux-Arts stamp could be seen on the work of those students long after they had graduated and dispersed to various parts of the world. </text>
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                <text>In 1907 Cret, in partnership with Philadelphian Albert Kelsey, won the first of many national architectural competitions which he would enter, the design of the International Bureau of American Republics in Washington, DC (the Pan American Union). Before the first World War interrupted his career, Cret would participate in several other competitions, including the Robert Fulton Memorial Competition (1909: Third Place), the Perry Memorial Competition (1911: Third Place), and the Indianapolis Public Library (1914: First place, with Zantzinger, Borie &amp; Medary). </text>
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                <text>Cret was in France when World War I broke out, and he simply remained there in the army for the next five years, returning to Philadelphia when he was discharged. At the end of his time in the service, Mrs. Theodore Roosevelt asked him to design a memorial to her son, Quentin, who had been killed in the War. This was designed in 1919 for a site at Chamery, France. For his work during the war, Cret was awarded the Croix de Guerre and made an officer in the Legion of Honor. </text>
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                <text>Upon his return from France, Cret was again engaged in an active practice combined with his teaching at the University of Pennsylvania. It was during this time that he designed his first bridge, the Delaware River Bridge in Philadelphia, on which he collaborated with engineer Ralph Modjeski. The 1920s were a thriving time for Cret's work and included work on the Detroit Institute of Arts (with Zantzinger, Borie &amp; Medary), the Frankford War Memorial in Philadelphia, the Barnes Foundation Gallery, Merion, PA, and the Integrity Trust Co., Philadelphia. He was also called upon to use his planning skills for several major campus plans (Brown University, University of Pennsylvania, and, later, the University of Texas at Austin). </text>
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                <text>In his capacity as Consulting Architect for the American Battle Monuments Commission from 1923 to 1945, Cret was in a role where he could affect the image of the United States which was projected abroad through the design of memorials, chapels, and cemeteries in honor of the dead of the first World War. He would continue in this capacity until his death and be followed in this position by his student and colleague John F. Harbeson. </text>
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              <elementText elementTextId="38411">
                <text>Cret's firm flourished until his death. Over the years he designed many memorials, civic and commercial buildings, and, beginning in 1933, even railroad cars. His practice was chiefly non-residential, perhaps because his designs were better suited to the monumentality required by public structures; however, a few residences such as the James M. Cameron residence in Harrisburg, PA (1927) attest to his firm's abilities in that area. </text>
              </elementText>
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                <text>Cret's memberships included the National Academy of Design, National Institute of Arts and Letter, American Philosophical Society, Society of Beaux-Arts Architects, the T-Square Club, the American Institute of Architects, and the French Benevolent Society, among others. His areas of public service included serving as a member of the Art Jury of the City of Philadelphia from its foundation until his death, serving on the National Fine Arts Commission for two terms, and chairing the American Institute of Architects National Committee on War Memorials. </text>
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                <text>A great number of awards came to Cret in recognition of his contributions to city planning, American architecture, and architectural education. These included the Bok Award (1931), the Gold Medal of the American Institute of Architects (1938), the medal of honor of the Architectural League of New York (1920), the Paris Grand Prix, the Prize of Honor at the 5th Pan American Congress of Architects at Montevideo (with Zantzinger, Borie &amp; Medary), and the Award of Merit of the Pennsylvania Alumni Society. He received honorary degrees from Brown University (Master of Arts, 1929), the University of Pennsylvania (1913), and Harvard University (1940). In addition to his architectural design and city planning work Cret published several articles which described the Beaux-Arts method and reacted to the modernist principles of design.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Postcard to Mr. R (Trindel)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>290-PC-02-127</text>
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            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38998">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Curt Teich &amp; Co.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Postcard to Mrs. Mary D'Andra</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39802">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237749</text>
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                <text>16th St and Pattison Ave, Philadelphia, PA</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="42094">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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        <name>Karl F. Lutz</name>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>1949.02.01</text>
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            <name>Creator</name>
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                <text>Molarsky, Maurice</text>
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                <text>Oil on canvas; gilt frame</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>Bequest of Mabel Potter Lewis; PAFA 131st Exhibtion in Oil and Sculpture #1552</text>
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            <description>An account of the resource</description>
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                <text>Howard W. Lewis was a member of the Athenaeum Board of Directors for fifty-two years, serving as Treasurer from 1888 to 1926 and as Vice President from 1926 until his death in 1940.  A banker by profession, Lewis was also a philanthropist, historian, and sports enthusiast.  This portrait was acquired in 1949 by bequest of Lewis's widow, Mabel Potter Lewis, who also served on the Athenæum Board of Directors.   Molarsky, born 1885 in Kiev, emigrated to Philadelphia where he became a student at the School of Industrial Arts.  An accomplished portrait and still life painter, he won many awards, including a silver medal at the Panama-Pacific Exposition, San Francisco (1915), a gold medal from the Art Club of Philadelphia (1919), and a silver medal at the Sesqui-Centennial Exposition (1926).</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37877">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Board of Directors</name>
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        <name>Athenaeum Shareholders (and Family)</name>
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  <item itemId="640" public="1" featured="0">
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                  <text>Robert M. Skaler Postcard Collection</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Green Hill Farms</text>
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                <text>The Albertype Co.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="11687">
                <text>Postcard to Miss Laura G Pound</text>
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            <name>Date</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>290-PC-05-068</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236632</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0640/manifest</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>City Line Ave and  Lancaster Ave, Philadelphia, PA</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39860">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
              </elementText>
              <elementText elementTextId="39861">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Series No. 19 "After the rain" New United States Mint</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Edward Stern &amp; Co.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Postcard to Master Roland</text>
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                <text>1937</text>
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            <description>The size or duration of the resource.</description>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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            <name>Identifier</name>
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                <text>290-PC-12-034</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237505</text>
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