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<rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2339">
    <dcterms:title><![CDATA[Emma Ingle]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[tintype]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-P-007]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2338">
    <dcterms:title><![CDATA[Group of six women and one man in a park setting]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[tintype]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-P-006]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2337">
    <dcterms:title><![CDATA[Ribbon and medal of Republique Francais]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[photostat]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-P-005]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2336">
    <dcterms:title><![CDATA[Native American with feathered headdress]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-P-004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2335">
    <dcterms:title><![CDATA[Pilgrim statue, presented to the City of Philadephia 1905]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[photograph]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-P-003]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2334">
    <dcterms:title><![CDATA[Flag of the Jamestown Ter-Centennial Exposition]]></dcterms:title>
    <dcterms:creator><![CDATA[T.J. Wool, Chas. A. Morrisette]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[photostat]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-P-002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2333">
    <dcterms:title><![CDATA[Various medals and ribbons]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[photostat]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-P-001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2332">
    <dcterms:title><![CDATA[Virginia Camden (Mrs. Edward Griffing) about 2 years old]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[negative]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-N-001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2331">
    <dcterms:title><![CDATA[Emma R. Camden -- state tax account]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-032]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2330">
    <dcterms:title><![CDATA[Unidentified hand-drawn diagram]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-031]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2329">
    <dcterms:title><![CDATA[Instructions for cross cable cardigan]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-030]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2328">
    <dcterms:title><![CDATA[Letter to Mrs. E.R. Camden re: Monro &amp; Co. knitting yarns]]></dcterms:title>
    <dcterms:date><![CDATA[1934]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-029]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2327">
    <dcterms:title><![CDATA[Notebook of handwritten recipes]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-028]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2326">
    <dcterms:title><![CDATA[Letter to Virginia Camden from Pvt. Walter Dietrich, April 16, 1919]]></dcterms:title>
    <dcterms:date><![CDATA[1919]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-027]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2325">
    <dcterms:title><![CDATA[Letter to Virginia Camden from Pvt. Walter Dietrich, Feb. 3, 1919]]></dcterms:title>
    <dcterms:date><![CDATA[1919]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-026]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2324">
    <dcterms:title><![CDATA[Letter to Virginia Camden from Pvt. Walter Dietrich, Jan. 16, 1919]]></dcterms:title>
    <dcterms:date><![CDATA[1919]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-025]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2323">
    <dcterms:title><![CDATA[Letter to Virginia from Dr. H.A. Arnold, Sept. 20, 1911]]></dcterms:title>
    <dcterms:date><![CDATA[1911]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-024]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2322">
    <dcterms:title><![CDATA[Letter to R.L.M. Camden from Treasury Dept., re: importing of insects]]></dcterms:title>
    <dcterms:date><![CDATA[1904]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-023]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2321">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-022]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2320">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-021]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2319">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-020]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2318">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-019]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2317">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-018]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2316">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-017]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2315">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-016]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2314">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:description><![CDATA[Written on the back of stationery of Robert L.M. Camden]]></dcterms:description>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
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    <dcterms:identifier><![CDATA[219-MS-015]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2313">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-014]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2312">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-013]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2311">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-012]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2310">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-011]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2309">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-010]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2308">
    <dcterms:title><![CDATA[Unidentified handwritten essay]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-009]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2307">
    <dcterms:title><![CDATA[Letter from R.L.M. Camden to his son, July 4, 1877]]></dcterms:title>
    <dcterms:creator><![CDATA[R.L.M. Camden]]></dcterms:creator>
    <dcterms:date><![CDATA[1877]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-008]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2306">
    <dcterms:title><![CDATA[Letter from R.L.M. Camden to his son, October 4, 1876]]></dcterms:title>
    <dcterms:creator><![CDATA[R.L.M. Camden]]></dcterms:creator>
    <dcterms:date><![CDATA[1876]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-007]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2305">
    <dcterms:title><![CDATA[Student essays by Robert L.M. Camden, Jr. ]]></dcterms:title>
    <dcterms:creator><![CDATA[R.L.M. Camden, Jr.]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-006]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2304">
    <dcterms:title><![CDATA[Correspondence from Jill Phillips to Mr. Lane seeking info re R.L.M. Camden]]></dcterms:title>
    <dcterms:creator><![CDATA[Jill Phillips]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-005]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2303">
    <dcterms:title><![CDATA[Receipt from Drs. H.A. and C.H. Arnold, Dr.]]></dcterms:title>
    <dcterms:date><![CDATA[1921]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2302">
    <dcterms:title><![CDATA[RLMC membership card, Penna. Academy of the Fine Arts]]></dcterms:title>
    <dcterms:date><![CDATA[1917]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-003]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2301">
    <dcterms:title><![CDATA[Handwritten note about W.W.G__(?)&#039;s grandfather and threshing wheat]]></dcterms:title>
    <dcterms:description><![CDATA[Note was found in the collection with item 219-PR-223 (Tokio Bond illustration)]]></dcterms:description>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2300">
    <dcterms:title><![CDATA[Letter to J.C. Blair Co. from War Dept. re: official mark for American airplanes]]></dcterms:title>
    <dcterms:date><![CDATA[1918]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[manuscript]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-MS-001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2299">
    <dcterms:title><![CDATA[Embroidery transfer patterns]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[papers]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-F-005]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2298">
    <dcterms:title><![CDATA[Mary Fawcett Linen Co. brochures, price lists, patterns, etc.]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[papers]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-F-004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2297">
    <dcterms:title><![CDATA[Set of Ladies Home Journal embroidery transfer patterns]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[papers]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-F-003]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2296">
    <dcterms:title><![CDATA[Miscellaneous embridery diagrams]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[papers]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-F-002]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2295">
    <dcterms:title><![CDATA[Genealogical information re: Camden and Ingle families ]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[papers]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-F-001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2274">
    <dcterms:title><![CDATA[Postage paid stamps attached to a spiral bound notebook page ]]></dcterms:title>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Robert L. M. Camden Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:type><![CDATA[scrapbook]]></dcterms:type>
    <dcterms:identifier><![CDATA[219-AL-001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2273">
    <dcterms:title><![CDATA[Strickland, William (1788-1854)]]></dcterms:title>
    <dcterms:description><![CDATA[William Strickland (1788-1854) was a noted architect and engineer who helped develop the Greek Revival style in the United States.  His major commissions included the Second Bank of the United States and the Merchants&#039; Exchange Building (both in Philadelphia), and the Tennessee State Capitol in Nashville. <br />
<br />
Artist Lois Harper Wyman, a descendant of William Strickland, painted this portrait of her ancestor in 1952, copying from an original portrait by an unknown artist. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Wyman, Lois Harper]]></dcterms:creator>
    <dcterms:date><![CDATA[1952]]></dcterms:date>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[29&quot; x 33&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2017.24.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Melanie Richardson, in memory of Cynthia Wyman Richardson]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2272">
    <dcterms:title><![CDATA[Medal embossed with right profile of Napoleon]]></dcterms:title>
    <dcterms:description><![CDATA[Round medal with two decorated faces; embossed right profile of Napoleon, &quot;Premier consul de la republique Fran. Bonaparte.&quot;  Written on Napoleon&#039;s shoulder &quot;Andrieu F.&quot;; Opposite side depicts a woman and reads &quot;Paix de luneville, lexx pluviose an IX.&quot;]]></dcterms:description>
    <dcterms:isPartOf><![CDATA[Bonaparte Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[1.675&quot; diameter]]></dcterms:extent>
    <dcterms:medium><![CDATA[Bronze]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2001.M04.02]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of the Anthropology Department, California Academy of Sciences, 2001. ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2271">
    <dcterms:title><![CDATA[Medal with low relief figure of Napoleon]]></dcterms:title>
    <dcterms:description><![CDATA[Round medal with low relief figure of emperor Napoleon baptizing a baby commemorating &quot;Baptem Du Roi de Rome, MDCCCXI.&quot; Smaller writing &quot;Andrieu Fecit (?).&quot; Other side of medal has a relief profile of the emperor Napoleon&#039;s Head. &quot;Bronze&quot; stamped on edge of medal.]]></dcterms:description>
    <dcterms:isPartOf><![CDATA[Bonaparte Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[2.675&quot; diameter]]></dcterms:extent>
    <dcterms:medium><![CDATA[Bronze]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2001.M04.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of the Anthropology Department, California Academy of Sciences, 2001. ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2270">
    <dcterms:title><![CDATA[Pair of deeply faceted glass and ormolu ewers]]></dcterms:title>
    <dcterms:description><![CDATA[Pair of deeply faceted glass and ormolu ewers, with gilt metal handles in the form of coiling snakes. Made in France (?)]]></dcterms:description>
    <dcterms:date><![CDATA[1810 (circa) - 1820 (circa)]]></dcterms:date>
    <dcterms:isPartOf><![CDATA[Bonaparte Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[10.75&quot; H x 7.5&quot; W]]></dcterms:extent>
    <dcterms:medium><![CDATA[glass, metal]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1972.30.02]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Mr. and Mrs. David Stockwell]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2268">
    <dcterms:title><![CDATA[Bronze figurine of Napoleon]]></dcterms:title>
    <dcterms:description><![CDATA[Decorative ornamental, bronze figurine of Napoleon.]]></dcterms:description>
    <dcterms:isPartOf><![CDATA[Bonaparte Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[3.0&quot; H ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Bronze]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1973.18.01]]></dcterms:identifier>
    <dcterms:temporal><![CDATA[19th century]]></dcterms:temporal>
    <dcterms:provenance><![CDATA[Gift of Mr. and Mrs. Frank Seymour]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2267">
    <dcterms:title><![CDATA[Silver ink stand]]></dcterms:title>
    <dcterms:description><![CDATA[Silver neo-classical three-pot ink stand.  Made in France.]]></dcterms:description>
    <dcterms:date><![CDATA[1810 (circa) - 1820 (circa)]]></dcterms:date>
    <dcterms:isPartOf><![CDATA[Bonaparte Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[6&quot; H x 10&quot; W x 5&quot; D]]></dcterms:extent>
    <dcterms:medium><![CDATA[Sterling silver]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1972.24.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Mr. and Mrs. David Stockwell, 1972]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2266">
    <dcterms:title><![CDATA[Escutcheon]]></dcterms:title>
    <dcterms:description><![CDATA[On December 2, 1804, Napoleon Bonaparte became Emperor of France.  This ormolu escutcheon, bearing Napoleon&#039;s coat of arms with the Imperial eagle, decorated the carriage which conveyed him to Notre Dame.  Surrounding the eagle shield is the collar and badge of the Legion of Honor, an order founded by Napoleon in 1802 which is still the most highly prized decoration in France.  ]]></dcterms:description>
    <dcterms:date><![CDATA[1804 (circa)]]></dcterms:date>
    <dcterms:isPartOf><![CDATA[Bonaparte Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[27&quot; x 27&quot; x 4.5&quot; ]]></dcterms:extent>
    <dcterms:medium><![CDATA[Ormolu]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1961.08.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Dr. Lewis C. Scheffey]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2257">
    <dcterms:title><![CDATA[Chastelain, Madame]]></dcterms:title>
    <dcterms:description><![CDATA[Small oval portrait of Madame Chastelain, mother-in-law of Eliza Fremineau Chastelain (1977.05.03). Waist view, seated in chair draped with multi-colored cloth. Hair is parted with curls at sides. Wears untied yellow bonnet, long sleeved blue dress with lace collar and cuffs, and bow on bodice, black lace mitts, and brooch at collar. Vertical architectural molding on wall in left background. ]]></dcterms:description>
    <dcterms:description><![CDATA[Oval mat. Gilt and gesso frame: Inner frame is oval, outer frame is serpentine oblong with floral and foliate scroll decoration at corners. (Frame is identical to frames for 1977.05.01, 1977.05.03-04)]]></dcterms:description>
    <dcterms:creator><![CDATA[Leloir, Heloise (nee Colin) (b. 1820 Paris - d. 1873 Paris)]]></dcterms:creator>
    <dcterms:date><![CDATA[1860 (circa) (?)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[6.0&quot; x 7.25&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Watercolor on paper; gilt and gesso frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1977.05.02]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Samuel J. Dornsife]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2256">
    <dcterms:title><![CDATA[Fremineau, Monsieur ]]></dcterms:title>
    <dcterms:description><![CDATA[Small oval portrait of Monsieur Fremineau, waist view, facing three quarters to the right. Blue eyes with brown hair which curls over forehead. Wears double breasted black coat with brass buttons, and white waistcoat, neckcloth and cravat.]]></dcterms:description>
    <dcterms:description><![CDATA[  ]]></dcterms:description>
    <dcterms:description><![CDATA[Background is blue/gray and painted in cross stroke style.  Gilt and gesso frame: Inner frame is oval, outer frame is serpentine oblong with floral and foliate scroll decoration at corners. (Frame identical to frames for 1977.05.02-04)]]></dcterms:description>
    <dcterms:creator><![CDATA[Langlois (?)]]></dcterms:creator>
    <dcterms:date><![CDATA[1839  ]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[7.375&quot; x 9.5&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Watercolor on paper; gilt and gesso frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1977.05.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Samuel J. Dornsife]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2255">
    <dcterms:title><![CDATA[Unidentified Landscape]]></dcterms:title>
    <dcterms:description><![CDATA[Country landscape with small house in right middleground.]]></dcterms:description>
    <dcterms:creator><![CDATA[Chandler, Theophilus Parsons, Jr.]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[37&quot; X 57&quot; (framed size)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; wood frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2010.16.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Alfred D. Chandler,  III]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2254">
    <dcterms:title><![CDATA[Unidentified seascape]]></dcterms:title>
    <dcterms:creator><![CDATA[D&#039;Ascenzo, Nicola]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[24&quot; x 37&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; wood frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1986.M06.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Felicia Janney Mather and Eleanor Morris Potter]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2253">
    <dcterms:title><![CDATA[Carr, Benjamin (1768-1831)]]></dcterms:title>
    <dcterms:description><![CDATA[Benjamin Carr was born in England and received a good musical education in London.  He emigrated to Philadelphia in 1793.  There he opened a music store and promoted music.  He was a publisher, editor, organist, pianist, singer, composer, teacher and conductor, as well as one of the founding members of the Musical Fund Society in 1820.  He was also a member of the Atheneaum.  Carr never married.  When he died he was living at 72 South Fifth St.]]></dcterms:description>
    <dcterms:creator><![CDATA[Darley, Jane Cooper (nee Sully) or John Clarendon Darley]]></dcterms:creator>
    <dcterms:date><![CDATA[1831]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[28&quot; x 36&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; wood frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1957.02.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Purchased from Theodore Siegel with gift funds from Mr. Frederick Lewis]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2252">
    <dcterms:title><![CDATA[Price, William L. (1861-1916)]]></dcterms:title>
    <dcterms:description><![CDATA[William L. Price was one of an influential group of architects working during the late nineteenth and early twentieth centuries in Philadelphia. Aside from his importance in the area of design based on Arts and Crafts Movement ideals, Price was one of the founders of an arts and crafts community, Rose Valley, outside of Philadelphia. He attended the Westtown School, but left in 1877 to practice carpentry, abandoning that for architecture when he entered the office of Quaker architect Addison Hutton in 1878. According to the obituary published by the Philadelphia Real Estate Record and Builders Guide, Price also spent some time with Furness &amp; Evans; however, that information has not been documented by other sources. By 1881 Price and his brother Frank L. Price had established a partnership which would last until 1895, with a practice chiefly based on residential design, including houses for Wendell &amp; Smith, the developers of Wayne and St.Davids, PA, as well as the Pelham and Overbrook neighborhoods of Philadelphia. In 1895 Price began to practice independently, but in 1903 he established a partnership with M. Hawley McLanahan which would endure under the name of Price &amp; McLanahan until his death, with McLanahan continuing to use the name for several years thereafter and eventually producing a successor firm, McLanahan &amp; Bencker. Although well-known for residential design, Price&#039;s work also included the Traymore Hotel in Atlantic City, NJ, and Jacob Reed&#039;s Sons store in Philadelphia. ]]></dcterms:description>
    <dcterms:description><![CDATA[As interested in social reform movements as he was in architecture, Price helped Frank Stephens to found Arden, DE, a single-tax community outside of Wilmington. In 1901 he helped establish Rose Valley, an arts and crafts community in which many architects were involved, but none so vitally as Price. Although the earlier parts of the community were based on existing buildings, Price later designed a number of residences, among those several for the Rose Valley Improvement Company. Price was joined in the Rose Valley endeavor by his brother Walter Price and Walter Price&#039;s partner, William McKee Walton, as well as by younger architects like Carl deMoll and John M. Dickey.]]></dcterms:description>
    <dcterms:creator><![CDATA[Day, Francis]]></dcterms:creator>
    <dcterms:date><![CDATA[1902]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[21.5&quot; x 28&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; wood frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[L86.3]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[On Loan from Eleanor Morris Potter and Felicia Janney Mather ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2251">
    <dcterms:title><![CDATA[Schaffer, William Lehman (c. 1804-1884)]]></dcterms:title>
    <dcterms:description><![CDATA[William L. Schaffer (c. 1806-1884), Vice president of the Girard National Bank, and his sister, Elizabeth, are among the Athenaeum benefactors whose names are inscribed in the marble tablets of the Reading Room on the second floor. After Schaffer&#039;s death, the Board of Directors asked Elizabeth to lend a portrait of her late brother &quot;in order that a copy be made and hung on the walls of the Library&quot;. Instead, she presented the Athenaeum with this portrait in March 1893.]]></dcterms:description>
    <dcterms:date><![CDATA[1835]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[24.5&quot; x 29&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[AP58.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Elizabeth Schaffer.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2250">
    <dcterms:title><![CDATA[McIllhenney, William, Jr. (c.1779-1853), ]]></dcterms:title>
    <dcterms:description><![CDATA[William McIlhenney, Jr., (c.1779-1854), scholar and attorney at law educated at the University of Pennsylvania, became the Athenaeum&#039;s third librarian in 1820.  He served the Athenaeum well and was its popular librarian for thirty-four years.  During his tenure the collections were greatly expanded and the present building was erected.  On the back of the canvas: &quot;Post mortem portrait of the late Wm. McIlhenney for thirty-four years the librarian of the Philadelphia Athenaeum. Painted for the Athenaeum by John Neagle. Phila. June 30, 1855.&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[Neagle, John]]></dcterms:creator>
    <dcterms:date><![CDATA[1855]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[25&quot; x 30&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[AP36.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of John Neagle.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2249">
    <dcterms:title><![CDATA[Armatt, Jane Caroline (1798-1856)]]></dcterms:title>
    <dcterms:description><![CDATA[Born in the autumn of 1798, the younger of two daughters, Jane Caroline Armat was raised in the newly built family home of Loudon in Germantown, Philadelphia. By the age of 11, Jane and her sister Sara were left solely in the care of their grandparents following the death of their mother and father within just three years of each other.]]></dcterms:description>
    <dcterms:description><![CDATA[At the age of 21, in 1819, Jane married her cousin William Armatt with whom she had two daughters. It was in the early years of their marriage that the artist Henry Inman is believed to have painted this portrait of Jane. ]]></dcterms:description>
    <dcterms:description><![CDATA[Inman, who had established himself as one of the prominent portraitists in New York City by 1829, was also credited with the first successful attempt of genre painting by an American-born artist. His somewhat Romanticised style is perhaps what first appealed to Jane when commissioning this portrait, however it is thought that Jane Caroline Armatt and Henry Inman were good friends too. Their friendship lasted long after the passing of William Armatt in 1822 as Inman is also attributed to painting two later portraits of Jane and her second husband, James Skerrett, an Athenaeum shareholder, after their marriage in 1825.]]></dcterms:description>
    <dcterms:creator><![CDATA[Inman, Henry (attributed).   Alternate attribution: Jacob Eichholtz.]]></dcterms:creator>
    <dcterms:date><![CDATA[1820 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[25&quot; x 30&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2017.01.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Major and Mrs. Coryndon Luxmoore.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2248">
    <dcterms:title><![CDATA[Cret, Paul Philippe (1876-1945)]]></dcterms:title>
    <dcterms:description><![CDATA[One of the most influential forces in Philadelphia architecture during the early part of the twentieth century, Paul P. Cret was born in Lyons, France. He first studied at the Ecole des Beaux-Arts of Lyons; and there won the Paris Prize, which enabled him to move to Paris and attend the Ecole there as well as become a member of the Atelier supervised by Pascal. In 1903 when many schools of architecture in the United States were importing teachers from the Ecole, Cret was persuaded to move to Philadelphia and become a Professor of Design at the University of Pennsylvania, arriving in August 1903. Throughout his 34 year tenure, Cret trained many of the students graduating from the University&#039;s Department of Architecture and acted as patron of the T-Square Club Atelier; the Beaux-Arts stamp could be seen on the work of those students long after they had graduated and dispersed to various parts of the world. ]]></dcterms:description>
    <dcterms:description><![CDATA[In 1907 Cret, in partnership with Philadelphian Albert Kelsey, won the first of many national architectural competitions which he would enter, the design of the International Bureau of American Republics in Washington, DC (the Pan American Union). Before the first World War interrupted his career, Cret would participate in several other competitions, including the Robert Fulton Memorial Competition (1909: Third Place), the Perry Memorial Competition (1911: Third Place), and the Indianapolis Public Library (1914: First place, with Zantzinger, Borie &amp; Medary). ]]></dcterms:description>
    <dcterms:description><![CDATA[Cret was in France when World War I broke out, and he simply remained there in the army for the next five years, returning to Philadelphia when he was discharged. At the end of his time in the service, Mrs. Theodore Roosevelt asked him to design a memorial to her son, Quentin, who had been killed in the War. This was designed in 1919 for a site at Chamery, France. For his work during the war, Cret was awarded the Croix de Guerre and made an officer in the Legion of Honor. ]]></dcterms:description>
    <dcterms:description><![CDATA[Upon his return from France, Cret was again engaged in an active practice combined with his teaching at the University of Pennsylvania. It was during this time that he designed his first bridge, the Delaware River Bridge in Philadelphia, on which he collaborated with engineer Ralph Modjeski. The 1920s were a thriving time for Cret&#039;s work and included work on the Detroit Institute of Arts (with Zantzinger, Borie &amp; Medary), the Frankford War Memorial in Philadelphia, the Barnes Foundation Gallery, Merion, PA, and the Integrity Trust Co., Philadelphia. He was also called upon to use his planning skills for several major campus plans (Brown University, University of Pennsylvania, and, later, the University of Texas at Austin). ]]></dcterms:description>
    <dcterms:description><![CDATA[In his capacity as Consulting Architect for the American Battle Monuments Commission from 1923 to 1945, Cret was in a role where he could affect the image of the United States which was projected abroad through the design of memorials, chapels, and cemeteries in honor of the dead of the first World War. He would continue in this capacity until his death and be followed in this position by his student and colleague John F. Harbeson. ]]></dcterms:description>
    <dcterms:description><![CDATA[Cret&#039;s firm flourished until his death. Over the years he designed many memorials, civic and commercial buildings, and, beginning in 1933, even railroad cars. His practice was chiefly non-residential, perhaps because his designs were better suited to the monumentality required by public structures; however, a few residences such as the James M. Cameron residence in Harrisburg, PA (1927) attest to his firm&#039;s abilities in that area. ]]></dcterms:description>
    <dcterms:description><![CDATA[Cret&#039;s memberships included the National Academy of Design, National Institute of Arts and Letter, American Philosophical Society, Society of Beaux-Arts Architects, the T-Square Club, the American Institute of Architects, and the French Benevolent Society, among others. His areas of public service included serving as a member of the Art Jury of the City of Philadelphia from its foundation until his death, serving on the National Fine Arts Commission for two terms, and chairing the American Institute of Architects National Committee on War Memorials. ]]></dcterms:description>
    <dcterms:description><![CDATA[A great number of awards came to Cret in recognition of his contributions to city planning, American architecture, and architectural education. These included the Bok Award (1931), the Gold Medal of the American Institute of Architects (1938), the medal of honor of the Architectural League of New York (1920), the Paris Grand Prix, the Prize of Honor at the 5th Pan American Congress of Architects at Montevideo (with Zantzinger, Borie &amp; Medary), and the Award of Merit of the Pennsylvania Alumni Society. He received honorary degrees from Brown University (Master of Arts, 1929), the University of Pennsylvania (1913), and Harvard University (1940). In addition to his architectural design and city planning work Cret published several articles which described the Beaux-Arts method and reacted to the modernist principles of design.]]></dcterms:description>
    <dcterms:creator><![CDATA[Elliott, Arthur, from the original by Adolphe Borie (1914)]]></dcterms:creator>
    <dcterms:date><![CDATA[1935]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[H2L2 Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[28&quot; x 32.5&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2013.38.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Barry Eiswerth, Thomas Piatrowski, Mikaylo Kulynych, Douglas Steele.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2247">
    <dcterms:title><![CDATA[Vaux, Anne Hawks (1913-1978)]]></dcterms:title>
    <dcterms:description><![CDATA[Anne Hawks Vaux (1913-1978) was closely associated with the Athenaeum for many years. Her husband, George Vaux, served as President of the Board of Directors from 1965 to 1996. The Vaux family’s Athenaeum connections date back to the institution’s founding: lawyer and abolitionist Roberts Vaux held Share #3 from 1814 to 1836.]]></dcterms:description>
    <dcterms:creator><![CDATA[Page, Marie Danforth]]></dcterms:creator>
    <dcterms:date><![CDATA[1929]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[29&quot; x 34&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2012.30.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Trina Vaux McCauley and Molly Vaux.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2246">
    <dcterms:title><![CDATA[Smith, Lydia Leaming (1789-1869)]]></dcterms:title>
    <dcterms:description><![CDATA[Lydia Leaming, the daughter of Thomas Leaming and Rebecca Fisher, was born in Philadelphia in 1789. In 1808, Lydia married James Somers Smith, a prominent Philadelphia attorney who served on the Board of Directors of the Athenaeum from 1826 to 1831. The couple had six children and it was at some point well into their marriage, that Henry Inman was commissioned to paint his portrait of Lydia Leaming Smith.]]></dcterms:description>
    <dcterms:creator><![CDATA[Inman, Henry]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[31&quot; x 35&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2011.36.02]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Lydia Smith Thomson.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2245">
    <dcterms:title><![CDATA[Leaming, Lydia (1789-1869)]]></dcterms:title>
    <dcterms:description><![CDATA[Lydia Leaming, the daughter of Thomas Leaming and Rebecca Fisher, was born in Philadelphia in 1789. In 1806, Lydia’s mother commissioned artist Thomas Sully to paint a portrait of her 17 year old daughter.]]></dcterms:description>
    <dcterms:creator><![CDATA[Sully, Thomas]]></dcterms:creator>
    <dcterms:date><![CDATA[1806]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[29&quot; x 34&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2011.36.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Lydia Smith Thomson.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2244">
    <dcterms:title><![CDATA[Woodward, Blanche Wendell (d. 1895) ]]></dcterms:title>
    <dcterms:description><![CDATA[Blanche Wendell Woodward (d. 1895) was married to Dr. Joseph Janvier Woodward (1833-1884), the Civil War surgeon who participated in the autopsies of Abraham Lincoln and John Wilkes Booth and attended President Garfield.  Woodward was a shareholder in the Athenaeum from  1839-1879.]]></dcterms:description>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[27&quot; x 29&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Tinted photograph with oval gilded frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2011.32.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Jane Woodward Sherwin.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2243">
    <dcterms:title><![CDATA[Paul, Comegys (1785-1851) ]]></dcterms:title>
    <dcterms:description><![CDATA[Comegys Paul was a shareholder of the Athenaeum of Philadelphia (share certificate #364 - December 19, 1820)]]></dcterms:description>
    <dcterms:date><![CDATA[1835 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[8.25&quot; x 9&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil painting in ornate gold-colored frame set in red velvet and double framed  in plain wooden case with clear glass.]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2010.25.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of John Rodman Paul.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2242">
    <dcterms:title><![CDATA[Day, Charles (1879 - 1931) ]]></dcterms:title>
    <dcterms:description><![CDATA[Son of Richard H. Day, Charles A. Day graduated from Germantown Academy before entering the University of Pennsylvania&#039;s program in Engineering. In 1899 he obtained a B.S. in Electrical Engineering, followed by the M.S. in 1903. Even before graduation he was employed at the Link-Belt Engineering Co. in Nicetown, an operation headed by John Mapes Dodge, father of his friend from Germantown Academy days Kern Dodge. After Kern Dodge graduated from Drexel Institute in 1901, the two established Dodge &amp; Day, engineers; but after a transition with Dodge, Day &amp; Zimmermann, Kern Dodge withdrew from this enterprise in 1912, and Charles Day continued with the succeeding firm of Day &amp; Zimmermann. ]]></dcterms:description>
    <dcterms:description><![CDATA[Charles Day both wrote and lectured on engineering practice. His book Industrial Plants: Their Arrangement and Construction, published by Engineering Magazine as a monograph in 1911, actually grew out of a series of lectures for Harvard University&#039;s Graduate School of Business Administration. ]]></dcterms:description>
    <dcterms:description><![CDATA[During World War I Day also served on the U. S. Shipping Board Emergency Fleet Corporation and became a member of the Army War Council.]]></dcterms:description>
    <dcterms:creator><![CDATA[Borie, Adolphe]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Myers Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[20&quot; x 23&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Photo reproduction]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2007.12.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Hyman &amp; Sandra Myers.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2241">
    <dcterms:title><![CDATA[Walter, Mary Ann Elizabeth Hancocks (1806-1847)]]></dcterms:title>
    <dcterms:description><![CDATA[Miniature portrait of Mrs. Ann Elizabeth Hancocks Walter, first wife of the great American architect Thomas Ustick Walter.  In presentation frame: &quot;Presented by Mrs. T.U. Walter to her husband, June 28th, 1838&quot; inscribed in gold plaque, reverse. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Peale, Anna Claypoole]]></dcterms:creator>
    <dcterms:date><![CDATA[1838]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Thomas Ustick Walter Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[1.75&quot; x 2.25&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Watercolor on ivory]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2004.M01.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Athenaeum Purchase.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2240">
    <dcterms:title><![CDATA[Bird, Eleanor Blaney]]></dcterms:title>
    <dcterms:description><![CDATA[Eleanor Blaney Bird (1806-1888) was the wife of Henry Bird (1803-1864) sixth Librarian of the Athenaeum of Philadelphia.]]></dcterms:description>
    <dcterms:creator><![CDATA[Sully, Thomas (attributed)]]></dcterms:creator>
    <dcterms:date><![CDATA[1830 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[24.5&quot; x 29.5&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2002.M02.02]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Eleanor Bird Light.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2239">
    <dcterms:title><![CDATA[Bird, Henry]]></dcterms:title>
    <dcterms:description><![CDATA[Henry Bird (1803-1864), served as Secretary and sixth Librarian of The Athenaeum of Philadelphia from 1859 until his death in 1864. He was the husband of Eleanor Blaney Bird (1806-1888).]]></dcterms:description>
    <dcterms:creator><![CDATA[Sully, Thomas (attributed)]]></dcterms:creator>
    <dcterms:date><![CDATA[1830 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[24.5&quot; x 29.5&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2002.M02.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Eleanor Bird Light.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2238">
    <dcterms:title><![CDATA[Burns, Charles Marquedent (1838-1922) ]]></dcterms:title>
    <dcterms:description><![CDATA[Philadelphia-born church architect Charles M. Burns was the son of Charles M. and Eliza Van Dyke (Rousseau) Burns. Although he entered the University of Pennsylvania in the Class of 1859 as a second-semester freshman, his academic career was finished by the end of his junior year when he volunteered for Civil War action. By 1862 Burns was in battle at Mobile, AL with Admiral Farragut; he would return with Farragut to New Orleans in 1864. Therefore, although city directory listings for Burns commence in 1863, it is doubtful that Burns would have returned to Philadelphia before 1865. Once he did return to Philadelphia, he launched a distinguished architectural career, with a specialty in ecclesiastic buildings, especially Protestant Episcopal churches. ]]></dcterms:description>
    <dcterms:description><![CDATA[While managing a steadily growing practice, Burns still attempted to further his own education by enrolling at the Pennsylvania Academy of the Fine Arts in 1876. His own talents were soon recognized, however; and by 1879 he had left off his own student activities in order to become a member of the faculty of the Pennsylvania Museum and School of Industrial Art, with responsibility for &quot;Theory and Practice of Freehand Drawing and Design.&quot; According to artist Joseph Pennell, who attended Burns&#039;s class and wrote a memorial article (really more a diatribe against Philadelphia) after Burns&#039;s death, &quot;If he found that you could accept [his criticism], his interest in you was endless and tireless. But if you did not, the heavy black eyebrows and bristling black mustache, with the flaming red necktie underneath, passed you by -- and that was worse than anything.&quot; After this stint at the PMSI, Burns would continue as instructor of drawing at Haverford College through 1885. ]]></dcterms:description>
    <dcterms:description><![CDATA[Burns was among the first group of architects proposed for membership in the Philadelphia Chapter of the AIA in 1870 and later served as treasurer for the group. Widely known as a portrait painter of some distinction and as a watercolorist, he exhibited at the Centennial Exposition in Philadelphia in 1876; and his architectural drawings appeared in exhibitions at the Pennsylvania Academy of the Fine Arts in 1887, 1888, 1890, 1892 and 1894. After his retirement to Camden, NJ, Burns passed some of his ecclesiastical work along to Henry Macomb. ]]></dcterms:description>
    <dcterms:description><![CDATA[On 21 April 1870 Burns was elected an associate member of the AIA, but his membership &quot;lapsed&quot; in October 1875, according to the bulletin published for the 17th Annual Convention of the AIA (1883).]]></dcterms:description>
    <dcterms:creator><![CDATA[Hamilton, John McLure]]></dcterms:creator>
    <dcterms:date><![CDATA[1919]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[14&quot; x 18&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2001.M09.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Athenaeum Purchase]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2237">
    <dcterms:title><![CDATA[Vezin, Emilie Kalisky (1803-1858)]]></dcterms:title>
    <dcterms:description><![CDATA[Wife of Charles Vezin.]]></dcterms:description>
    <dcterms:date><![CDATA[1835-1840]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[15.5&quot; x 17.5&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2001.M07.02]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Bequest of Emilie DeHellenbranth.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2236">
    <dcterms:title><![CDATA[Vezin, Charles (1782-1853)]]></dcterms:title>
    <dcterms:description><![CDATA[Charles Vezin was extremely influential in the development of chess in Philadelphia. He came to the United States from France in 1813; and for over twenty years, Vezin conducted an informal chess &quot;school&quot; with his friend Henry Vethake, a chess prodigy. The school was held in the Athenaeum of Philadelphia and produced many talented chess players. Students of Charles Vezin were sometimes known as &quot;Men of the Athenaeum.&quot;  Charles Vezin became a stockholder of the Athenaeum of Philadelphia in 1815. He was an ancestor of the donor.]]></dcterms:description>
    <dcterms:date><![CDATA[1835-1840]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[27&quot; x 32&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[2001.M07.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Bequest of Emilie DeHellenbranth.  This portrait was inherited by Mrs. DeHellebranth from her father, Henry Paul Busch, who probably inherited it from the previous generation.  ]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2235">
    <dcterms:title><![CDATA[Vaux, Roberts (1786-1836)]]></dcterms:title>
    <dcterms:description><![CDATA[Roberts Vaux (1786-1836) was a successful Philadelphia businessman, politician and philanthropist.  He was a moving force among Philadelphia Quakers behind the change of penology, inventing the concept of correctional institutions.  He was a founder and early director (first Treasurer) of the Athenæum.]]></dcterms:description>
    <dcterms:creator><![CDATA[Inman, Henry (attributed)]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[28.25&quot; x 36&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1999.M05.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Katharine Vaux McCauley and Mary James Vaux.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2234">
    <dcterms:title><![CDATA[King Alexander and the Stag (Also known as Alexander III, King of Scotland, rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald; The Stag Hunt)]]></dcterms:title>
    <dcterms:description><![CDATA[Charles Robert Leslie (1794-1859), who lived in Philadelphia and studied under Benjamin West (1738-1820) in England, copied West&#039;s painting Alexander III, King of Scotland, rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald.  [The West original hangs in the National Gallery of Scotland.]]]></dcterms:description>
    <dcterms:description><![CDATA[Leslie presented this painting to his benefactor, Charles Nicoll Bancker (1776-1869), an early Athenaeum member, and it later came to the society from Mr. John Cadwalader who had inherited the painting.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leslie, Charles Robert (After Benjamin West)]]></dcterms:creator>
    <dcterms:date><![CDATA[1814]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[80&quot; x 95&quot; (approximate)]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1999.M01.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Athenaeum Purchase.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2233">
    <dcterms:title><![CDATA[Vaux, George, X (1908-1996)]]></dcterms:title>
    <dcterms:description><![CDATA[George Vaux (1908-1996) became a member of the Athenaeum in 1947 and was elected President of the Board of Directors in 1965 a position he held until a few months prior to his death in 1996.  During the Vaux administration, the Athenaeum building was restored, expanded, the institution given new direction as a special collections library with museum collections.  This portrait was presented to the Athenaeum at the 178th Annual Meeting in April, 1993.]]></dcterms:description>
    <dcterms:creator><![CDATA[Kennedy, Stephen]]></dcterms:creator>
    <dcterms:date><![CDATA[1993]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[26&quot; x 32&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1993.M01.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Athenaeum Purchase.  Commissioned by The Athenaeum Board of Directors.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2232">
    <dcterms:title><![CDATA[Busch, Henry Paul (1873-1942)]]></dcterms:title>
    <dcterms:description><![CDATA[Mr. Busch (1873-1942) was President of the Welcome Society at the time Pennsbury Manor was reconstructed, thus the reason the artist included that house in the background.]]></dcterms:description>
    <dcterms:description><![CDATA[The Athenaeum reading room is named in Mr. Busch&#039;s honor.  It was dedicated on April 6, 1992, by Mrs. deHellebranth--member of the Athenaeum board of directors, Mr. Busch&#039;s daughter, and the donor of the renovation funds.]]></dcterms:description>
    <dcterms:creator><![CDATA[Schule, Clifford Hamilton]]></dcterms:creator>
    <dcterms:date><![CDATA[1992 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[26.25&quot; x 30&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1992.M01.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Emilie DeHellenbranth.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2231">
    <dcterms:title><![CDATA[Lukens, Isaiah (1779-1846)]]></dcterms:title>
    <dcterms:description><![CDATA[Isaiah Lukens (1779-1846) was best known in his own day as a maker of town clocks, but his mechanical genius led him also into the manufacture of machine tools, mathematical and surgical instruments.  His father made clocks (see example on first floor) and the son made the towering clock at the Athenaeum (Busch Reading Room).]]></dcterms:description>
    <dcterms:description><![CDATA[This portrait descended in the family of Franklin Williams along with a number of other Lukens items later donated by his widow in his memory.  Charles Willson Peale is known to have painted Lukens (1816; Franklin Institute), but the Peale experts are not in agreement about which Peale did this painting; all agree it is a member of the family.]]></dcterms:description>
    <dcterms:creator><![CDATA[Peale, Rembrandt (attributed)]]></dcterms:creator>
    <dcterms:date><![CDATA[1800 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[21&quot; x 27&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1990.M03.02]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Emily W. Williams.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2230">
    <dcterms:title><![CDATA[Rodgers, William Barton (1804-1882)]]></dcterms:title>
    <dcterms:description><![CDATA[Handwritten on back: Professor Wm B Rodgers/President School Technology/Boston]]></dcterms:description>
    <dcterms:creator><![CDATA[Chandler, Theophilus Parsons, Jr.]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Theophilus P. Chandler Jr. Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[8&quot; x 10&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on wood]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1988.M03.06]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of the Chandler Family.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2229">
    <dcterms:title><![CDATA[Chandler, Theophilus Parsons, Jr. (1845-1928), Self Portrait]]></dcterms:title>
    <dcterms:description><![CDATA[The importance of T.P. Chandler to the architectural profession in late nineteenth-century Philadelphia cannot be overestimated. Not only as a conveyor of high-style design, often based on European models, but also as the founder of the University of Pennsylvania&#039;s Department of Architecture, Chandler substantially affected the architectural climate in Philadelphia and raised the role of architect to new heights of professionalism. Born in Boston, MA, and educated first in the Brookline schools, Chandler spent his freshman year at Harvard University and later studied at the Atelier Vaudremer in Paris. After returning to the United States, Chandler worked in several Boston offices. In 1872, with the persuasion of landscape architect Robert Copeland, then involved in the development of Ridley Park, Chandler came to Philadelphia and opened an office at 705 Sansom Street. While moving to Philadelphia enabled Chandler to capitalize on Copeland&#039;s activities in Ridley Park, it also reinforced Chandler&#039;s ties to his mother&#039;s family, the Schlatters, with grandfather William Schlatter, one of the founders of the Church of the New Jerusalem in Philadelphia, and to the DuPont family in Wilmington, DE, with whom the Schlatters had strong financial ties. Thus, with the Chandlers of New England behind him, and strong professional and familial ties in the Philadelphia and Delaware region, Chandler was successfully launched on an active architectural career. His first commissions reflect his ties to the development of Ridley Park (the Philadelphia, Wilmington &amp; Baltimore Railroad Station on Sellers Ave., the William Smythe residence, and the Ridley Park store on Hinckley Ave.), but by 1874 he was already engaged on commissions for the DuPont family in Delaware. In addition, by 1878, Chandler had been installed as Godey&#039;s in house architect and was publishing cottage designs in Godey&#039;s Lady&#039;s Book. Throughout his career Chandler designed a number of residences, but he became chiefly known as an ecclesiastical architect, with such major churches as the Church of the New Jerusalem at 22nd &amp; Chestnut streets in Philadelphia, Calvary Presbyterian Church in Washington, D.C., and the First Presbyterian Church in Pittsburgh, PA, to his credit. ]]></dcterms:description>
    <dcterms:description><![CDATA[Chandler served as president of the Philadelphia Chapter of the AlA; he was also an early member of the national organization and received fellowship status in 1886. During the 1880s Chandler served on the Board of Trustees of the Spring Garden Institute, and, along with John Deery, judged their student exhibits of architectural drawings. His commitment to architectural education was to have even greater impact on Philadelphia&#039;s professional community in the 1890s, however, since during this time he successfully worked for the organization of the University of Pennsylvania&#039;s Department of Architecture, then part of the Towne Scientific School. He served as the Department&#039;s executive head for the school year 1890/91, but then he persuaded Warren P. Laird to move to Philadelphia in order to assume the headship. Chandler was extremely active in the general Philadelphia community as well, holding memberships in the Union League, the Philadelphia Club, the Pennsylvania Academy of the Fine Arts, and the Radnor Hunt Club. In addition he was a member of the Society of Mayflower Descendants and the Sons of the Revolution.]]></dcterms:description>
    <dcterms:creator><![CDATA[Chandler, Theophilus Parsons, Jr.]]></dcterms:creator>
    <dcterms:date><![CDATA[1909]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Theophilus P. Chandler Jr. Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[7&quot; x 10&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1988.M03.02]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of the Chandler Family.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2228">
    <dcterms:title><![CDATA[Webster, Daniel (1782-1852)]]></dcterms:title>
    <dcterms:description><![CDATA[This portrait of Daniel Webster (1782-1852) by Chester Harding (1792-1866) is based on two daguerreotypes taken in 1850-52.  Webster&#039;s second wife, Caroline LeRoy, had one of them in her New York apartment until the end of her life, calling it the most satisfactory likeness of her husband.  ]]></dcterms:description>
    <dcterms:description><![CDATA[Other examples of this portrait are at Springfield Museum of Fine Arts and the Cincinnati Art Museum.]]></dcterms:description>
    <dcterms:creator><![CDATA[Harding, Chester]]></dcterms:creator>
    <dcterms:date><![CDATA[1850-1852 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[25&quot; x 30.25&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1988.M01.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Dr. and Mrs. David B. Grant.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2227">
    <dcterms:title><![CDATA[Durang, Edwin Forrest (1829-1911)]]></dcterms:title>
    <dcterms:description><![CDATA[Edwin Forrest Durang (1829-1911) was born into a prestigious family of professional actors and performers.  His grandfather, John Durang, was credited with being the first native-born American actor; his father and uncle, Charles and Richard Durang were the first to perform the &quot;Star Spangled Banner.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Edwin F. Durang was listed in the Philadelphia city directories as an architect by 1855.  He specialized in ecclesiastical design, most notably those churches and institutions associated with the Catholic Church.]]></dcterms:description>
    <dcterms:creator><![CDATA[Scattaglia, Lorenzo]]></dcterms:creator>
    <dcterms:date><![CDATA[1874 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[36&quot; x 42&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1988.18.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Edwina Hare.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2226">
    <dcterms:title><![CDATA[Study for The Apotheosis of Washington]]></dcterms:title>
    <dcterms:description><![CDATA[With experience restoring Renaissance works at the Vatican in Rome, Brumidi came to the U. S. Capitol project in 1855 where he executed the very first frescoes in America for a House Committee meeting room. The Apotheosis of Washington was completed in January 1866.]]></dcterms:description>
    <dcterms:creator><![CDATA[Brumidi, Constantino]]></dcterms:creator>
    <dcterms:date><![CDATA[1863 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Thomas Ustick Walter Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[25&quot; diameter]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1986.M04.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Athenaeum Purchase.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2225">
    <dcterms:title><![CDATA[Walter, Amanda Gardiner (1821-1892)]]></dcterms:title>
    <dcterms:description><![CDATA[Amanda Gardiner Walter (1821-1892) was born in  Delaware County, PA, the daughter of Richard and Hannah Gardiner. She married Thomas Ustick Walter in 1848, bore two children by him and raised six of his children by his first wife.   ]]></dcterms:description>
    <dcterms:description><![CDATA[The German-born historical painter Emanuel Leutze (1816-1868) is best known for his “Washington Crossing the Delaware ” (1850). Walter records in his diary (preserved at the Athenæum) on April 1, 1852, “Worked at plans of Washington…Took Mrs. W &amp; children to Capitol to see Leutze’s picture…Dined at the Presidents with Mrs. Walter.&quot;]]></dcterms:description>
    <dcterms:creator><![CDATA[Leutze, Emanuel]]></dcterms:creator>
    <dcterms:date><![CDATA[1852]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Thomas Ustick Walter Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[21&quot; x 25&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1983.07.03]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Athenaeum Purchase.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2224">
    <dcterms:title><![CDATA[Walter, Mary Ann Elizabeth (1806-1847)]]></dcterms:title>
    <dcterms:description><![CDATA[Mary Ann Walter (1806-1847) was born in Philadelphia, the daughter of Robert and Marian Hancocks. She married Thomas Ustick Walter in 1824 and died following the birth of their eleventh child. According to her husband, “she was a lady of estimable qualities of mind, and of genial and engaging manners, fulfilling her duties to society with exactness, and propriety, and to her family with tenderness and love. She managed well the affairs of her household and, and trained her children with prudence and affection.”  ]]></dcterms:description>
    <dcterms:creator><![CDATA[Neagle, John]]></dcterms:creator>
    <dcterms:date><![CDATA[1835]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Thomas Ustick Walter Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[21&quot; x 25&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1983.07.02]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Athenaeum Purchase.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2223">
    <dcterms:title><![CDATA[Walter, Thomas Ustick (1803-1887)]]></dcterms:title>
    <dcterms:description><![CDATA[Thomas Ustick Walter is widely recognized as the leading American architect of the mid-nineteenth century.  Born in Philadelphia, Walter&#039;s many buildings here include Moyamensing Prison, Girard College, Andalusia and Portico Row.  He is best remembered as the architect of the dome and wings of the United States Capitol-the most symbolically important and controversial building in the United States.  Late in life he made major contributions to the design and decoration of the Philadelphia City Hall.  This portrait of the architect shows him at the start of his prolific career. Behind him are visible a fluted column at Girard  College and a distant view of the Philadelphia County Prison at Moyamensing. Both were under construction when the portrait was completed. A receipt in the amount of $180 for painting “Portraits of wife &amp; self” survives in the Architect’s papers at the Athenæum.]]></dcterms:description>
    <dcterms:creator><![CDATA[Neagle, John]]></dcterms:creator>
    <dcterms:date><![CDATA[1835]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[Thomas Ustick Walter Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[21&quot; x 25&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1983.07.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Athenaeum Purchase.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2222">
    <dcterms:title><![CDATA[Landscape]]></dcterms:title>
    <dcterms:description><![CDATA[New England Mountain Lake Scene]]></dcterms:description>
    <dcterms:creator><![CDATA[Lewis, Edmund Darch]]></dcterms:creator>
    <dcterms:date><![CDATA[1880]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[50&quot; x 30&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1980.02.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Bequest of Margaret Conklin.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2221">
    <dcterms:title><![CDATA[Sartain, John (1808-1897)]]></dcterms:title>
    <dcterms:description><![CDATA[John Sartain was born in London, apprenticed as an engraver to John Swaine (1823-30).  In 1830 he married and emigrated to Philadelphia.  He was successful as an engraver but not as a publisher (a couple of cultural journals were ill-fated).  He was Vice President of Philadelphia School of Design for Women (later Moore College of Art), Freemason; Artists Fund Society; Society of St. George; Director of P.A.F.A.; and a Freeman of London.  During the Centennial Exposition in Philadelphia he was chief of the Bureau of Art.]]></dcterms:description>
    <dcterms:description><![CDATA[ Russell Smith (1812-1896)  was born in Glasgow, Scotland and came to the U.S. in 1819 and later studied art with James R. Lambdin.  His diversified career included work as a scene painter, landscape painter and scientific draughtsman.   He was a regular contributor at the Philadelphia Academy of Fine Arts (PAFA).]]></dcterms:description>
    <dcterms:creator><![CDATA[Smith, Russell]]></dcterms:creator>
    <dcterms:date><![CDATA[1893]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[24&quot; x 28&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1980.01.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Robert Trump &amp; Co., Inc.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2220">
    <dcterms:title><![CDATA[Life of Winfield Scott (1786-1866)]]></dcterms:title>
    <dcterms:description><![CDATA[The lines of this portrait are actually calligraphy which tells the life story of Winfield Scott.]]></dcterms:description>
    <dcterms:creator><![CDATA[Davidson, David]]></dcterms:creator>
    <dcterms:date><![CDATA[1861]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[36&quot; x 42&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Pen and ink]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1979.06.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Frances Sabena and Mary Elizabeth Fernley]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2219">
    <dcterms:title><![CDATA[Still Life]]></dcterms:title>
    <dcterms:description><![CDATA[Joseph Biays Ord (1805-1865), son of the noted Philadelphia ornithologist and Athenaeum founder George Ord, was a portrait, still life and religious painter, as well as a picture restorer.  Specializing in still life painting from 1838 to 1862, Ord became known for his fruit pictures.]]></dcterms:description>
    <dcterms:description><![CDATA[In these dynamic compositions he uses a variety of sizes, colors and textures to express the passage of time.  In this example, age spots appear on the apples, a partly peeled orange waits to be eaten, an empty almond shell lies on the table.  The dishes which hold the fruit are typical examples of the fine ceramics which Ord uses in his pictures.]]></dcterms:description>
    <dcterms:creator><![CDATA[Ord, Joseph Biays]]></dcterms:creator>
    <dcterms:date><![CDATA[1844]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[24&quot; X 18.25&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1977.09.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Edward Swain, III.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2218">
    <dcterms:title><![CDATA[Moore, Lydia Ann]]></dcterms:title>
    <dcterms:description><![CDATA[A melancholy Lydia Ann Moore, aged 33, is the subject of this portrait painted by Martin Johnson Heade (1819-1904).  Heade executed other commissions for this Trenton family, painting Lydia&#039;s husband Charles, and his brother Imlah, who together operated a flour, grain, and oil factory under the name, I. &amp; C. Moore.]]></dcterms:description>
    <dcterms:description><![CDATA[ ]]></dcterms:description>
    <dcterms:description><![CDATA[Born in Lumbersville, Bucks County, Pennsylvania, Heade is best known for his paintings of tropical birds and flowers.  These subjects he studied directly while on painting expeditions to South America, and West Indies, British Columbia, California and Florida during the 1860s and 1870s.  In 1885 this peripatetic artist, naturalist and sometime poet settled in St. Augustine, Florida where he lived the last two decades of his life.]]></dcterms:description>
    <dcterms:creator><![CDATA[Heade, Martin Johnson]]></dcterms:creator>
    <dcterms:date><![CDATA[1855]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[25&quot; X 30&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1977.06.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Dr. Peter J. Koblenzer.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2217">
    <dcterms:title><![CDATA[Still Life]]></dcterms:title>
    <dcterms:creator><![CDATA[Roesen, Severin]]></dcterms:creator>
    <dcterms:date><![CDATA[1860 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[7.25&quot; x 9.25&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1977.04.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Henry A. Dornsife and Sons through Samuel J. Dornsife, November 1977.  Inscribed on paper attached to back of canvas:  &quot;By S. Roesen, a native of Holland and a medalist.  This painting is one of a group of eight which was purchased direct from Roesen by my father and mother.&quot;  Signed Mahlon Leonard Fisher.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2216">
    <dcterms:title><![CDATA[Poe, Edgar Allan (1809-1849)]]></dcterms:title>
    <dcterms:creator><![CDATA[Inman, Henry]]></dcterms:creator>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[5.25&quot; x 6.25&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Carved gilt ans gesso frame set in a larger shadowbox frame 13.50&quot; x 12.50&quot;]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1977.03.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Mrs. Wharton Sinkler.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2215">
    <dcterms:title><![CDATA[Timon of Athens]]></dcterms:title>
    <dcterms:description><![CDATA[Depicts Timon seated in a cave receiving the philosopher Apemantus. Timon leans on a shovel and wears a red toga. Apemantus stands with right hand extended toward Timon, holds staff in left hand, and wears a brown toga and sandals. Frame has spiral turning between moldings along outside of frame and foliate motif along inside of frame.  Leslie was born in England, but his father was a Philadelphia watchmaker who returned to the United States in 1799 with his family.  Leslie went back to England ca. 1812 to study art, especially under Benjamin West.  He continued to exhibit at PAFA.  Was elected an Associate at the Royal Academy in 1821 and an Academician in 1826.  Remained in England for the rest of his life, except for a short period in the U.S. (1833-34).]]></dcterms:description>
    <dcterms:creator><![CDATA[Leslie, Charles Robert]]></dcterms:creator>
    <dcterms:date><![CDATA[1813 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[36&quot; x 44&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1977.01.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of William R. Talbot Jr.  in memory of Frances K. Talbot.  Previously in the collection of Frances K. Talbot.  Painting first exhibited at PAFA in 1813.  Subsequently exhibited in 1826, 1827, 1828, 1830, 1844, with all catalogs noting &quot;after Benjamin West&quot;]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2214">
    <dcterms:title><![CDATA[Sherman, William Tecumseh (1820-1891)]]></dcterms:title>
    <dcterms:description><![CDATA[William Tecumseh Sherman (1820-1891), a career Army officer, served under General Ulysses S. Grant during the Civil War battle of Shiloh (1862).  In 1864 he achieved his greatest military renown for his &quot;March to the Sea&quot; from Atlanta to Savannah, laying waste to the most populated area of Georgia by the extensive destruction of property.  After the war Sherman became a lieutenant general.  Following Grant&#039;s inauguration as President in 1869, Sherman succeeded him as Commander in Chief of the Army, a position he held until his retirement in 1883.]]></dcterms:description>
    <dcterms:description><![CDATA[The artist of these paired portraits of Grant and Sherman is unknown, but one of the frames bears the label of a Washington, DC, frame maker, suggesting that they may have been painted in that city.]]></dcterms:description>
    <dcterms:date><![CDATA[1865 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[24&quot; x 29&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1975.09.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Drs. Caroline and Peter Koblenzer.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2213">
    <dcterms:title><![CDATA[Grant, Ulysses Simpson (1822-1885)]]></dcterms:title>
    <dcterms:description><![CDATA[Ulysses S. Grant (1822-1885), shown here as a lieutenant-general, was Commander in Chief of the United States Army from 1862 to 1865.  A national hero after the Civil War, Grant became the eighteenth President of the United States in 1869.  His two terms in the White House were marked with the problems of Reconstruction in the South, political graft in Washington, and financial panics.  Grant came to Philadelphia in 1876 to officiate at the opening of the Centennial Exposition in Fairmount Park.]]></dcterms:description>
    <dcterms:date><![CDATA[1865 (circa)]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[24&quot; x 29&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1975.08.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Drs. Caroline and Peter Koblenzer.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2212">
    <dcterms:title><![CDATA[Fairmount Waterworks]]></dcterms:title>
    <dcterms:description><![CDATA[This view of the Fairmount Waterworks from the west bank of the Schuylkill River is a close copy of an engraving by English landscape artist William Henry Bartlett (1809-1854), which was published in his American Scenery (London, 1840).]]></dcterms:description>
    <dcterms:description><![CDATA[ ]]></dcterms:description>
    <dcterms:description><![CDATA[The waterworks facility was designed by Frederick Graff (1774-1847) and began operation in 1815.  The covered Upper Ferry Bridge, depicted in the distance, was built in 1812 and destroyed by fire in 1838.  The locks of the Schuylkill Navigation Company are seen at the right.  The &quot;fair mount&quot; above the waterworks complex is the present site of the Philadelphia Museum of Art.]]></dcterms:description>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[24&quot; x 32&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Oil on canvas attached to wood panel; gilt frame]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1975.06.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Samuel J. Dornsife.]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://omeka.philaathenaeum.org/collections/items/show/2211">
    <dcterms:title><![CDATA[Necker, Suzanne Curchod (Mme Jacques Necker) (1737-1794)]]></dcterms:title>
    <dcterms:description><![CDATA[Suzanne Curchod Necker (1737-1794) was married to Jacques Necker, finance minister of France under King Louis XVI. She was an accomplished writer who hosted one of the most celebrated salons in Paris, where luminaries gathered to discuss art, literature, and politics. In 1778, seeking to ease the suffering of overcrowded hospitals, she remodeled a monastery and established a neighborhood charity hospital, with the aim of providing every patient their own bed.   <br />
<br />
Today that hospital continues as the Necker-Enfants Malades Hospital, a teaching hospital in the 15th arrondissement of Paris, affiliated with the University of Paris Descartes. <br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Bizet]]></dcterms:creator>
    <dcterms:date><![CDATA[1750-1800]]></dcterms:date>
    <dcterms:rights><![CDATA[http://www.philaathenaeum.org/rights.html]]></dcterms:rights>
    <dcterms:isPartOf><![CDATA[General Collection, Museum Collection, The Athenaeum of Philadelphia]]></dcterms:isPartOf>
    <dcterms:extent><![CDATA[3.25&quot; x 5&quot;]]></dcterms:extent>
    <dcterms:medium><![CDATA[Porcelain &amp; cast brass]]></dcterms:medium>
    <dcterms:identifier><![CDATA[1974.02.01]]></dcterms:identifier>
    <dcterms:provenance><![CDATA[Gift of Samuel J. Dornsife.]]></dcterms:provenance>
</rdf:Description></rdf:RDF>