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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0860/manifest</text>
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            <name>Spatial Coverage</name>
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                <text>Philadelphia, PA</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="40300">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Doe, Lester Adrian (1896-1981)</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>221-AL-001-075</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dog</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>"The following 8 pictures are from a group of negatives purchased by James N. Stone from a professional photographer with the intention of cleaning and using the plates again.  These were preserved because they were for the most part celebrities but I do not now know who they are. JSS"</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="47218">
                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="43955">
                <text>219-PR-056</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43956">
                <text>Dog sled team, "On the Trail," Little America</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43957">
                <text>1935</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>print</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="43959">
                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43960">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="334" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Robert M. Skaler Postcard Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37079">
                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Dormitories, University of Pennsylvania</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>1 postcard</text>
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            </elementTextContainer>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Postcards</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>290-PC-03-036</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236326</text>
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            <description>A language of the resource</description>
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                <text>en</text>
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            <description>A related resource</description>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-03-036.jpg</text>
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                <text>full:001:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/84FC0CE7-155D-01E7-00A482071D099136/full/1000,/0/default.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-03-036_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/6404EBA1-155D-01E7-009E1257B2C559A2/full/1000,/0/default.jpg</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
            <elementTextContainer>
              <elementText elementTextId="6154">
                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0334/manifest</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Philadelphia, PA</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39248">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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              <elementText elementTextId="39249">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="47809">
                  <text>Sarah Josepha Hale Collection</text>
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              </elementTextContainer>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="47810">
                  <text>1826-1869</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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            <element elementId="54">
              <name>Abstract</name>
              <description>A summary of the resource.</description>
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                <elementText elementTextId="47812">
                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <element elementId="1">
          <name>Text</name>
          <description>Any textual data included in the document</description>
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            <elementText elementTextId="50688">
              <text>The Island Feb. 17th 1850&#13;
&#13;
Dear Mrs Hale&#13;
&#13;
I was over in the City,&#13;
at Whitehursts, this morning, and&#13;
had my dagguerrotype [daguerreotype] taken.&#13;
They will forward it to you this&#13;
afternoon.&#13;
Mlle Jayelle promised to &#13;
be in, in the course of the day &amp;&#13;
sit for hers. If she keeps the appointment,&#13;
Whitehurst will send[DE:s] the picture&#13;
with mine.&#13;
I do not know why&#13;
I say this to you - but - I wish God&#13;
would bless me with one friend both&#13;
good and wise. Wishing you great&#13;
success, I am - &#13;
Very Respectfully Yours&#13;
Emma DEV Southworth&#13;
</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="48410">
                <text>46-M-072</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="48411">
                <text>Dorothy Eliza Nevitte Southworth to Sarah Josepha Hale</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Southworth, Emma Dorothy Eliza Nevitte, 1819-1899</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Hale, Sarah Josepha Buell, 1788-1879</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1850-02-17</text>
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                <text>February 17, 1850</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>text</text>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
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                <text>Manuscripts</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>eng</text>
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            <name>Is Part Of</name>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48420">
                <text>http://www.philaathenaeum.org/rights.html</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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      <name>Still Image</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>219-PR-332</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Double door design with stained glass windows and number 281</text>
              </elementText>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>watercolor</text>
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          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="45401">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Stone Collecton</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="47283">
                  <text>James N. Stone Jr. (1851-1911) was a lawyer and amateur photographer. He became a member of the Philadelphia Photographic Society in 1868. The Stone Collection contains photographic images in a variety of formats, some of which were taken by Stone, and others which he simply collected. Among the highlights are a photo album assembled by his son Frank S. Stone in 1912 (which contains photos taken by James Stone Jr. and Ellersbie Wallace Jr.), a rare daguerreotype by Robert Cornelius and a photo of Independence Hall taken from the Philadelphia Photographic Society’s rooms at 520 Walnut St.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1868-1912</text>
                </elementText>
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                <text>Gift of Edwina Hare.</text>
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                <text>Edwin Forrest Durang (1829-1911) was born into a prestigious family of professional actors and performers.  His grandfather, John Durang, was credited with being the first native-born American actor; his father and uncle, Charles and Richard Durang were the first to perform the "Star Spangled Banner."</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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        <name>Kensington</name>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Postcard to Mr. Herman Born</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>&lt;a href="https://www.philadelphiabuildings.org/pab-new/app/pj_display.cfm?RecordId=FAF2FF99-155D-0A04-0614AC62A45EB23D"&gt;J. Geiger Bakery&lt;/a&gt;</text>
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                  <text>1826-1869</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>Glen's Falls N.Y.&#13;
Oct 25th 1853&#13;
&#13;
My Dear Aunt&#13;
&#13;
We have been surprised&#13;
and gratified by a recent visit from &#13;
she that was Emeline [Buell?], now&#13;
living in Bytown Canada - In &#13;
speaking of Father she enquired&#13;
if we had not a daguerreotype&#13;
of him - to which I replied - we had&#13;
not &amp; regretted it very much -&#13;
She then said that you had&#13;
a portrait taken while he&#13;
was a college student which&#13;
looked very much like him&#13;
I thought I would write to see&#13;
if you could be induced to&#13;
part with it - if not to let us&#13;
take it &amp; have another painted &#13;
by it - I cannot tell you how&#13;
much pleasure it would&#13;
&#13;
afford us to have in our possession&#13;
the likeness of one whose memory&#13;
is so tenderly cherished -&#13;
We are now living in Glen's Falls&#13;
&amp; very pleasantly situated - I hope &#13;
after Sister Martha gets settled &#13;
in Troy you &amp; the Cousins will&#13;
make it convenient to visit&#13;
us - Say to Josepha that we&#13;
should be very glad indeed &#13;
to have her spend one of&#13;
her coming vacations with us&#13;
Martha is to be married on&#13;
Tuesday next - we are making&#13;
preparations to attend the&#13;
wedding - I have but one child&#13;
a bright active boy nearly four&#13;
years old, named after our&#13;
father.&#13;
The Dr joins me in a &#13;
kind remembrance to you&#13;
&amp; the Cousins Affectionately&#13;
E.B. Holden&#13;
</text>
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                <text>E. B. Holden to Sarah Josepha Hale</text>
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                <text>Hale, Sarah Josepha Buell, 1788-1879</text>
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                <text>Manuscripts</text>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Sarah Josepha Hale Collection</text>
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              <name>Date</name>
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                  <text>1826-1869</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>Providence R.I. 30th June,&#13;
1851&#13;
&#13;
My Dear Mrs Hale,&#13;
&#13;
I received your very kind&#13;
letter just as I was stepping into the&#13;
carriage on my way to Providence R.I.&#13;
I am but half convinced in regard to&#13;
my article, but do e'er as you will in&#13;
the matter and I will be content. At&#13;
least I wish you would try to send me&#13;
an entire copy as it comes out, that&#13;
I may join the fragments.&#13;
I write this in my chamber&#13;
at the house of Rev. Dr Hedge, (author &#13;
of the Prose Writers of Germany) where&#13;
I am spending my time most happily,&#13;
and where the Providence people are doing&#13;
everything to make me in love with&#13;
them. Tomorrow night I am to [lecture?],&#13;
with the prospect of a very fine audience.&#13;
I congratulate you upon the progress&#13;
&#13;
of your great work. I know your [?],&#13;
and I know also your generous&#13;
appreciation of the labors of others, and&#13;
I do not doubt it will be very popular.&#13;
My health is good, and the more&#13;
the kindness with which my two audiences&#13;
have received me, gives me&#13;
a [?] hope that I will find this&#13;
field a desirable one to me. Still I&#13;
have not the least [petty?] ambition to&#13;
be called popular, I [say?] my [say?] [correctly?]&#13;
as I feel, and shall retire at any&#13;
time without discomfort let the indications&#13;
be what they may, God has been&#13;
pleased to bestow upon me great freedom&#13;
of nature, that in following&#13;
indications of any kind, I [?] {?]&#13;
in so doing, and every [?] I find this&#13;
[powers?] of being [?], the results&#13;
&#13;
&#13;
I trust will be good if not great&#13;
to others - for myself I ask nothing,&#13;
expect nothing. I am a child of&#13;
God's will, following in his way.&#13;
My beloved Valentine has gone to&#13;
his friends at the [east?], where he writes&#13;
me he is improving in health.&#13;
I, of course had no time to see&#13;
Mr. L[?], so fear I shall not be able&#13;
to do so before autumn. If you write&#13;
him will you, please ask him to send&#13;
me a copy of my portrait, addressed Portland, Maine,&#13;
Care of Hon. [DE: Judge][Ashur?] [?]. I shall&#13;
be there most likely next week. Would&#13;
you be willing to let me see what&#13;
you say about me? I wrote to Mr&#13;
[Hart?], who sent to me about his book, but&#13;
have not heard from him in acknowledgement.&#13;
Do you know I sometimes&#13;
feel [?] vexed at the cavalier manner&#13;
with which I am treated by editors and&#13;
publishers in Philadelphia or [?]&#13;
&#13;
with the cordial appreciation, and interest&#13;
of the highest order of intellect in every other&#13;
part of the country. I am no toady, and would&#13;
be unwilling to think that spirit commendable&#13;
[or?] [essential?] in your region, and being&#13;
unburdened with fussy and selfish ambition,&#13;
being also quite [?] of my position,&#13;
I bide my time with composure. I&#13;
look back upon my hard struggles with a&#13;
shudder - I wonder that I am alive,&#13;
and the fact that I am so, and that I am&#13;
strong, {ED: crease in paper obscures writing]is proof&#13;
that a field is before me, broader and&#13;
better than I  have hitherto occupied.&#13;
I have seen Mrs. [Wh?] here with &#13;
much interest - Mr. Davis the lecturer and&#13;
I might go to see Mr. [Hall?](?)&#13;
[Mrs?] Burgess, a woman of [some?] literature,&#13;
and more wealth, and allied [?] of the&#13;
most accomplished scholars of the day, as well&#13;
as a little [?] of others, esteemed here.&#13;
I trust you will drop me a &#13;
line in Portland. Affectionately yrs E. Oakes Smith&#13;
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                <text>46-M-075</text>
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                <text>E. Ocker Smith to Sarah Josepha Hale&#13;
&#13;
Correction:  Likely from E. [Elizabeth] Oakes Smith</text>
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            <name>Subject</name>
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                <text>Hale, Sarah Josepha Buell, 1788-1879</text>
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                <text>1851-06-30</text>
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                <text>June 30, 1851</text>
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                <text>text</text>
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            <name>Medium</name>
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                <text>Manuscripts</text>
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            <name>Language</name>
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                <text>eng</text>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48440">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Elizabeth Oakes Smith</name>
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        <name>Frederic Henry Hedge</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert M. Skaler Postcard Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="29978">
                <text>E.G. Murray and Co.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Hydegrade Press</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Postcard to Mrs. Geo W Callahan</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1908</text>
              </elementText>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="29984">
                <text>1 postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="29985">
                <text>Postcards</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="29986">
                <text>290-PC-13-037</text>
              </elementText>
              <elementText elementTextId="29987">
                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237637</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
              </elementText>
            </elementTextContainer>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-13-037.jpg</text>
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                <text>full:001:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/84FDBFC4-155D-01E7-00C8F754DE297C4F/full/1000,/0/default.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-13-037_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/64060177-155D-01E7-0016117BBFFB4392/full/1000,/0/default.jpg</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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          <element elementId="77">
            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1645/manifest</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
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                <text>9 Bank St, Philadelphia, PA</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41870">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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              <elementText elementTextId="41871">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="42842">
                  <text>Robert L. M. Camden Collection</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="47218">
                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="44118">
                <text>219-PR-078-007</text>
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          <element elementId="50">
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0386/manifest</text>
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            <description>Spatial characteristics of the resource.</description>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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                <text>Egyptian Straight (seated woman)/Woman smoking</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>pencil</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>El Patio Grill, Benjamin Franklin Hotel</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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          <element elementId="50">
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                <text>Elephant Hotel, an old landmark on the beach</text>
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                <text>P. Sander</text>
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              <text>Philada Jany 12th 1836-&#13;
&#13;
My dear Mrs Hale&#13;
&#13;
&#13;
Having engaged with Messrs Carey and Hart to edit &#13;
for them a new Juvenile Annual, I shall be extremely obliged to you&#13;
for a contribution, which you will be kind enough to forward previous to the&#13;
1st of March. It is only within the last few days that the publishers&#13;
have been able to conclude their arrangement, for bringing out the book [DE: ?]&#13;
[DE: ?] for 1837 : as they had reason to suppose that the engravings could&#13;
not be finished in time; the engravers (that is, the good ones) being all overwhelmed with work - This&#13;
must be my apology to you for the shortness of the notice.&#13;
One of your Boston papers, the Courier, was excessively severe on "the&#13;
Gift for 1836," the other annual that I edit for the same publishers.&#13;
I know not who could have written the article (which was much in the&#13;
style of John Neal) but it was downright abusive of the whole book, and&#13;
of my story in particular. For fear I should not see it, they sent me&#13;
a copy by mail, with the most offensive passages marked. Such conduct&#13;
to a female is not only ungentlemanly but unmanly; and was warmly&#13;
resented by several of the Philadelphia editors in their own papers -&#13;
Who is it that conducts the Boston Courier? Nevertheless, six thousand&#13;
copies of the Gift were sold in ten days after its publication last&#13;
October; and a second edition was printed for Christmas, and of that&#13;
but a few copies are now remaining. If we had as many Annuals&#13;
in America as they have in England, there is room enough for all, and&#13;
people enough to buy and read them; therefore there is not occasion for any&#13;
jealousy [DE: ?] feeling among the proprietors or contributors - I grieve&#13;
that such things should be -&#13;
&#13;
How do you like Miss Martineau on acquaintance? Her having so&#13;
openly come out an abolitionist, has greatly injured her popularity in Philadelphia,&#13;
where, though we have no slaves, we have a great number of negroes; and where&#13;
emancipation, equalization, and amalgamation are regarded with almost as much&#13;
aversion as in the south. As to the intermarriage of blacks and whites,&#13;
it is here considered with the utmost disgust and horror, as I think it&#13;
ought to be every where. Whenever such a state of things prevails [DE: ?]&#13;
(which, however it never will) I leave America to return no more - Much&#13;
as I love my dear nieces, I would rather follow them to the grave than see&#13;
them the wives of black men; even if those black men had every accomplishment&#13;
and every virtue that could fall to the lot of human beings. - If it were&#13;
possible that we could allow ourselves to become a race of mulattoes, we should&#13;
justly deserve the scorn and contempt of all the rest of the civilized world.&#13;
However, it is idle to speculate on what can never be.&#13;
My sister Ann Leslie tells me that she had the pleasure of seeing&#13;
you during her visit to Boston last summer. She was as much delighted with&#13;
your charming city as I am. I have placed there the scene of my&#13;
last story, Chase Loring, which is now in the hands of the printer.&#13;
I hope you and your children are well - As they grow up, how much&#13;
more they will add to your happiness.&#13;
&#13;
Yours affectionately&#13;
Eliza Leslie -&#13;
&#13;
When you send, as I hope you will, the article for my annual,&#13;
direct to Messrs Cary and Hart, Philada -&#13;
&#13;
Mrs S.J. Hale&#13;
Care of Messrs Capen and Lord&#13;
Booksellers&#13;
Boston&#13;
Mass.&#13;
&#13;
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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              <text>Columbia So. Ca. Feb. 27th&#13;
1848&#13;
&#13;
My dear Mrs Hale&#13;
&#13;
Well pleased was&#13;
I last night to see once more your handwriting -&#13;
and hear from you - after so long an&#13;
interval of silence. I did not know&#13;
your whereabouts exactly - or I&#13;
should have claimed a place in your&#13;
recollection ere now. You have been&#13;
very loco motive for some years past&#13;
at least so I was informed - and so &#13;
all my communications to the Lady's&#13;
Book were addressed to the laconic&#13;
Mr Godey. I am happy to hear you are&#13;
stationary in Phila. and promise&#13;
myself the pleasure of spending some&#13;
days there in the early part of the&#13;
summer. It will indeed be delightful&#13;
to listen to your plans - and talk over&#13;
various matters of interest: - besides seeing&#13;
you again - and my dear friend Mrs&#13;
Davenport - the sister of the sweetest aunt I&#13;
have in the world.&#13;
&#13;
With regard to the object of your&#13;
letter - it will give me great pleasure&#13;
to contribute to any annual edited by&#13;
you - and as soon as my muse is&#13;
propitious - I will send you some verses.&#13;
Just at present I have nothing written&#13;
except a translation of Lamartine's &#13;
"Mother's Grave" - and Baranger's&#13;
"Shooting Stars." I suppose you would &#13;
rather have something original - even&#13;
of inferior merit! The weather just&#13;
now is not very favorable to poetic&#13;
inspiration - or I would essay today -&#13;
I wish you had given me a &#13;
subject.&#13;
Mrs Gilman writes [me?] she&#13;
is preparing another volume of Oracles&#13;
from the Poets - with new questions&#13;
I am here so far out of the way of &#13;
the current stream of literature, that &#13;
I can never catch even a sparkle: and&#13;
hear nothing of what is going on at the&#13;
north - except by the slight notices in &#13;
the newspapers. Have you any thing&#13;
in press or in petto?&#13;
There is an [aspirant?]&#13;
after literary rewards - of the solid kind&#13;
&#13;
in Columbia - whom I should like to &#13;
recommend to your kind aid - as you&#13;
see the publishers of periodicals frequently&#13;
I suppose. It is Marie, baroness von&#13;
Hassell - or Mrs Hassell - as she calls her&#13;
self here - teacher of a French school in this&#13;
place. She has followed the fortunes,&#13;
or rather misfortunes, of her husband&#13;
to this country - where they have to toil&#13;
for daily bread - after having been &#13;
used all her life to the [highs] of society&#13;
in Germany. She is in correspondence&#13;
with a reigning duchess - and several&#13;
of the nobility - but bakes - brews -&#13;
scours and teaches music as if she&#13;
had been born to them all. She has&#13;
translated some tales and sketches&#13;
into English: (which I have correcte)&#13;
some have been published in the&#13;
Democratic Review - and others are on&#13;
hand. One account of "A Royal Marriage"&#13;
from ms. letters of her friends in the service&#13;
of the Duchess d'Orleans - I sent to &#13;
Mr Godey - who handed it to Mr Peterson.&#13;
I have not heard if he has&#13;
accepted it. If you could dispose &#13;
of any mss. for her - you would be &#13;
doing a charity to a very deserving&#13;
person. The Phila. weeklies perhaps&#13;
would like her articles&#13;
&#13;
A Mrs Rose from New York has bee&#13;
here a few days - and intends lecturing&#13;
on Education. She brought letters to&#13;
the venerable College President, Mr&#13;
Preston - but he is just now in&#13;
Washington - and another lady, to&#13;
whose politeness she is consigned&#13;
came for me yesterday to call&#13;
upon her. She is a Pole by birth -&#13;
evidently possessing talents for lecturing&#13;
highly educated - and "darkly -&#13;
deeply, blue." I am told &#13;
she is a natural clairvoyant - and &#13;
can judge of letters by feeling the paper -&#13;
but have as yet been no specimens of &#13;
her powers. Apropos des bottes -&#13;
is your sober city inclined to receive&#13;
mesmerism? We have had a professor&#13;
of the science - Dr Webster - here all&#13;
winter - who has been performing&#13;
the most wonderful cures - exhibiting&#13;
miracles of clairvoyance - and&#13;
teaching all who were zealous of&#13;
knowledge to the amount of ten dollars&#13;
to do likewise. All who receive his&#13;
lessons are bound by a written &#13;
pledge of secrecy. He claims to have&#13;
gone deeper into the matter than any&#13;
one else - and to have rivalled Harvey&#13;
in his discoveries.&#13;
I am somewhat &#13;
hurried this morning - and must deny&#13;
myself the pleasure of a longer chat -&#13;
Adieu - my dear Mrs Hale - believe me&#13;
ever your affectionate friend&#13;
E.F. Ellet&#13;
&#13;
please send the enclosed &#13;
late valentine to the &#13;
Post office.&#13;
&#13;
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                <text>Oil on Ivory</text>
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