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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Burdick Envelope Mfg. Co., Buffalo, N.Y.</text>
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            <description>The nature or genre of the resource</description>
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            <name>Is Part Of</name>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Burns, Charles Marquedent (1838-1922) </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2001.M09.01</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Hamilton, John McLure</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1919</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>14" x 18"</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Oil on canvas</text>
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          </element>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="38304">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="38305">
                <text>Athenaeum Purchase</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38306">
                <text>Philadelphia-born church architect Charles M. Burns was the son of Charles M. and Eliza Van Dyke (Rousseau) Burns. Although he entered the University of Pennsylvania in the Class of 1859 as a second-semester freshman, his academic career was finished by the end of his junior year when he volunteered for Civil War action. By 1862 Burns was in battle at Mobile, AL with Admiral Farragut; he would return with Farragut to New Orleans in 1864. Therefore, although city directory listings for Burns commence in 1863, it is doubtful that Burns would have returned to Philadelphia before 1865. Once he did return to Philadelphia, he launched a distinguished architectural career, with a specialty in ecclesiastic buildings, especially Protestant Episcopal churches. </text>
              </elementText>
              <elementText elementTextId="38307">
                <text>While managing a steadily growing practice, Burns still attempted to further his own education by enrolling at the Pennsylvania Academy of the Fine Arts in 1876. His own talents were soon recognized, however; and by 1879 he had left off his own student activities in order to become a member of the faculty of the Pennsylvania Museum and School of Industrial Art, with responsibility for "Theory and Practice of Freehand Drawing and Design." According to artist Joseph Pennell, who attended Burns's class and wrote a memorial article (really more a diatribe against Philadelphia) after Burns's death, "If he found that you could accept [his criticism], his interest in you was endless and tireless. But if you did not, the heavy black eyebrows and bristling black mustache, with the flaming red necktie underneath, passed you by -- and that was worse than anything." After this stint at the PMSI, Burns would continue as instructor of drawing at Haverford College through 1885. </text>
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              <elementText elementTextId="38308">
                <text>Burns was among the first group of architects proposed for membership in the Philadelphia Chapter of the AIA in 1870 and later served as treasurer for the group. Widely known as a portrait painter of some distinction and as a watercolorist, he exhibited at the Centennial Exposition in Philadelphia in 1876; and his architectural drawings appeared in exhibitions at the Pennsylvania Academy of the Fine Arts in 1887, 1888, 1890, 1892 and 1894. After his retirement to Camden, NJ, Burns passed some of his ecclesiastical work along to Henry Macomb. </text>
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              <elementText elementTextId="38309">
                <text>On 21 April 1870 Burns was elected an associate member of the AIA, but his membership "lapsed" in October 1875, according to the bulletin published for the 17th Annual Convention of the AIA (1883).</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38310">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Architect</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Burt, Mary (d.1908)</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="37960">
                <text>1970.01.01</text>
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            </elementTextContainer>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="37961">
                <text>Uhle, Bernard</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37962">
                <text>1891</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37963">
                <text>38" x 54"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37964">
                <text>Oil on canvas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37965">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Mary Burt-Jume; Exhibited at 65th Annual Exhibition of PAFA, Dec. 23rd 1895-Feb 22nd 1896.</text>
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          </element>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37967">
                <text>Mary Burt (d. 1908) was the niece of William Lehman whose legacy of $10,000 in 1829 provided the funds to construct this building.  This three-quarter length portrait was painted by Bernard Uhle (1847-1929) in 1891.</text>
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              <elementText elementTextId="37968">
                <text>Born in Chemitz, Saxony, Uhle emigrated with his family to Philadelphia in 1851 and at the age of fifteen became a student at the Pennsylvania Academy of the Fine Arts.  He opened a portrait studio in Philadelphia in 1877 and later became an instructor at the Academy (1886-1890).  It was soon after this time that Uhle became a recluse.  He lived alone (with seven cats) for nearly a quarter century.  Uhle was presumed dead until 1915, when he suddenly reappeared to present a painting ordered twenty-three years before.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37969">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
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    <tagContainer>
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        <name>Athenaeum Shareholders (and Family)</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38239">
                <text>Busch, Henry Paul (1873-1942)</text>
              </elementText>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="38240">
                <text>1992.M01.01</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="38241">
                <text>Schule, Clifford Hamilton</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1992 (circa)</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>26.25" x 30"</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="38244">
                <text>Oil on canvas; gilt frame</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="38245">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Emilie DeHellenbranth.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="38247">
                <text>Mr. Busch (1873-1942) was President of the Welcome Society at the time Pennsbury Manor was reconstructed, thus the reason the artist included that house in the background.</text>
              </elementText>
              <elementText elementTextId="38248">
                <text>The Athenaeum reading room is named in Mr. Busch's honor.  It was dedicated on April 6, 1992, by Mrs. deHellebranth--member of the Athenaeum board of directors, Mr. Busch's daughter, and the donor of the renovation funds.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Robert L. M. Camden Collection</text>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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      <name>Still Image</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>219-PC-011</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bushkill Falls, Pa.</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>postcard</text>
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          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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              <text>Lisbon&#13;
&#13;
Dec. 27, 1853&#13;
&#13;
Dear Madam,&#13;
&#13;
I yesterday&#13;
received your kind letter&#13;
of June last, together with &#13;
the beautiful volumes of&#13;
which it speaks.&#13;
The Queen for whom one of &#13;
them was intended is &#13;
you&#13;
&#13;
you are aware, dead. I shall,&#13;
however, immediately send&#13;
the volume to the afflicted&#13;
King.&#13;
Her Majesty, of whom you &#13;
speak as the granddaughter&#13;
of Don John II, was the granddaughter&#13;
of John VI, and inherited&#13;
many of his traits of&#13;
character. You have paid none&#13;
too much of her virtues. [In early?]&#13;
life she was beautiful, with&#13;
a very fair German complexion&#13;
and a graceful form. Her education&#13;
&#13;
education had been careful and&#13;
suitable when exalted rank and&#13;
from the day she ascended the &#13;
throne till her lamented death&#13;
the royal Household was a&#13;
model of purity and propriety.&#13;
The spectacle of grief which&#13;
the capital has exhibited,&#13;
since her decease, is a beautiful&#13;
tribute to her illustrious &#13;
merit as a woman and&#13;
a queen.&#13;
I expect, Madam,&#13;
&#13;
to enjoy the perusal of the &#13;
much valued volume for&#13;
which Mrs Haddock desires&#13;
me to present to you&#13;
her most sincere thanks,&#13;
not only as a work of talent and&#13;
learning honorable to your&#13;
sex, but as a contribution&#13;
of New Hampshire to &#13;
the Literature of our country.&#13;
Though I have not had &#13;
the&#13;
&#13;
honor of a personal acquaintance &#13;
with you, I &#13;
am not ignorant of your exertions&#13;
for the improvement&#13;
of society and the &#13;
[?]patation of our native &#13;
state. We have labored&#13;
together, without meeting,&#13;
and cherish, without&#13;
having interchanged, the&#13;
same sentiments of patriotism&#13;
and&#13;
&#13;
pride as citizens of the &#13;
same noble commonwealth.&#13;
Mrs Haddock unites with&#13;
me in most respectful&#13;
and grateful regards.&#13;
I am very sincerely&#13;
Your obedient &#13;
Servant &#13;
&#13;
C.B. Haddock&#13;
&#13;
Mrs. S.J. Hale [ED: appears to the left of "Servant"]&#13;
&#13;
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                <text>C. B. Haddock to Sarah Josepha Hale&#13;
&#13;
Correction:  Likely  Charles Brickett Haddock</text>
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                <elementText elementTextId="47812">
                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>Cambridge, Thirteenth April 1844&#13;
&#13;
Dear Madam[DE: e]&#13;
&#13;
I take great pleasure in enclosing&#13;
the accompanying testimonials for your son, Mr. William&#13;
G. Hale. I have obtained them at the earliest possible&#13;
moment, and hope they will reach you in season to&#13;
be of service in your son's application for the classical &#13;
professorship.&#13;
They are not addressed to any particular &#13;
body of Trustees, but written in a general form, that&#13;
Mr. Hale may use them for any other place, should&#13;
he not receive the appointment to the one in &#13;
question.&#13;
If I can do anything further for you in this&#13;
or any other matter, I beg you to let me know.&#13;
Very faithfully and respectfully&#13;
Yours C.C. Felton.&#13;
&#13;
</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="47926">
                <text>C. C. Felton to Sarah Josepha Hale</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
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              <elementText elementTextId="47927">
                <text>Hale, Sarah Josepha Buell, 1788-1879</text>
              </elementText>
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                <text>1844-04-13</text>
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              <elementText elementTextId="47929">
                <text>April 13, 1844</text>
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                <text>text</text>
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                <text>Manuscripts</text>
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              <elementText elementTextId="47932">
                <text>eng</text>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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            <elementTextContainer>
              <elementText elementTextId="47934">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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                <elementText elementTextId="47218">
                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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                <text>219-PR-578</text>
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                <text>C.B.C. (monogram?)/List of 8 women's names, including Emma Ingle and Anna Camden/Not so very far from here… (poem and illustration)</text>
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            <elementTextContainer>
              <elementText elementTextId="46654">
                <text>http://www.philaathenaeum.org/rights.html</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert M. Skaler Postcard Collection</text>
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              <description>An account of the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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&#13;
Mrs Hale -&#13;
&#13;
Dear Madam - &#13;
I have just returned&#13;
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which had collected during my absence, I have &#13;
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Respectfully Yrs.&#13;
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                <text>Imported from Japan by the J. B. Millet Co., Boston</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Carr, Benjamin (1768-1831)</text>
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                <text>1957.02.01</text>
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                <text>Darley, Jane Cooper (nee Sully) or John Clarendon Darley</text>
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                <text>28" x 36"</text>
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            <name>Medium</name>
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                <text>Oil on canvas; wood frame</text>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>Purchased from Theodore Siegel with gift funds from Mr. Frederick Lewis</text>
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                <text>Benjamin Carr was born in England and received a good musical education in London.  He emigrated to Philadelphia in 1793.  There he opened a music store and promoted music.  He was a publisher, editor, organist, pianist, singer, composer, teacher and conductor, as well as one of the founding members of the Musical Fund Society in 1820.  He was also a member of the Atheneaum.  Carr never married.  When he died he was living at 72 South Fifth St.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38466">
                <text>http://www.philaathenaeum.org/rights.html</text>
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        <name>Athenaeum Shareholders (and Family)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Portraits and Paintings</text>
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              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>Carstairs, Thomas  (1759? - 1830)</text>
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            <description>An account of the resource</description>
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                <text>Scottish-born architect/builder Thomas Carstairs (born c. 1759, died July 26, 1830) launched his career in America by advertising his services in the Pennsylvania Packet in 1784. That same year, he sought membership in the Carpenters’ Company, but was turned down. Nonetheless, Carstairs steadily gained commissions and established a thriving business in Philadelphia.  The Carpenters’ Company, noticing his growing success, subsequently issued an invitation in 1788, which Carstairs ignored until finally becoming a member in 1805.  Among his achievements, Carstairs is noted for a block of twenty-two speculative row houses that he designed and built for William Sansom around 1800 on the south side of Sansom Street between 7th and 8th streets. Historically known as Carstairs Row, that block is widely known today as Jewelers’ Row.</text>
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                <text>37 1/8" H x 31 1/4" W (including frame)</text>
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            <name>Medium</name>
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                <text>Oil on canvas; wood frame</text>
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            <name>Provenance</name>
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                <text>Gift of Mrs. Gaynor Roberts Shane</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2018.24.01</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47278">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
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            <name>Is Part Of</name>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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        <name>Architect</name>
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        <name>Carpenters' Company</name>
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        <name>Jewelers' Row</name>
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        <name>Thomas Carstairs</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="47218">
                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>219-PR-569</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cat watching a spider in a web</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>ink</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="46605">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="47218">
                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>219-PR-034</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Catalog</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>print</text>
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          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43838">
                <text>http://www.philaathenaeum.org/rights.html</text>
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  <item itemId="3528" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Athenaeum Archives</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>The Athenaeum of Philadelphia</text>
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              <name>Date</name>
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                  <text>1814-Present</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="50451">
                  <text>The Athenaeum Archives Collection contains institutional records and items pertaining to the history of The Athenaeum of Philadelphia.  Examples include financial ledgers, membership records, collections records, photographs, and objects.  Also, records pertaining to the superintendence of the Athenaeum's National Historic Landmark Building.  (This online collection will grow as items are digitized)</text>
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    </collection>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="50464">
                <text>Catalogue of the Books and Other Articles Belonging to The Athenaeum of Philadelphia, 1814</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="50465">
                <text>Athenaeum of Philadelphia</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>April 27, 1814</text>
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          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="50470">
                <text>thumb:001:https://www.philageohistory.org/rdic-images/common/get-jpeg-small.cfm/PAT.CatalogueofBooksandArticles_1814.001.FrontCover.jpg</text>
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                <text>full:001:https://www.philageohistory.org/rdic-images/common/get-jpeg-book.cfm/PAT.CatalogueofBooksandArticles_1814.001.FrontCover.jpg</text>
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          <element elementId="77">
            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
            <elementTextContainer>
              <elementText elementTextId="50472">
                <text>https://www.philageohistory.org/rdic-images/iiif.cfm/PAT.CatalogueofBooksand Articles_1814/manifest</text>
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          </element>
          <element elementId="43">
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            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="50557">
                <text>PAT.CatalogueofBooksand Articles_1814</text>
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            </elementTextContainer>
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  <item itemId="612" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="1">
                  <text>Robert M. Skaler Postcard Collection</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <description>A name given to the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>&lt;a href="https://www.philadelphiabuildings.org/pab-new/app/pj_display.cfm?RecordId=0441F2D8-155D-0A04-06EC7671287FB497"&gt;Central Congregational Church&lt;/a&gt;</text>
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        <name>Churches</name>
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      <tag tagId="30">
        <name>Real Photo Postcards</name>
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      <tag tagId="47">
        <name>Spring Garden</name>
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                  <text>Robert M. Skaler Postcard Collection</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <name>Title</name>
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                <text>Central Staircase, Acker Quality Shop</text>
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                <text>1 postcard</text>
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                <text>Postcards</text>
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                <text>290-PC-13-024</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237624</text>
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                <text>en</text>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-13-024.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-13-024_Verso.jpg</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1632/manifest</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Chestnut St and 12th St, Philadelphia, PA</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41844">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
              </elementText>
              <elementText elementTextId="41845">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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        <name>Acker Quality Shop</name>
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