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            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0336/manifest</text>
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            <name>Spatial Coverage</name>
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                <text>Philadelphia, PA</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>James N. Stone Jr. (1851-1911) was a lawyer and amateur photographer. He became a member of the Philadelphia Photographic Society in 1868. The Stone Collection contains photographic images in a variety of formats, some of which were taken by Stone, and others which he simply collected. Among the highlights are a photo album assembled by his son Frank S. Stone in 1912 (which contains photos taken by James Stone Jr. and Ellersbie Wallace Jr.), a rare daguerreotype by Robert Cornelius and a photo of Independence Hall taken from the Philadelphia Photographic Society’s rooms at 520 Walnut St.</text>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Gift of Emily G. Hopkinson.  Inscription attached to back "Presented to Mrs. Hopkinson her kind wish acordingly by her faithful friend P. Poletica, Bordentown August 31st 1821"</text>
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            <description>An account of the resource</description>
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                <text>Pierre de Poletica (1778-1849) was counsellor to the Russian mission in Philadelphia, 1810-1812.  From 1819 to 1821 he again served in the United States, this time as the Russian charge d'affaires in Washington, DC. He was an acute observer of America's political and social life and wrote A Sketch of the Internal Condition of the United States of America, and of their Political Relations with Europe (Baltimore, 1826).</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>290-PC-08-121</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1142/manifest</text>
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            <name>Spatial Coverage</name>
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                <text>530 N 7TH ST, Philadelphia, PA</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>&lt;a href="https://www.philadelphiabuildings.org/pab-new/app/pj_display.cfm/20383"&gt;Poe Residence&lt;/a&gt;</text>
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        <name>Landmarks</name>
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        <name>Real Photo Postcards</name>
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        <name>Spring Garden</name>
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                  <text>Portraits and Paintings</text>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Poe, Edgar Allan (1809-1849)</text>
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                <text>1977.03.01</text>
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            <name>Creator</name>
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                <text>Inman, Henry</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Carved gilt ans gesso frame set in a larger shadowbox frame 13.50" x 12.50"</text>
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            <name>Is Part Of</name>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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                <text>Gift of Mrs. Wharton Sinkler.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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        <name>Henry Inman</name>
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                <text>219-PR-593</text>
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                <text>Poinsettias</text>
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                <text>print</text>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Polly Virginia Camden</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Sithens Post Card Co.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Postcard to Mrs. J (Tessmer) from Margaret</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Gift of Mrs. C. Buck Churchman</text>
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                <text>Glazed white porcelain bowl with overglaze polychrome decoration. Rim painted black with polychrome flowers (including roses, tulips, daisies, pansies, etc.) and gilt stylized leaves. Double rimmed base with narrow gilt band around outer base.  Family tradition believes that this bowl was owned by Joseph Bonaparte.  (Matching dinnerware is 1983.06.01-19.)</text>
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                <text>1994.M05.01-18</text>
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                <text>Gift of Mrs. Samuel R. Shipley III</text>
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                <text>Old Paris porcelain chocolate set, white with gold drapery decoration, France, c. 1830, consisting of one 9" plate; five 2 3/4" straight-side cups; five 2 1/4" round-sided cups; four 4 3/4" saucers; three 5" saucers.  According to family tradition, this set was a gift from Joseph Bonaparte, former King of Spain, elder brother of Napoleon I.</text>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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                <text>Porcelain dinnerware</text>
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            <name>Identifier</name>
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                <text>1983.06.01-19</text>
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                <text>Ten dinner plates: 9.5" diameter; nine luncheon plates: 7.5" diameter</text>
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                <text>Porcelain</text>
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            <name>Provenance</name>
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                <text>Gift of Mrs. C. Buck Churchman</text>
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                <text>Several pieces of this white porcelain dinner service with overglaze of polychrome decoration have survived with a tradition that they were acquired at the "Point Breeze" sale.  They are of the correct period and of a handsome and serviceable type that might have been regularly used in such a house.  (Matching bowl is 1979.15.01.)</text>
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                  <text>Bonaparte Collection</text>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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                <text>Porcelain fruit basket (one of a pair)</text>
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            <name>Identifier</name>
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                <text>1979.07.01-02</text>
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                <text>1820 (circa) - 1840 (circa)</text>
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                <text>13.25" L x 8.0" W x 12.75" H</text>
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            <name>Medium</name>
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                <text>Porcelain</text>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>Gift of Pauline T. Pease</text>
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                <text>These elegant fruit baskets are examples of French porcelain imported into the United States in the first half of the nineteenth century.  The baskets, decorated with bands of green glaze and gilt, have caryatid supports of bisque porcelain.  These kneeling winged winged figures are attached to the base and baskets by bolts inserted through a hole in the body of the piece and secured with screws.  This technological innovation in ceramics manufacture, based on the technique used by French silversmith Jean-Baptiste-Claude Odiot (1763-1850), permitted more efficient assembly and greater flexibility of design.</text>
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              <name>Title</name>
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                  <text>Robert M. Skaler Postcard Collection</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Gift of Miss Emily Hopkinson.  Brass plate on frame:  "Presented to Langhorn Thorne, Esq. / by / Joseph Bonaparte / Count de Survelliers."</text>
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                <text>Portrait of young girl</text>
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              <description>A name given to the resource</description>
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                  <text>Robert M. Skaler Postcard Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="37079">
                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Post Office</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Postcards</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>290-PC-02-204</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236278</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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                <text>full:001:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/84FBFD62-155D-01E7-00E54D18C0CD8F1F/full/1000,/0/default.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-02-204_Verso.jpg</text>
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            <name>Has Format</name>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0286/manifest</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Philadelphia, PA</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <name>Title</name>
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                <text>Post office</text>
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                <text>Postcard to Mr. Warren Ruth</text>
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            <name>Date</name>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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