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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>1 postcard</text>
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            <name>Has Format</name>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0884/manifest</text>
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            <name>Spatial Coverage</name>
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                <text>Chestnut St, above 19th St, Philadelphia, PA</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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&#13;
Additional sculptures relating to Napoleon Bonaparte and his family may be viewed online in the Athenaeum's Featured Collection, "Bonaparte Collection." </text>
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            <description>An account of the resource</description>
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&#13;
This plaster replica of Giuseppe Ceracchi's 1794 marble bust was made by Lanelli following Hamilton's tragic death.  Ceracchi (b.1751), the renowned Roman sculptor, visited Philadelphia in 1791 and 1794.  Here he modeled many of America's founding fathers, Washington, Jefferson, etc., in the guise of Roman emperors.  The engraving of Hamilton on the US $10 bill is based upon the Ceracchi bust.&#13;
&#13;
Banished from Italy because of his liberal political views, Ceracchi was executed in Paris in 1801 after plotting to assassinate Napoleon. &#13;
&#13;
The bust was painted in 1955.&#13;
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                <text>Plaster; painted in 1955</text>
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            <name>Identifier</name>
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                <text>AP.29.01</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html&#13;
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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                <text>Alexander I / Aleksandr Pavlovich / Александр Павлович (1777-1825)</text>
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            <name>Identifier</name>
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                <text>Gift of Emily G. Hopkinson</text>
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              <description>An account of the resource</description>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>Mamaroneck&#13;
May 16th - 63&#13;
&#13;
My dear Mrs Hale,&#13;
&#13;
I did not hear until&#13;
yesterday of your loss,&#13;
or I should not have&#13;
been as late as this in&#13;
offering my sympathy.&#13;
Mrs Godey seems to think&#13;
that it had been previously&#13;
told me - but I have&#13;
been so ill and not of &#13;
the world that I had&#13;
not heard it, - indeed&#13;
I could scarcely believe&#13;
that what I read was&#13;
true. I had measured&#13;
my life &amp; health, as it&#13;
were - by your daughters,&#13;
&#13;
as our illness was of&#13;
almost the same date,&#13;
If I had [?] [feverish?]&#13;
it would be of like duration.&#13;
But how merciful that&#13;
she was called away&#13;
"suddenly"-. No long&#13;
wearing, racking decay, -&#13;
In many instances of&#13;
which I have witnessed&#13;
among invalids the past&#13;
three years, &amp; until [?]&#13;
and [soul?] cry out for&#13;
rest &amp; peace! And you&#13;
have been spared that&#13;
exhausting [?] watch&#13;
of alternate hope and&#13;
trembling fear. Truly it&#13;
is merciful; for you&#13;
know that to her the&#13;
&#13;
transition was all gain.&#13;
I will not say, how&#13;
sad for you my dear&#13;
Mrs Hale. You have lived&#13;
too long in the light, and &#13;
have seen too many of&#13;
life's transitions, to look&#13;
on this as more than&#13;
a short seperation [separation], - a&#13;
going before, - and you&#13;
surely have a strong arm&#13;
now supporting you. One &#13;
on which you leaned&#13;
when you struggled so&#13;
bravely to lead your children&#13;
along the path of life in&#13;
goodness &amp; excellence, - One&#13;
that will support and &#13;
strengthen you, to the last&#13;
trial of earth, - whatever&#13;
else may be taken away.&#13;
&#13;
Mrs [?] Godey writes me&#13;
that you bear up nobly, -&#13;
and adds a fervent "God&#13;
Bless her!" - with other&#13;
words of the deepest sympathy&#13;
and appreciation.&#13;
I am sure you do, - and&#13;
may you find in the &#13;
tenderness of friends, and&#13;
the filial piety of those&#13;
of your children who&#13;
remain, all the earthly&#13;
comfort that can be&#13;
given.&#13;
Owing you more a&#13;
daughter's respect &amp; duty -&#13;
Gratefully as of old&#13;
Alice B Haven&#13;
</text>
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                <text>Alice B. Haven to Sarah Josepha Hale</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Robert L. M. Camden Collection</text>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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            <name>Identifier</name>
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                <text>219-PR-078-005</text>
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                <text>All the oaks are vigorous winter picture-makers</text>
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              </elementText>
            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44110">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44111">
                <text>Page 252 from an unknown publication</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert M. Skaler Postcard Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="37079">
                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="25792">
                <text>Allegheney Avenue, west of E St</text>
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            <name>Creator</name>
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                <text>Mercantile Studio</text>
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            <name>Extent</name>
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                <text>1 postcard</text>
              </elementText>
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            <name>Medium</name>
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            <name>Identifier</name>
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                <text>290-PC-11-078</text>
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              <elementText elementTextId="41412">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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                <text>Almira Hart Lincoln Phelps to Sarah Josepha Hale</text>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237786</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1794/manifest</text>
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                <text>Philadelphia, PA</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>James N. Stone Jr. (1851-1911) was a lawyer and amateur photographer. He became a member of the Philadelphia Photographic Society in 1868. The Stone Collection contains photographic images in a variety of formats, some of which were taken by Stone, and others which he simply collected. Among the highlights are a photo album assembled by his son Frank S. Stone in 1912 (which contains photos taken by James Stone Jr. and Ellersbie Wallace Jr.), a rare daguerreotype by Robert Cornelius and a photo of Independence Hall taken from the Philadelphia Photographic Society’s rooms at 520 Walnut St.</text>
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                <text>221-AL-002-042</text>
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                <text>Anna Burns</text>
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                  <text>James N. Stone Jr. (1851-1911) was a lawyer and amateur photographer. He became a member of the Philadelphia Photographic Society in 1868. The Stone Collection contains photographic images in a variety of formats, some of which were taken by Stone, and others which he simply collected. Among the highlights are a photo album assembled by his son Frank S. Stone in 1912 (which contains photos taken by James Stone Jr. and Ellersbie Wallace Jr.), a rare daguerreotype by Robert Cornelius and a photo of Independence Hall taken from the Philadelphia Photographic Society’s rooms at 520 Walnut St.</text>
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            <description>A name given to the resource</description>
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                <text>Anna Christman</text>
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              <description>A name given to the resource</description>
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                  <text>Sarah Josepha Hale Collection</text>
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                  <text>1826-1869</text>
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              <description>An account of the resource</description>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>Baltimore July 12 1838&#13;
&#13;
To Mrs. Sarah Hale&#13;
&#13;
Much esteemed Madam&#13;
&#13;
I apologise, and regret intruding on&#13;
your valuable time, but circumstances render it in a measure necessary&#13;
In April last I sent a communication for the "Lady's Book," - a scrap of&#13;
of poetry called - "Sunset among the Alps" which was written during&#13;
severe illness. As my husband is a subscriber to the Lady's Book, and&#13;
his partial eyes discovering merits in the poetry which perhaps it does not&#13;
posess [possess], he wished to see it published therein, but it seems as if it were&#13;
thought unworthy of a page, and so far from feeling sensations of anger&#13;
or mortification that it has not appeared, I am grateful to your&#13;
discriminating judgement for laying it aside - There is too much&#13;
hackneyed sentiment and indifferent poetry crowding our Periodicals&#13;
and papers already - I do not wish to increase it. Since ill health&#13;
has been decaying my frame, writing has been one of my principal&#13;
amusements - Shut out in the bloom of youth from the real any&#13;
spirit has oftentimes exulted in its capability of enjoying the invisible&#13;
ideal. Altho incapable of expressing the beautiful things of of that &#13;
bright world my heart has been filled with them, and I fain&#13;
would have written its poetry, but thought is sometimes too mighty&#13;
for words. Owing to the precarious state of my health - not knowing&#13;
at what hour I may be called hence - my husband is anxious&#13;
to collect every little scrap - or the originals of every piece I&#13;
have written - I had no Copy of the piece I sent, will you be&#13;
kind enough therefore to return the manuscript - Directed to &#13;
L. Dorsey Esqr. Once more Madam I apologize for troubling you&#13;
and thank you for the many pure lessons I have learned from your&#13;
gifted pen - As a daughter - as a wife - I have endeavoured to profit&#13;
&#13;
by them - and as one, who will in a few days be called to fulfil &#13;
the solemn responsibilities of a Mother, her heart retains them with&#13;
gratitude to its teacher -&#13;
Very Respectfully yours &#13;
Anna Hanson Dorsey&#13;
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>46-M-200</text>
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            <description>A name given to the resource</description>
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                <text>Anna Hansen Devacy to Sarah Josepha Hale</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                <text>Philadelphia, PA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39662">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
              </elementText>
              <elementText elementTextId="39663">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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          </element>
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    </elementSetContainer>
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  <item itemId="2680" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Robert L. M. Camden Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="47218">
                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>219-PR-244</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44957">
                <text>Ariel Linen Finish Writing Tablet (illustrated cover)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44958">
                <text>print</text>
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          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44960">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
  </item>
  <item itemId="1472" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Robert M. Skaler Postcard Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Arlington St</text>
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            </elementTextContainer>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26820">
                <text>Mercantile Studio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1909</text>
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            </elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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              <elementText elementTextId="26824">
                <text>1 postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="26825">
                <text>Postcards</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="26826">
                <text>290-PC-11-134</text>
              </elementText>
              <elementText elementTextId="26827">
                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237464</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26830">
                <text>en</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="26831">
                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-11-134.jpg</text>
              </elementText>
              <elementText elementTextId="26832">
                <text>full:001:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/84FD876D-155D-01E7-00427ED4067AECAC/full/1000,/0/default.jpg</text>
              </elementText>
              <elementText elementTextId="26833">
                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-11-134_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/6405E8C5-155D-01E7-00501CC504FCA5BF/full/1000,/0/default.jpg</text>
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            </elementTextContainer>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="26835">
                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="77">
            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
            <elementTextContainer>
              <elementText elementTextId="26836">
                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1472/manifest</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="26837">
                <text>3200 block ARLINGTON ST, Philadelphia, PA</text>
              </elementText>
              <elementText elementTextId="42792">
                <text>39.986425, -75.185838</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41524">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
    <tagContainer>
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        <name>North Philadelphia</name>
      </tag>
      <tag tagId="30">
        <name>Real Photo Postcards</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="2249" public="1" featured="1">
    <fileContainer>
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        <src>http://omeka.philaathenaeum.org/collections/files/original/bf17e057c8b899427a0b14ef13a9a53e.jpg</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37094">
                  <text>Portraits and Paintings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37095">
                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38415">
                <text>Armatt, Jane Caroline (1798-1856)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="38416">
                <text>2017.01.01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38417">
                <text>Inman, Henry (attributed).   Alternate attribution: Jacob Eichholtz.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38418">
                <text>1820 (circa)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="38419">
                <text>25" x 30"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="38420">
                <text>Oil on canvas; gilt frame</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="38421">
                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="38422">
                <text>Gift of Major and Mrs. Coryndon Luxmoore.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38423">
                <text>Born in the autumn of 1798, the younger of two daughters, Jane Caroline Armat was raised in the newly built family home of Loudon in Germantown, Philadelphia. By the age of 11, Jane and her sister Sara were left solely in the care of their grandparents following the death of their mother and father within just three years of each other.</text>
              </elementText>
              <elementText elementTextId="38424">
                <text>At the age of 21, in 1819, Jane married her cousin William Armatt with whom she had two daughters. It was in the early years of their marriage that the artist Henry Inman is believed to have painted this portrait of Jane. </text>
              </elementText>
              <elementText elementTextId="38425">
                <text>Inman, who had established himself as one of the prominent portraitists in New York City by 1829, was also credited with the first successful attempt of genre painting by an American-born artist. His somewhat Romanticised style is perhaps what first appealed to Jane when commissioning this portrait, however it is thought that Jane Caroline Armatt and Henry Inman were good friends too. Their friendship lasted long after the passing of William Armatt in 1822 as Inman is also attributed to painting two later portraits of Jane and her second husband, James Skerrett, an Athenaeum shareholder, after their marriage in 1825.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38426">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="25">
        <name>Athenaeum Shareholders (and Family)</name>
      </tag>
      <tag tagId="17">
        <name>Henry Inman</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="2115" public="1" featured="0">
    <fileContainer>
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        <authentication>14cee255c5e3fafd322b889524b02a40</authentication>
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      <file fileId="219">
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    <collection collectionId="5">
      <elementSetContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="36230">
                  <text>Bonaparte Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37080">
                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37071">
                <text>Armchair </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="37072">
                <text>1983.03.01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37073">
                <text>Michel Bouvier (Attributed)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37074">
                <text>1835(circa)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37075">
                <text>Mahogany</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="37076">
                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="37077">
                <text>Gift of Dorothy Patterson in memory of Richard D. Patterson </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37078">
                <text>This handsome chair descended through the family of its maker, French émigré cabinetmaker Michel Bouvier (1792-1874).  The chair is unusual for its slip-in upholstered scrolled back and scrolled arms which terminate in carved eagle heads.  The arms have the horizontal forward thrust of earlier French models and show the slight curve which was then coming into vogue.  The legs mark the reintroduction of the cabriole form.  The chair was restored and reupholstered in black horsehair--a popular upholstery material in the nineteenth century--as suggested by surviving fragments discovered under later upholstery.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="3">
        <name>Michel Bouvier</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="886" public="1" featured="0">
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          <name>Dublin Core</name>
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