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                  <text>1826-1869</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>New-York March 2d 1836&#13;
&#13;
My very dear friend.&#13;
&#13;
I do not know how you will receive&#13;
this letter as I have deferred so long to answer&#13;
yours, and I feel that I owe you an ample apology.&#13;
But the only one I can give is that I would&#13;
not write you until I could give you some&#13;
encouragement relative your books. I have not,&#13;
however, succeeded to my wishes, I cannot&#13;
find any one who will purchase the one or subscribe&#13;
to the other. There are several who are willing to &#13;
take them on commission, but I have been &#13;
afraid of recommending them for fear of causing&#13;
you a loss. Men are so bad now, that conscience&#13;
has no part in their acts, so that it is extremely&#13;
difficult for females to transact business with them.&#13;
The fact is, false pride leads them to support a style&#13;
of living which neither belongs to their station in&#13;
life nor corresponds with their means, and to make&#13;
a show of gentility, they sacrifice every thing, even&#13;
the [DE: hopes and] peace of a dying bed and the hopes &#13;
of Eternity. I am, however, acquainted with&#13;
3 different houses here who I think you might&#13;
trust, and if you will send your "School Song&#13;
Book", what ever number you choose, I will&#13;
leave them at their stores and see that they&#13;
do you justice, as far as it is in my power.&#13;
I see by the N.A. Review that you have published &#13;
an other work, and I trust that you may&#13;
prosper and be well compensated for your distinguished&#13;
talents and indefatigable labours. There is some&#13;
&#13;
pleasure in exerting ourselves if we can bring&#13;
our labours to good account - but it is not&#13;
for all to bask in sun-shine. Some reap a&#13;
golden harvest, others saw, but the enemy&#13;
mix tares with the grain, and among these&#13;
stands poor [?] So far, it has been my lot to aid in the&#13;
support of men. Ticknor is the fourth gentleman &#13;
who has taken advantage of my unbefriended&#13;
situation. I was very sure, when you wrote&#13;
me that he had not sold my books, that it was&#13;
incorrect, and I wrote him when I arrived to N.Y.&#13;
that I wished him to send me the remaining books&#13;
as here had never any of them been offered, and&#13;
I could sell them here, but he answered that they&#13;
were settling their business and would write me&#13;
as soon as they had gon [gone] through with it. They&#13;
has half of the edition, the publishers in Cincinnati&#13;
had four hundred for their charges, and the&#13;
proceeds of those I had (100) is all I have&#13;
received, and of this number a large part went&#13;
as presents among my friends. Mr Fullerton&#13;
requested me to send a bill on them to him&#13;
promising to try to get something, I send the&#13;
bill in letters by mail, but I have not since&#13;
then heard from Mr Fullerton. He also said&#13;
he would send me four books that were sent&#13;
from T. &amp; [A.?] to his store but I have not received&#13;
them. I could have sold the copy-write here if&#13;
I could have [DE: sent a s] given a specimen, but&#13;
owing to my nor receiving those left at Mr F's&#13;
I have not been able to do so. Some mistake&#13;
must be the cause of the delay as I am sure&#13;
Mr F. would do all he could for me. I am&#13;
and have been very much occupied with my new&#13;
work. Owing to the imperfect knowledge we have here&#13;
&#13;
of drawing on stone, I have not been able to get any&#13;
one to do my plates as they ought to be to be colored&#13;
in a superior style. I have therefore been obliged myself&#13;
to practise [practice] on several stones, and hope I have&#13;
now succeeded, but I cannot tell until next week&#13;
how they plates will look when they are colored, as I&#13;
have but just finished the stone I last began. It is of&#13;
great consequence that I should have them printed &#13;
from stone as copperplates are very expensive. Besides&#13;
if I can do it myself, I am paid well for it, and am&#13;
sure that it is not slighted. The coloring will also devolve&#13;
on me. Should I succeed in producing a work&#13;
superior to any we have at present, if the kind, I &#13;
shall have the merit at least of perseverance, for &#13;
every body, who pretend to know any thing about&#13;
coloring here say that it is impossible to produce&#13;
plates equal to my painting. I have told them&#13;
that all that is wanted in this country is moral&#13;
courage, and that whatever has been done before&#13;
can be done again, and I hope the lord will prosper&#13;
my efforts, that I may prove my confidence substantiated.&#13;
[DE: tially] Give my love, if you please, to any&#13;
of my friends that you may meet with, and do write&#13;
me soon how you prosper and all about your children,&#13;
and how you intend spending the summer. If it was &#13;
convinient [convenient] I wish you would call at Mr. Fullerton's &#13;
to see if he has sent my books, perhaps they&#13;
are lost, if so, I have lost the sale of the second&#13;
edition for I cannot sell the copy-write if I cannot&#13;
show them the work.&#13;
God bless you, my dear friend,&#13;
Maria Turner.&#13;
&#13;
In great haste.&#13;
I wish that you would compose a few lines on the hundred-&#13;
leaved-rose for my work, it is the last of the plates, and I should like&#13;
one of a religious cast, I do not want you to say any thing about it, but I&#13;
intend to have poetry interspersed in the work.&#13;
&#13;
Mrs S.J. Hale&#13;
Editress of the [?] Ladies' Magazine&#13;
Boston&#13;
Massa-.&#13;
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                  <text>Robert M. Skaler Postcard Collection</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Marine View near Philadelphia</text>
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            <name>Creator</name>
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                <text>Hugh C. Leighton Company</text>
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                <text>290-PC-06-008</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Market and Chestnut St Ferry station and elevated electric road</text>
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              <text>[?] told to him. -&#13;
Oct. 13th dearest friend&#13;
I was called away from finishing &#13;
this letter in to do some thing -&#13;
business has been pressing very&#13;
much on me &amp; my time has been&#13;
more than full and I have had to be&#13;
away from home a good deal. -&#13;
And now sweet friend I have&#13;
but a moment in which to&#13;
write - I do not now think I &#13;
shall be able to go on to your [?]&#13;
but oh! I shall feel for you - I&#13;
wish I could be with you I &#13;
don't see any way now only&#13;
to have some church in Phila.&#13;
give Mr. [Ensworth?] a call. -&#13;
I am doing nothing for your&#13;
society and fear I cannot. - I hope&#13;
however God will greatly bless you&#13;
I am sorry to be obliged to close&#13;
&#13;
as my time is so much occupied&#13;
just now. - as I am closing&#13;
up my account as Admx. -&#13;
With much love&#13;
Your devoted &amp; loving&#13;
friend&#13;
Mary A. Stevens.&#13;
&#13;
of the Rochester Democrat a&#13;
Republican paper - rejected them&#13;
because his heart had become&#13;
convinced that he ought to dedicate&#13;
himself to the ministry, [&amp;?] he&#13;
therefore came here to study&#13;
and has gone through a full course&#13;
here. - and is now ready to go&#13;
out and work for Jesus. - He&#13;
is with out exception one of the&#13;
most intelligent men I have ever&#13;
met - he has a very fine Library&#13;
worth about $2,000 - and among &#13;
his books is yours (which you&#13;
know I told you ought to be in every&#13;
library) on Distinguished Women. -&#13;
He is sitting by my side now&#13;
writing a Sermon to preach&#13;
next Sabbath. Do you ask why&#13;
is he by your side? - Because dearest&#13;
we are engaged and in about two&#13;
&#13;
weeks expect to marry. - I am&#13;
sure you will be astonished to&#13;
know that I am to marry again&#13;
and so soon - - But you would&#13;
not be if you could see Mr. E. - or&#13;
if I could tell you all that has&#13;
influenced me you would not&#13;
be surprised - I had longed for&#13;
sympathy - for a heart of love in which&#13;
to breathe my sorrow &amp; care. - Here I was&#13;
all alone save my precious children.&#13;
In Mr. Ensworth I found a friend on&#13;
who I could lean - a heart as tender&#13;
&amp; loving as a womans. - with talents&#13;
&amp; and cultivation greater than most&#13;
men. - For seven weeks we were&#13;
very dear friends - his loving sympathizing&#13;
heart - drew from me the confidence&#13;
&amp; trust which I had longed to give&#13;
to some one - but which had been&#13;
buried so long - indeed much of my&#13;
inner life which had been only known&#13;
to myself - my heart or rather soul struggles&#13;
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              <text>Feb. 7, 1851&#13;
Craven Hill Cottage&#13;
Bayswater&#13;
&#13;
Madam,&#13;
&#13;
My kind friends Mr. &amp; Mrs. [Balmanno?],&#13;
of New York, have informed me of your&#13;
obliging intention of placing my name &#13;
in your "Record". "It is an honor that&#13;
I dreamed not of". But allow me&#13;
to offer you my best thanks. They&#13;
also mention your desire that [Isa?]?&#13;
furnish you with some of my biographical&#13;
particulars. It is an awkward matter&#13;
to state these of living authors, as one&#13;
knows not the chief point of interest&#13;
&amp; importance - namely, whether or no&#13;
their works have lived, as well as &#13;
themselves.&#13;
&#13;
And as to personal incidents; most&#13;
writers' biographies, I believe, may &#13;
be summed in these few words - "They&#13;
were born  _ they wrote _ they died,"&#13;
I trust it may be a very very&#13;
long time ere you have to add the&#13;
last particular to your account of&#13;
Madam,&#13;
Your obliged &amp; obdt. Servt.&#13;
Mary Cowden Clarke&#13;
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              <text>July 19 -&#13;
&#13;
My dear Mrs. Hale,&#13;
&#13;
I am making up&#13;
a packet of [?] for [?]&#13;
&amp; must not omit to write to you&#13;
to thank you for all your great&#13;
kindness to me which I felt all&#13;
the more as it was at a time when&#13;
every thing looked dark &amp; evil and&#13;
nothing [nothing?] [round?] [us?] but people&#13;
who stood aloof and who though&#13;
un kind a right to expect aid from&#13;
them would not [find?] it. You [a?]&#13;
str[?]nger [women?] willingly did all&#13;
you could &amp; though this sum&#13;
which was paid was very small&#13;
yet I assure you I was very&#13;
glad of it. We hope [?][[?][?]&#13;
&#13;
year will be perhaps the time of&#13;
their outbreak, but they are waiting for&#13;
the time when they hope victory will be&#13;
sure. They expect aid from America in what&#13;
shape I know not. Perhaps merely in money, if&#13;
by outward forces that can only lead to [?]&#13;
[?] America which God forbid.&#13;
I am sorry dear Mrs. Hale that I have&#13;
[answered?] so poorly for your May 10 - not at all.&#13;
But do not believe me indifferent to you &amp; if&#13;
I only know any one who would bring but&#13;
an edition of your poems I would take them&#13;
at once out of [?] hands of [?] [?] [?]&#13;
if they would not immediately come to [some?]&#13;
definite terms.&#13;
My husband is now engaged on a newspaper&#13;
of which we are to [?] also the&#13;
literary management - we shall be&#13;
very glad in this to do any thing for &#13;
you that we can, &amp; at Mr. Chapmans&#13;
we shall always I suppose be able to&#13;
[see?] The Lady's Books &amp; your other works.&#13;
Will not you come to England dear Mrs.&#13;
Hale? - We should be right glad to [see?] you think&#13;
of it. I [?] had words you could write&#13;
about the "Old Country."&#13;
I am dear Mrs. Hale yours faithfully MH&#13;
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>Spatial characteristics of the resource.</description>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>James N. Stone Jr. (1851-1911) was a lawyer and amateur photographer. He became a member of the Philadelphia Photographic Society in 1868. The Stone Collection contains photographic images in a variety of formats, some of which were taken by Stone, and others which he simply collected. Among the highlights are a photo album assembled by his son Frank S. Stone in 1912 (which contains photos taken by James Stone Jr. and Ellersbie Wallace Jr.), a rare daguerreotype by Robert Cornelius and a photo of Independence Hall taken from the Philadelphia Photographic Society’s rooms at 520 Walnut St.</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>221-AL-002-013</text>
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            <description>A name given to the resource</description>
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                <text>May Rinehart</text>
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            <description>The material or physical carrier of the resource.</description>
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