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                <text>Probably aqcuired from the artist.  The painting was unveiled at the Athenaeum in October of 1959 at a reception held in honor of Judge Lewis.</text>
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                <text>Howard W. Lewis was a member of the Athenaeum Board of Directors for fifty-two years, serving as Treasurer from 1888 to 1926 and as Vice President from 1926 until his death in 1940.  A banker by profession, Lewis was also a philanthropist, historian, and sports enthusiast.  This portrait was acquired in 1949 by bequest of Lewis's widow, Mabel Potter Lewis, who also served on the Athenæum Board of Directors.   Molarsky, born 1885 in Kiev, emigrated to Philadelphia where he became a student at the School of Industrial Arts.  An accomplished portrait and still life painter, he won many awards, including a silver medal at the Panama-Pacific Exposition, San Francisco (1915), a gold medal from the Art Club of Philadelphia (1919), and a silver medal at the Sesqui-Centennial Exposition (1926).</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Gift of Frances Sabena and Mary Elizabeth Fernley</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Postcard to Mr. Malon</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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              <text>Princeton Feby 8th/67&#13;
&#13;
My dear Mrs. Hale&#13;
&#13;
Enclosed please find&#13;
Ten Dollars for The "Woman's&#13;
Union Missionary Society".&#13;
Mrs Charles [?] $5.00&#13;
Mrs L.C. Tuthill - 3.00&#13;
Mrs Woods Baker 2.00&#13;
[ED: line]&#13;
$10.00&#13;
&#13;
Do not think, my dear friend,&#13;
that my interest in this noble&#13;
Society has decreased because&#13;
my contribution is less than&#13;
it was last year. My charity-&#13;
purse has had large demands&#13;
for various objects, and&#13;
the high price of living&#13;
&#13;
restricts my ability to contribute&#13;
largely to many&#13;
worthy purposes.&#13;
I congratulate you and dear&#13;
Fanny on the birth of her&#13;
third son. I am glad to &#13;
learn, [DE: that] from Mrs Hodge,&#13;
that the mother is "doing well".&#13;
No doubt you are au courant&#13;
to all Princeton news.&#13;
The last item, Alice Potter's&#13;
engagement to Mr Lippincott&#13;
of your city, excites much&#13;
interest. He is an excellent&#13;
young man, of whom every&#13;
lady speaks well. - I trust&#13;
this not involve the &#13;
"[woe?]" denounced [upon?] such&#13;
in the holy Bible!&#13;
&#13;
What frigid [zone?] snow we&#13;
have had the past winter!&#13;
The drifts in sight of us&#13;
still, are like mountain&#13;
waves.&#13;
Notwithstanding the severity&#13;
of the season [Laulie?] has&#13;
been able to attend school&#13;
constantly, and to pursue&#13;
her studies with intense&#13;
interest. I wonder, sometimes,&#13;
why that interest does not &#13;
flag, but it never does.&#13;
We were all pleased to see&#13;
our charming [?] here &#13;
again and [DE: only] regreted&#13;
that we had only a few&#13;
glimpses of her during her&#13;
brief visit to Princeton&#13;
My dear friend, we are growing&#13;
old, and ought to see each&#13;
other more frequently. The&#13;
friends whom we have known &#13;
and loved are passing away&#13;
&#13;
"like leaves in wintry weather,"&#13;
and those still spared are&#13;
exceedingly precious.&#13;
When the Spring renders&#13;
the country pleasant come&#13;
and pay us a visit to &#13;
make up for the short and&#13;
unsatisfactory one, when the&#13;
sudden departure of porr&#13;
Mrs Harrison had cast a&#13;
gloom over the large circle&#13;
of your friends in Princeton&#13;
I know the claims the public&#13;
have upon you are imperative&#13;
but has not the friendship&#13;
of many years a claim that&#13;
you will kindly acknowledge?&#13;
Mary, Sarah and [Laulie?] jam&#13;
in affectionate greeting to you,&#13;
my dear Mrs Hale, and all of &#13;
your household.&#13;
Please give my best love to Fanny,&#13;
and kindest regards to Dr Hunter.&#13;
Faithfully Yours, Louisa C. Tuthill&#13;
Mrs Sarah J. Hale.&#13;
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              <text>Princeton Jan 10/66&#13;
&#13;
My dear friend,&#13;
&#13;
I am truly obliged to you&#13;
for sending me the "Lady's&#13;
Book", it is a most acceptable&#13;
and valuable&#13;
New Year's gift. May you&#13;
long continue to edit the&#13;
magazine for "women," &amp; &#13;
their higher interests!&#13;
If my life be spared I&#13;
hope to make some small&#13;
contribution to its contents,&#13;
during the present year.&#13;
I have been so completely&#13;
occupied with company&#13;
and in other ways, of&#13;
late, that I have only [?]&#13;
a cursory glance at the&#13;
"Philadelphia Home Weekly"&#13;
&#13;
Laulie was sadly disappointed &#13;
at not seeing her beloved&#13;
Minnie again. Mrs Hodge&#13;
was so kind as to invite&#13;
the child, but she was&#13;
seized with a sudden&#13;
illness which we feared&#13;
would end in scarlet&#13;
fever, and she could&#13;
not see Minnie after that.&#13;
Thank God it did not&#13;
prove to be that fearful&#13;
disease and she is now&#13;
well enough to be out&#13;
again to-day, for the first&#13;
time, since the attack.&#13;
I have found it impossible&#13;
to form a "Band" [here?] for &#13;
"Women's Mission to Women."&#13;
Every Christian Woman&#13;
in the wide world ought&#13;
to take a deep interest in&#13;
this Mission, but unhappily&#13;
they do not.&#13;
The contribution I enclose&#13;
&#13;
I have made up in my&#13;
own family principally.&#13;
Mrs Charles Olden as you&#13;
will see gave $5.00. I did&#13;
not ask her for it, but&#13;
on the contrary declined&#13;
it, hoping she would give&#13;
her Twenty; but she said&#13;
it would not be convenient&#13;
this year, as she had so&#13;
many demands upon her&#13;
purse and it would oblige&#13;
her if I would add it &#13;
to my contribution.&#13;
So, my dear Mrs Hale, you&#13;
will consider the $20.00,&#13;
enclosed as the supscription [subscription]&#13;
for which I became responsible&#13;
for 1866.&#13;
We had last evening at&#13;
our house "The Eclectic".&#13;
Rather a pretentious name&#13;
for a reading circle!&#13;
The rooms were quite well&#13;
filled with more than&#13;
forty persons, and it was&#13;
&#13;
quite a trial for Sarah&#13;
Hodge and Nannie Field&#13;
to read before so many.&#13;
[DE: persons].&#13;
Richard Hunter is [?]&#13;
this winter Though many&#13;
new members have joined&#13;
the Circle, there is no one&#13;
to make [?] his place.&#13;
I write in haste this morning&#13;
as we are expecting company&#13;
to dine, and have friends&#13;
staying with us.&#13;
Please give love to all&#13;
the dear ones of your&#13;
household and best&#13;
wishes for their health&#13;
and happiness.&#13;
Every truly and faithfully&#13;
Yours, Louisa C. Tuthill&#13;
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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              <text>Princeton, Oct 8th/50&#13;
&#13;
My dear Mrs Hale,&#13;
&#13;
Your complimentary&#13;
request was received on Saturday last&#13;
In complying with it, I am doubtful&#13;
about what "particulars" you need &#13;
for a "sketch."&#13;
You know that I was born and educated&#13;
at New Haven. It was at the time when&#13;
ladies in our country were first allowed&#13;
a truly liberal education.&#13;
To the Rev Claudius Herrick (the revered&#13;
teacher of hundreds who are now&#13;
among the most useful and accomplished&#13;
women in our country*) I am&#13;
anxious to render a grateful tribute,&#13;
for the last three or four years of my school -&#13;
education. Bu the very side of Yale College&#13;
stand the venerable old mansion,&#13;
where that excellent man, with mild&#13;
persuasiveness led along the&#13;
briary paths of science, ripe, however&#13;
with roses. -&#13;
In my girlhood, I amused myself with&#13;
attempts at poems, plays and novels -&#13;
but no mortal eye was allowed to&#13;
scrutinize these juvenile performances&#13;
and before my marriage I consigned them&#13;
to a general conflagration. It is doubtless,&#13;
[DE: as] well for the world that these [?]&#13;
[?] should thus have perished, but I have&#13;
since regretted that some of those [?]&#13;
*&#13;
His pupils erected an appropriate monument&#13;
to his memory in the beautiful cemetery&#13;
at New Haven.&#13;
&#13;
were not spared that I might know&#13;
exactly what then, were my thoughts&#13;
and capabilities. - Although among&#13;
the gayest of the gay, and apparently&#13;
only desirous to be the belle of the&#13;
ball-room, I had then higher aspirations;&#13;
and eve[?], too much pride of character&#13;
to be proud of wealth. When apparently most devoted&#13;
to society, I found time for reading and study.&#13;
But my dear Mrs Hale I do not like&#13;
this writing in the first person. -&#13;
I will give you a few nude facts and&#13;
leave them to be clothed in your&#13;
graceful drapery.&#13;
Married in 1817 at a very early age&#13;
to Cornelius Tuthill Esq a distinguished&#13;
member of the bar fond of science &amp;&#13;
of literature. He encourages literary [tastes?]&#13;
in his wife and wishes for intellectual&#13;
companionship. - Encourages her to write&#13;
and inspires this by causing a poem of&#13;
hers to appear in print. -&#13;
Mr Tuthill died in 1825 leaving a young&#13;
widow with four children.&#13;
Mrs T. as a solace under affliction takes&#13;
up the pen. "James Somers the Pilgrim's &#13;
Son" published in 1827 - . "Mary's Visit to&#13;
B -." in 1829 ("By a Lady of New Haven.")&#13;
For years devoted to the education of&#13;
her children. - Wrote [DE: the "history]&#13;
[DE: of] "Architecture," first for her own&#13;
family. - One [number?] containing &#13;
Ancient Architecture, was published &#13;
at New Haven in a small [DE: quarto] volume&#13;
Out of this, in time, grew "The History&#13;
of Architecture, Ancient and Modern."&#13;
since published in Philadelphia.&#13;
Mr Ithiel Town's library affording &#13;
facility for the study of the Art,&#13;
a study performed for several years&#13;
with avidity.&#13;
In 1838-9 The Young Lady's Reader &amp; Young&#13;
Lady's Home, The first books to which her name&#13;
&#13;
was given. Had written anonymously&#13;
for periodical literature meantime&#13;
In 1842 removed to the vicinity of Boston&#13;
Wrote " I will be a Gentleman, I will be a&#13;
Lady" - both now in the nineteenth edition.&#13;
"Onward, Right Onward." -&#13;
"Anything for Sport."&#13;
"The Boarding School Girl." -&#13;
"A Strike for Freedom." -&#13;
Besides this Juvenile Series - wrote&#13;
"My Wife." -&#13;
In Philadelphia "The History of &#13;
Architecture was published. Edited&#13;
"The Mirror or Life."&#13;
B.P. Putnam published "The Nursery&#13;
Book for Young Mothers." - The series&#13;
"Success in Life," of which&#13;
"The Merchant," 'Lawyer' and&#13;
"Mechanic" have appeared. -&#13;
If you think it best to mention&#13;
Cornelia's Books, they are as follows -&#13;
"Wreaths and Branches for the Church."&#13;
[DE: ?]&#13;
"Christian Ornaments, or the Spirit&#13;
of the Church."&#13;
"The Boy of Spirit"&#13;
"When are we Happiest?"m(Juveniles.)&#13;
"Hurra [Hurrah] for New England".&#13;
"The Belle, The Blue &amp; the Bigot,"&#13;
or Three Fields of Womans Influence."&#13;
&#13;
It would have given us pleasure&#13;
to see you in Princeton, my dear&#13;
Mrs Hale. We were extremely sorry&#13;
not to see Mrs Hunter more&#13;
frequently - she was occupied with&#13;
her little family and Cornelia was&#13;
quite ill at the time. I am happy&#13;
to say she is now recovering her&#13;
usual health, which at the&#13;
best is never very strong.&#13;
My daughters join with me in affectionate &#13;
remembrances to you and&#13;
your family: please do not fail&#13;
to give dear little Richard a&#13;
kiss fir me - I am anxious&#13;
that he should not forget &#13;
me. Truly yours, Louisa C. Tuthill.&#13;
P.S. If I have omitted anything&#13;
which you wish to know, in this&#13;
very hasty scrawl, pray [DE: ?] inform&#13;
me, and I will supply &#13;
deficiencies.&#13;
&#13;
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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              <elementText elementTextId="40987">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert M. Skaler Postcard Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37079">
                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>M. Rosenbaum</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Chilton Co.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="30038">
                <text>Postcard to Franciszek Bondek</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1913</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>1 postcard</text>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Postcards</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="30044">
                <text>290-PC-13-040</text>
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              <elementText elementTextId="30045">
                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237640</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-13-040.jpg</text>
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                <text>full:001:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/84FDC09A-155D-01E7-008B25D6AA6AEA5B/full/1000,/0/default.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-13-040_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/64060207-155D-01E7-0000B259D9100079/full/1000,/0/default.jpg</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
            <elementTextContainer>
              <elementText elementTextId="30054">
                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1648/manifest</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Philadelphia, PA</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="41876">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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              <elementText elementTextId="41877">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Bonaparte Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37080">
                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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            </element>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36741">
                <text>Madame LaCoste</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="36742">
                <text>1973.08.01</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36743">
                <text>Charlotte Bonaparte</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36744">
                <text>1823</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="36745">
                <text>Frame 8.5" H x 10.25" W</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="36746">
                <text>Watercolor on wove paper</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="36747">
                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="36748">
                <text>Gift of Emily G. Hopkinson, 1973</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="36749">
                <text>Watercolor of Madame LaCoste painted by Charlotte Bonaparte at Point Breeze. Signed and dated in lower left corner.  Emilie Lacoste was the beautiful Creole wife of Felix Lacoste, publisher of Joseph Bonaparte's New York City newspaper, Le Courrier des Etats-Unis. She was brought to "Point Breeze" as a companion for Charlotte Bonaparte during her three years in America. After Charlotte returned to Europe, Emilie remained at "Point Breeze" to comfort the lonely ex-king as his mistress. (She later returned to Paris where she engaged in a tempestuous love affair with the poet Prosper Merimee which ended in a duel between the poet and her husband.) </text>
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    <tagContainer>
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        <name>Charlotte Bonaparte</name>
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      <tag tagId="14">
        <name>Joseph Hopkinson (and family)</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="47282">
                  <text>Stone Collecton</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="47283">
                  <text>James N. Stone Jr. (1851-1911) was a lawyer and amateur photographer. He became a member of the Philadelphia Photographic Society in 1868. The Stone Collection contains photographic images in a variety of formats, some of which were taken by Stone, and others which he simply collected. Among the highlights are a photo album assembled by his son Frank S. Stone in 1912 (which contains photos taken by James Stone Jr. and Ellersbie Wallace Jr.), a rare daguerreotype by Robert Cornelius and a photo of Independence Hall taken from the Philadelphia Photographic Society’s rooms at 520 Walnut St.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
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                  <text>1868-1912</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47364">
                <text>221-AL-001-019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47365">
                <text>Maderia?</text>
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            </elementTextContainer>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>6x8"</text>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Cyanotype</text>
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  <item itemId="3114" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Robert L. M. Camden Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="47218">
                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>219-V-008</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47198">
                <text>Magnificat in the Key of C</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1910</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="47200">
                <text>booklet</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47201">
                <text>Wood, D.D.</text>
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          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47202">
                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47203">
                <text>http://www.philaathenaeum.org/rights.html</text>
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    </elementSetContainer>
  </item>
  <item itemId="1971" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="35860">
                  <text>Japanese Paintings Collection</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>A collection of Japanese paintings imported by the  J. B. Millett Co. of Boston, c. 1900.&#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35911">
                <text>Magnolia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="35912">
                <text>1961.12.06</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35913">
                <text>Shusei</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35914">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
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