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            <elementTextContainer>
              <elementText elementTextId="41712">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Taken from Photographic Society's rooms at 520 Walnut St.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <description>A name given to the resource</description>
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                <text>Independence Hall "Declaration Chamber"</text>
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                <text>Karl F. Lutz</text>
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            <name>Date</name>
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            <description>The size or duration of the resource.</description>
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            <name>Identifier</name>
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                <text>290-PC-14-002</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237712</text>
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            <description>A language of the resource</description>
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            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Philadelphia, PA</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="42020">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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        <name>Karl F. Lutz</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Independence Hall "President's Chair and Desk"</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Karl F. Lutz</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1937</text>
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                <text>Image</text>
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            <description>The size or duration of the resource.</description>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>290-PC-14-004</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Independence Hall, Chestnut St front</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Postcard to Mr. Frank Ball</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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                <text>Pennsylvania (Rose Valley)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Robert L. M. Camden Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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            <name>Identifier</name>
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                <text>219-PR-018</text>
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            <description>A name given to the resource</description>
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                <text>Initials (CMC or CWC?) with scroll and wreath</text>
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                <text>print</text>
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                  <text>Bonaparte Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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            <name>Title</name>
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            <name>Identifier</name>
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                <text>1960.08.01</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Brass</text>
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            <name>Provenance</name>
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                <text>Gift of Mrs. John Gilbert</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert M. Skaler Postcard Collection</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <description>A name given to the resource</description>
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                <text>Inlet</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Postcard to Mrs. E Engle</text>
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            <name>Date</name>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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              <description>A name given to the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>Irene and Allison Heck</text>
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                  <text>Robert M. Skaler Postcard Collection</text>
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              <description>An account of the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>J. B. Van Sciver Co</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>J. B. Van Sciver Co.</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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            <description>The size or duration of the resource.</description>
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                <text>1 postcard</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Postcards</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>290-PC-04-010</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236461</text>
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            <description>A language of the resource</description>
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                <text>en</text>
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            <description>A related resource</description>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-04-010.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-04-010_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/6404FF76-155D-01E7-007E1CC4E84FE731/full/1000,/0/default.jpg</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0469/manifest</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Philadelphia, PA</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Stone Collecton</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>James N. Stone Jr. (1851-1911) was a lawyer and amateur photographer. He became a member of the Philadelphia Photographic Society in 1868. The Stone Collection contains photographic images in a variety of formats, some of which were taken by Stone, and others which he simply collected. Among the highlights are a photo album assembled by his son Frank S. Stone in 1912 (which contains photos taken by James Stone Jr. and Ellersbie Wallace Jr.), a rare daguerreotype by Robert Cornelius and a photo of Independence Hall taken from the Philadelphia Photographic Society’s rooms at 520 Walnut St.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1868-1912</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>221-AL-001-066</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>J. Buchanan Reid</text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>2.5x4"</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Photograph</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>"Taken with a homemade camera made with a cigar box"</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sarah Josepha Hale Collection</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1826-1869</text>
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              <description>An account of the resource</description>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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              <name>Abstract</name>
              <description>A summary of the resource.</description>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>46-M-074</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>J. C. Hooker to Sarah Josepha Hale</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Hale, Sarah Josepha Buell, 1788-1879</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1849-06-19</text>
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                <text>June 19, 1849</text>
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            <description>The nature or genre of the resource</description>
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                <text>text</text>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="48614">
                <text>Manuscripts</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="48617">
                <text>http://www.philaathenaeum.org/rights.html</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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      <name>Still Image</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>219-PR-660</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>J. Manz Engraving Company </text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>print</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47096">
                <text>http://www.philaathenaeum.org/rights.html</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sarah Josepha Hale Collection</text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>J.R. Underwood presents&#13;
his respects to Sarah J Hale&#13;
&amp; informs her that he has&#13;
read the paper sent him with deep&#13;
interest. He has long been impressed&#13;
by the truths it announces &amp; if he&#13;
could devote the larger part of the&#13;
public lands to purposes of education&#13;
he would most readily do it. He fears&#13;
however that this great fund will be&#13;
squandered by the selfish schemes of&#13;
political demagogues &amp; that women &amp;&#13;
children will reap but few blessings&#13;
from a wise administration of the&#13;
public lands.&#13;
May 1st 1832&#13;
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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              <text>Troy July 03 1839&#13;
&#13;
My Dear Aunt&#13;
&#13;
Your last favor came&#13;
safe to hand although not in due season&#13;
for I had been waiting very impatiently 4 or&#13;
5 weeks. - "but better late than never"&#13;
I had&#13;
heard of the death of Cousin David&#13;
Sometime previous to the receipt of Your&#13;
Letter. - he was a person, I had never&#13;
seen or had the pleasure of associating with&#13;
consequently no opportunity of forming&#13;
those ties of friendship which links man&#13;
with his fellow man - but in the event&#13;
of his death, it seemed to me as&#13;
if I might count one Friend less,&#13;
because of the near alliance of affection&#13;
existing between You and him. - was he&#13;
your friend he was mine also. - [DE: one?]&#13;
[DE: and] inseparable, - I have "Tears&#13;
for other woes" if I have not "Patience&#13;
for my own"&#13;
Sister Martha was &#13;
in Troy on a short visit, at the&#13;
time I received your last Letter&#13;
we called at Doct Hale's a short time&#13;
&#13;
one evening&#13;
I done more visiting while&#13;
Sister was here than I had done all the&#13;
time I had been in Troy. I make ni&#13;
call on acquaintances only when they are&#13;
necessary. I have but little time to&#13;
attend to such things and quite as &#13;
little inclination&#13;
My health for the &#13;
last two months has not been [DE: quite]&#13;
quite as good as I could wish, but&#13;
I have no one to blame but myself -&#13;
for the last Year, I have confined&#13;
myself too close - the Store is opened &#13;
in the morning about [6?] O clock. I get &#13;
there about 6 1/2 and from that time&#13;
until it closes at night (at 10 or&#13;
after frequently) I am not out except&#13;
1/2 an Hour and each meal - after&#13;
business is done I go to my room -&#13;
direct set my lamp at a convenient&#13;
and safe distance from the Bed - get&#13;
into Bed raise my Head with pillows&#13;
as high as possible and commence&#13;
reading and read as long as I can&#13;
keep awake - it is sometimes 1&#13;
and often 12 before I [DE: O] sleep. it is&#13;
not unfrequently my sleepy [Chum?] very gruffly&#13;
bawls [DE: ?] "do for Heaven's sake blow&#13;
that light out" but blow it out&#13;
&#13;
I would not to my sorrow, - now -&#13;
I have followed it up [DE: to my] untill [until] my eyes&#13;
refuse to do it any longer and I must&#13;
stop entirely for the present. - I have read&#13;
nothing but Biography&#13;
I took some medicine&#13;
last week and kept as still as I could. I am&#13;
some better, so that I tend to business as well&#13;
as ever. Mr Brewster things I had better &#13;
take a ride in the country for a few days&#13;
- I think I shall&#13;
Mrs Willard Yates&#13;
is in the Citty [City] I understand&#13;
Mrs [ED: page damaged]&#13;
Buell has just returned from a journey&#13;
out west, - to Michigan. - her health is&#13;
very good at present. She was in &#13;
the store to day. I call [them?] once&#13;
in a while. They seem very glad to&#13;
have me come&#13;
My prospects for business&#13;
continue as favorable as ever&#13;
My Love to Your Family&#13;
Your affectionate Nephew&#13;
James Buell&#13;
&#13;
To Mrs S.J Hale&#13;
Boston&#13;
</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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              <text>Troy March 28/42&#13;
&#13;
Dear Aunt &#13;
&#13;
Yours of Febry 23/42&#13;
reached me in due season&#13;
I mean in due season after&#13;
it was mailed. I intended to have&#13;
answered it sooner, but, be it know&#13;
I, too, am at times so much&#13;
engaged that I cannot get&#13;
time to write. I did not&#13;
wish to write you, until I &#13;
had settled in my mind&#13;
what I should do, and how&#13;
I should be situated for a&#13;
year to come - I am now&#13;
settled. I have changed&#13;
my employers. - dont be alarmed&#13;
- they wished to have be stay&#13;
but I had a very good offer &#13;
from Mr Brewster, a brother to&#13;
my old employers - and&#13;
with the advice of my friends&#13;
I accepted - he does not &#13;
to as large a business as the&#13;
firm that I was with but&#13;
I have a better opportunity to become&#13;
acquainted with the business&#13;
which I intend to follow&#13;
- had the prospects for commencing&#13;
business been flattering&#13;
I should have commenced&#13;
&#13;
&#13;
for myself, but I have a very&#13;
good sallary [salary] and my sallary [salary]&#13;
is better than the [DE: the] profits of many &#13;
of the merchants - another spring&#13;
will in all probability be big with&#13;
the event of my name blazing&#13;
forth to the world in "Letters of&#13;
gold"- leaf - on a [fine?] board&#13;
over the door of a Retail -Dry-Goods-&#13;
Shop-&#13;
I had a Letter from each &#13;
of my sisters a short time since&#13;
- they were both well - they&#13;
wished to be remembered to &#13;
their Aunt and cousins - Sister&#13;
M - feels much indebted for&#13;
Cousin Franks Letter - and&#13;
will very probably answer it&#13;
in very much the same&#13;
way -&#13;
Coz Frank I hardly &#13;
know what to say to you&#13;
- I have it now - I'll just&#13;
say nothing at all - I'll&#13;
not tell you any thing about&#13;
Judge [Buell's?] family - that&#13;
Coz Charlotte is considered quite&#13;
handsome and has a good many&#13;
"Beax [Beaux]" and so on - that [?]&#13;
will be ordained in June, and&#13;
then go south and teach until&#13;
his health is better - that John&#13;
is at home and comes to see&#13;
me, very often - that the&#13;
&#13;
&#13;
Seminary goes as usual and&#13;
Mrs W. - is as pleasant as ever -&#13;
that Miss Mary Dodd had returned&#13;
from the west - that [June?] [Lincoln?]&#13;
still graces the boards - that&#13;
Miss Mary Poulton sings most charmingly&#13;
and [DE: ?] is quite handsome&#13;
- and Miss Marion Stafford do'&#13;
- no - I will tell you none&#13;
of the news, without you write to me&#13;
Cousin Josy - wrote me&#13;
a long Letter, a short time since&#13;
- she was in her usual good&#13;
spirits - and said she could tell&#13;
me [?] stories with as good&#13;
a grace [?] - she [?]&#13;
not to forget our trip to [?]&#13;
and how sociable I was on &#13;
the Steam Boat, both going&#13;
and coming - reading&#13;
newspapers all the way - [ED: page damaged, possibly she]&#13;
also thinks she has profited by&#13;
the frequent Lectures, which&#13;
Cousin Frank and I used&#13;
to give her&#13;
You state that you&#13;
Expect Coz Horatio home in&#13;
June - I hope you will&#13;
be so fortunate - I would like&#13;
to see him, very much&#13;
I would be very glad&#13;
to visit you at Philadelphia&#13;
but cannot - I must spend all&#13;
my spare time with my Sisters&#13;
&#13;
this season - I would like &#13;
to go and see Cousin Josy, but&#13;
I cannot - I had a Letter&#13;
from Coz Wm E Hale - a short time&#13;
since - &#13;
Ever Your Affectionate&#13;
Nephew&#13;
James Buell&#13;
&#13;
Mrs Sarah J Hale&#13;
Editor Lady's Book&#13;
Philadelphia Penn&#13;
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                <text>John Bartram Hotel</text>
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                <text>Karl F. Lutz</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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            <name>Identifier</name>
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                <text>290-PC-14-029</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1747/manifest</text>
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                <text>Broad St, at Locust St, Philadelphia, PA</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>James N. Stone Jr. (1851-1911) was a lawyer and amateur photographer. He became a member of the Philadelphia Photographic Society in 1868. The Stone Collection contains photographic images in a variety of formats, some of which were taken by Stone, and others which he simply collected. Among the highlights are a photo album assembled by his son Frank S. Stone in 1912 (which contains photos taken by James Stone Jr. and Ellersbie Wallace Jr.), a rare daguerreotype by Robert Cornelius and a photo of Independence Hall taken from the Philadelphia Photographic Society’s rooms at 520 Walnut St.</text>
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            <name>Identifier</name>
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                <text>John Hall Steele</text>
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            <name>Coverage</name>
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                <text>Pottstown, PA</text>
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                  <text>1826-1869</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>40 Pall Mall London May 30th [?]&#13;
&#13;
Madam,&#13;
&#13;
About three weeks since I had&#13;
the pleasure to receive the Copy of Northwood&#13;
you did me the favor of sending through [?]&#13;
[Wait &amp; Son.?] I have read the work with very&#13;
sincere pleasure, but I am afraid to venture upon&#13;
a reprint. The expense of getting up a Work of &#13;
any magnitude here is considerable - arising in&#13;
a great degree from the heavy Advertising Duty.&#13;
I have not however trusted to my own judgment&#13;
but have shewn it to three of our first publishers&#13;
without being able to make any&#13;
arrangement - &amp; now it would not be practicable,&#13;
many copies having found their way to&#13;
London. I have just received some from [Messers?]&#13;
&#13;
Cary &amp; Lea.&#13;
I should have felt much pleasure&#13;
in informing you of a different result, &amp; trust&#13;
the want of success in the present instance will&#13;
not deprive me of any subsequent favor&#13;
With respect, I am Madam,&#13;
Your Obed Servt&#13;
John Miller&#13;
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Manuscripts</text>
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            <name>Language</name>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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            <name>Rights</name>
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                  <text>Sculpture Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Athenaeum’s Sculpture Collection comprises a variety of European and American works in marble, bronze, plaster and ceramic, dating mostly from the 19th century.  A variety of historical literary, mythological, ancient classical, political, military, arts and science figures are represented. &#13;
&#13;
Additional sculptures relating to Napoleon Bonaparte and his family may be viewed online in the Athenaeum's Featured Collection, "Bonaparte Collection." </text>
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                <text>Hollow plaster cast bust of English poet, historian and intellectual John Milton (1608 - 1674), best known for Paradise Lost (1667), widely considered the greatest epic poem in English.   According to the minutes of the Athenaeum (October 18, 1847), this bust was given to the Athenaeum in 1847 shortly after the new building opened. &#13;
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                <text>Plaster; painted in 1955</text>
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                <text>Gift of David Paul Brown</text>
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            <name>Identifier</name>
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                <text>AP.34.01</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html&#13;
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                  <text>1826-1869</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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                <text>46-M-024</text>
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                <text>John Pierpont to Sarah Josepha Hale</text>
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            <name>Subject</name>
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                <text>Hale, Sarah Josepha Buell, 1788-1879</text>
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                <text>1848-04-21</text>
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                <text>April 21, 1848</text>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Robert M. Skaler Postcard Collection</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>290-PC-10-061</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1237305</text>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-10-061.jpg</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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