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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>Washington&#13;
11 Jany 1851&#13;
&#13;
My dear Madam - I hardly know what you&#13;
must have thought of receiving no answer to &#13;
your friendly letter of the 2d Novr, but when I&#13;
tell you that it has only now accidentally fallen&#13;
into my hands, you will at least believe that &#13;
the neglect has not been intentional. A short time&#13;
ago I returned from Habana - and as during my&#13;
absence, the house occupied by this Legation had&#13;
been changed - there may probably have been&#13;
some confusion in the delivery of the letters -&#13;
Although Mr. de Calderon does not recollect it, I&#13;
think that amongst his extensive correspondence,&#13;
he may have inadvertently opened this letter&#13;
in my absence - and feeling it was not for him,&#13;
put it aside. In short no one can explain the&#13;
circumstances - but I found it amongst other papers&#13;
opened - and no portrait within it - This is what&#13;
&#13;
most disturbs me - as it may I fear, put&#13;
you to very serious inconvenience. My sister who&#13;
was here at the time - and in all the confusion&#13;
of moving - furnishing &amp;c [etc.] says she is convinced&#13;
she saw the letter - but of the portrait knows&#13;
nothing. I shall have a thorough search made&#13;
for it - but in the meantime I thought it &#13;
better to write and explain to you the circumstance&#13;
without any further delay.&#13;
Now my dear Madam with regard to your kindness&#13;
in considering me worthy of a place in your&#13;
work, I truly think that I am not entitled to it -&#13;
but should you continue of a different opinion, I&#13;
must while expressing my sense of the honor you&#13;
confer upon me, entreat you to say as little personally &#13;
of me as possible. Before I wrote "Life in Mexico,"&#13;
I had published various things, of which no one&#13;
ever knew me to be the Author - or perhaps ever&#13;
&#13;
will - and it was only at the urgent desire of &#13;
Mr. Prescott, that my name in initials was put&#13;
in that book. Since then I have been brought&#13;
forward in reviews, and become more accustomed &#13;
to see my own name in print - but I think &#13;
the life of a living person can be but a mere&#13;
sketch - and containing a few facts - at least I&#13;
speak of a person as undistinguished as myself -&#13;
As for family, my father was a descendant in&#13;
the female line from the Earls of Buchan - his&#13;
grandmother being Lady Frances Erskine daughter of the Earl married&#13;
to the celebrated Col. Gardiner who fell at Preston-&#13;
Pans [Prestonpans] - and is the Col. Gardiner of Walter Scott's&#13;
Waverly. My Grandmother was their daughter -&#13;
and I was called Fanny Erskine after Lady&#13;
Frances, who was celebrated both for her beauty &#13;
and for her correspondences with Dr. Doddridge&#13;
and other celebrated divines of the day. The pictures &#13;
of Colonel and Lady Frances Gardiner hung in our&#13;
school-room when we were children in Scotland,&#13;
and are amongst my very earliest recollections -&#13;
when my father lost his fortune, we went &#13;
to France, and lived there in retirement in&#13;
an old house in Normandy for several years -&#13;
when we all removed to America - For&#13;
&#13;
[DE: five] six very happy years I assisted in the labors&#13;
of the school in Boston - and was then&#13;
married to the Spanish Minister and went&#13;
to reside in Washington - In the year 1840 he&#13;
was named to Mexico - where we passed two&#13;
years very delightfully - and when my husband&#13;
was recalled during the Regency of Espartero, we&#13;
returned to the U.S. staid there a few months -&#13;
and then sailed for Europe - visited Paris, London,&#13;
Edinburgh - near which I spent one melancholy&#13;
day in revisiting our old country place, now&#13;
in the hands of strangers - we then went to&#13;
Madrid where we spent a winter - and Mr.&#13;
de Calderon being again named Minister to the &#13;
U.S., we returned here in the year 44 - And&#13;
have resided in this Country ever since.&#13;
During these last seven years the most remarkable&#13;
event that has happened to me, is that&#13;
after three years of very hard study, I have&#13;
become a Catholic - with a thorough conviction&#13;
of having [DE: arrived?]  embraced the true Faith. You&#13;
see my dear Madam that the outline of my&#13;
life is not particularly interesting - with &#13;
&#13;
with regard to a portrait, there is one of me in oils&#13;
in Baltimore, which is said to be very like.&#13;
A daguerreotype was taken from it some time&#13;
ago, but was a complete failure, - we can&#13;
however have it tried again, and if it succeeds,&#13;
I shall have the pleasure of sending it to you -&#13;
Your work embraces such an extensive period,&#13;
and must be so voluminous, that I do not&#13;
suppose my delay in answering your letter&#13;
can be of any real consequence - but the &#13;
portrait you mention as having sent within the&#13;
letter must be of real importance - and I [am?]&#13;
really distressed about its disappearance.&#13;
I have written very hurriedly, that I might&#13;
not miss this day's Post - and shall only add&#13;
that I am dear Madam truly yrs&#13;
Fanny Calderon&#13;
de la Barca&#13;
&#13;
I re-open my letter to say that to my great &#13;
joy, I have found the portrait! - and enclose&#13;
it.&#13;
&#13;
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                <text>Frances Calderon de la Barca to Sarah Josepha Hale</text>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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                  <text>1826-1869</text>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>Many thanks, my dear brother, for your welcome letter,&#13;
and your kind gift, and may many bright and peaceful&#13;
New-Years dawn upon you - We had just received a letter, and a &#13;
similar present from Horatio, who is full of a project of building&#13;
a commodious mansion, some dozen days after leaving college-&#13;
I intend to contribute a shilling towards this object and I&#13;
would advise you to do the same.&#13;
I hardly know what you mean by a topographical corps,&#13;
although I have looked for the long word in my&#13;
dictionary - How do you like the prospect of war?&#13;
It will be quite an advantage for those hot headed Southerners&#13;
to have some fighting, in which they can spend their&#13;
superabundant fierceness, and let us, sedate Northerners&#13;
alone -&#13;
You do not seem to know that I am at present, not a&#13;
scholar, but a teacher in the Troy Female Seminary,&#13;
paying up, as fast as possible, the debt which I contracted&#13;
while a scholar - I am quite happy and the future is bright&#13;
before me - Sister is a scholar, and will be so, for some&#13;
time, I suppose -&#13;
I hope you will come home in August -&#13;
I shall go home during the vacation, and you might&#13;
&#13;
come directly here and go on with us to Boston -&#13;
And then for the first time in many many years, our&#13;
whole family will be reunited, and then will come the&#13;
time, when we shall need Horatio's castle to contain us&#13;
all - By the by, you will be of age in February, and take&#13;
your station in the world as a man - I congratulate&#13;
you upon it. I shall expect a letter from you on the day&#13;
you are twenty-one, informing me, what side you have&#13;
taken in the political discussions, [etc.] - and I will answer&#13;
it on the twentieth of March, on which day I shall have&#13;
arrived at the wise age of seventeen - How quickly the&#13;
years pass away! -&#13;
The snow is nearly three feet deep, and the air is thick&#13;
with the flakes - Much as we have been wishing for &#13;
snow, we have already exclaimed "enough", and are wondering&#13;
when the end will come - We have had several&#13;
sleigh rides, this winter, a pleasure which I suppose&#13;
you do not enjoy - Pray, do not send another letter as short&#13;
as your last - You promised in one of your letters, to relate&#13;
to me your hairbreadth escapes, love-affairs [etc.] and&#13;
you have not fulfilled your promise -&#13;
My roommate or chum desires to be remembered, and wishes&#13;
for further acquaintance - So good bye&#13;
Yours affectionately&#13;
Frances M.A. Hale&#13;
&#13;
My dear brother,&#13;
&#13;
Two or three of the young ladies have [been]&#13;
in my rooms talking about the examination and my ideas,&#13;
[and?] so confused with thinking about it that I can think of nothing&#13;
else, it is now within three weeks of it and the young ladies talk&#13;
of nothing else -&#13;
At Christmas we had a week's vacation which was very&#13;
pleasantly spent as we had during it a quilting and concert and&#13;
a little ball at which five gentlemen were allowed to be&#13;
present and to talk and dance with the young ladies quite a &#13;
wonderful occurrence I can assure you; since then we have had &#13;
one sleigh-ride which was very pleasant though rather cold and now&#13;
we must settle down and never look [up?] from our books excepting&#13;
on Sundays.&#13;
I am very much obliged to you for the present you sent&#13;
to us, I think that I shall need it soon to furnish the house&#13;
which Horatio is going to build. Has he informed you of his wise&#13;
plan of building a house large enough to hold us all a few&#13;
weeks after he has graduated? When and how he is going to&#13;
build it I suppose he has not thought of yet these&#13;
minor considerations - &#13;
&#13;
Your sister&#13;
Josepha&#13;
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                <text>Frances M. A. Hale to [David E. Hale?]</text>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Robert M. Skaler Postcard Collection</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Frank Palumbo's Cabaret Restaurant</text>
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                <text>Curt Teich &amp; Co.</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Postcards</text>
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            <name>Identifier</name>
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                <text>290-PC-05-045</text>
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              <elementText elementTextId="11278">
                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236609</text>
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            <description>A language of the resource</description>
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                <text>en</text>
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            <description>A related resource</description>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-05-045.jpg</text>
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                <text>full:001:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/84FC6701-155D-01E7-0088D423DF145EBE/full/1000,/0/default.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-05-045_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/640557D1-155D-01E7-006F9F1607A10829/full/1000,/0/default.jpg</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0617/manifest</text>
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                <text>824-830 Catherine St, Philadelphia, PA</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Frank Palumbo's Cabaret Restaurant</text>
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                <text>Postcards</text>
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                <text>Frederick S. Hill to Sarah Josepha Hale</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Hale, Sarah Josepha Buell, 1788-1879</text>
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            <name>Type</name>
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                <text>text</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Manuscripts</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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                <text>Sarah Josepha Hale Collection, The Athenaeum of Philadelphia</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Portraits and Paintings</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fremineau, Monsieur </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1977.05.01</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Langlois (?)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1839  </text>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>7.375" x 9.5"</text>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Watercolor on paper; gilt and gesso frame</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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            </elementTextContainer>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Samuel J. Dornsife</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Small oval portrait of Monsieur Fremineau, waist view, facing three quarters to the right. Blue eyes with brown hair which curls over forehead. Wears double breasted black coat with brass buttons, and white waistcoat, neckcloth and cravat.</text>
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                <text>  </text>
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                <text>Background is blue/gray and painted in cross stroke style.  Gilt and gesso frame: Inner frame is oval, outer frame is serpentine oblong with floral and foliate scroll decoration at corners. (Frame identical to frames for 1977.05.02-04)</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38495">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>219-PR-249</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44982">
                <text>French Linen Writing Tablet (illustrated cover)</text>
              </elementText>
            </elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>print</text>
              </elementText>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="44984">
                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44985">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="1">
                  <text>Robert M. Skaler Postcard Collection</text>
                </elementText>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37079">
                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fried's Restaurant</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Curt Teich &amp; Co.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11165">
                <text>Postcard to Mrs. Mary D'Andra</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1936</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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            </elementTextContainer>
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          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
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                <text>1 postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
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                <text>Postcards</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="11171">
                <text>290-PC-05-039</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236603</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-05-039.jpg</text>
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                <text>full:001:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/84FC6517-155D-01E7-00FD0E8781FF9B8C/full/1000,/0/default.jpg</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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          </element>
          <element elementId="77">
            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
            <elementTextContainer>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0611/manifest</text>
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          <element elementId="79">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
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                <text>5822 York Road, Philadelphia, PA</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39802">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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              <elementText elementTextId="39803">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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  <item itemId="928" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="1">
                  <text>Robert M. Skaler Postcard Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="37079">
                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Friend's Meeting House</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16909">
                <text>Postcard to Mrs. S McBain from Mrs. Ross</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1947</text>
              </elementText>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>Image</text>
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            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="16913">
                <text>1 postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="16914">
                <text>Postcards</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="16915">
                <text>290-PC-07-021</text>
              </elementText>
              <elementText elementTextId="16916">
                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236920</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
              </elementText>
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          </element>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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            <description>A name given to the resource</description>
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                <text>Postcard to Mrs. Herbert Souders</text>
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                <text>290-PC-05-114</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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Additional sculptures relating to Napoleon Bonaparte and his family may be viewed online in the Athenaeum's Featured Collection, "Bonaparte Collection." </text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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&#13;
Additional sculptures relating to Napoleon Bonaparte and his family may be viewed online in the Athenaeum's Featured Collection, "Bonaparte Collection." </text>
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&#13;
Jean Léopold Nicolas Frédéric Cuvier (1769 - 1832), known as Baron Georges Cuvier, was a French naturalist  widely admired for his research and publications on zoology and paleontology. Cuvier was a major figure in natural sciences research in the early 19th century and was instrumental in establishing the fields of comparative anatomy and paleontology through his work in comparing living animals with fossils.  He was perpetual secretary of the National Institute and as a public official was connected with public education generally.  In 1808 he was placed by Napoleon upon the Council of the Imperial University. &#13;
&#13;
The Athenaeum of Philadelphia holds books by Cuvier on the subjects of zoology, geology, and paleontology in its Rare Book Collection.</text>
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                <text>Gift of Roger W. Moss</text>
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                <text>Postcard to Miss Loui Wark</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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          <element elementId="47">
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-06-073_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/64057CC1-155D-01E7-009AB32C5E69C0EA/full/1000,/0/default.jpg</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0806/manifest</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>9th to 9th, Chestnut to Market, Philadelphia, PA</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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