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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>James N. Stone Jr. (1851-1911) was a lawyer and amateur photographer. He became a member of the Philadelphia Photographic Society in 1868. The Stone Collection contains photographic images in a variety of formats, some of which were taken by Stone, and others which he simply collected. Among the highlights are a photo album assembled by his son Frank S. Stone in 1912 (which contains photos taken by James Stone Jr. and Ellersbie Wallace Jr.), a rare daguerreotype by Robert Cornelius and a photo of Independence Hall taken from the Philadelphia Photographic Society’s rooms at 520 Walnut St.</text>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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            <name>Title</name>
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                <text>Erie Ave, east of 15th St</text>
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            <description>An account of the resource</description>
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                <text>Postcard to Mrs. Josie Rudrauth</text>
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            <name>Date</name>
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                <text>1907</text>
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                <text>Image</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>290-PC-11-092</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1430/manifest</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>W ERIE AVE near N 15TH ST (east of 15th St), Philadelphia, PA</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections. For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                  <text>Robert L. M. Camden Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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                <text>219-PR-241</text>
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                <text>Erin Linen Writing Tablet (illustrated cover)</text>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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                  <text>Bonaparte Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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            <description>A name given to the resource</description>
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                <text>Escutcheon</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1961.08.01</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1804 (circa)</text>
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            <description>The size or duration of the resource.</description>
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            </elementTextContainer>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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                <text>Ormolu</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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            </elementTextContainer>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Dr. Lewis C. Scheffey</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>On December 2, 1804, Napoleon Bonaparte became Emperor of France.  This ormolu escutcheon, bearing Napoleon's coat of arms with the Imperial eagle, decorated the carriage which conveyed him to Notre Dame.  Surrounding the eagle shield is the collar and badge of the Legion of Honor, an order founded by Napoleon in 1802 which is still the most highly prized decoration in France.  </text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sarah Josepha Hale Collection</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1826-1869</text>
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              <description>An account of the resource</description>
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                  <text>Sarah Josepha Buell Hale (1788-1879) was a major literary figure of the 19th century. Born in New Hampshire, she was educated at home and by her mother and brother, Horatio. She married a young lawyer, David Hale, who died in 1822. As a result she had to find a way to support herself and her five children. She utilized her literary skills and published a collection of poems with mild success followed by her first novel entitled &lt;em&gt;Northwood&lt;/em&gt; in 1827. &lt;em&gt;Northwood&lt;/em&gt; advocated the repatriation of slaves to Africa by means of Liberia and called for New England style morality throughout the nation. In 1828 she began editing &lt;em&gt;The Ladies’ Magazine of Boston&lt;/em&gt;, the first magazine for women to be edited by a woman. It had its financial difficulties and was united with &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt; (the majorly influential women’s magazine of the 19th century) in 1837. Godey’s was based in Philadelphia and she eventually she moved to Philadelphia from Boston to become more involved in her editorship of the magazine. These magazines acted as her platform to promote her moral agendas. She was a major proponent of equal education for women; however she was not a suffragist. She pushed for men and women to remain within their god-given spheres and believed women needed education to be better moral upholders of the home. Aside from being the editor of &lt;em&gt;Godey’s Lady’s Book&lt;/em&gt;, she wrote many books and poems while lobbying for educational and social reform. Hale is also the author of &lt;em&gt;Mary had a Little Lamb&lt;/em&gt; and the main person responsible for making Thanksgiving a national holiday (it was previously only celebrated in her native New England). Hale died in 1879 and was survived by four children (her oldest son died in 1839).</text>
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                  <text>This collection of letters contains the correspondence of Sarah Josepha Buell Hale. It contains letters relating to both her professional and personal life and spans a 43 year period. It also contains a small number of letters between her close relatives.</text>
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              <text>133, Dean St. Brooklyn&#13;
8 Oct. '55&#13;
&#13;
My Dear Mrs. Hale:&#13;
&#13;
I have been ill&#13;
since a few days after you were&#13;
here. First, I had congestion of&#13;
the somach [stomach?]. Then a pain in my&#13;
face - and now the influenza.&#13;
I should have been in the City&#13;
of Penn ere this if I had been &#13;
in my usual health.&#13;
I did not see you at the great&#13;
dinner at the Crystal Palace&#13;
on the 27th Ult. It was brilliant.&#13;
Your letter reached me in due time.&#13;
I had three copies made from&#13;
your explanatory letter, which&#13;
I sent to Dr. Thorn, Professor&#13;
Eaton, and Professor Gray.&#13;
At the earliest moment I was&#13;
able, I took the original letter&#13;
&#13;
and "The Bible Reader to Mrs.&#13;
Packer. She bade me say to&#13;
you that she would do all&#13;
in her power for its success.&#13;
She said she would recommend&#13;
it to the Principal of The&#13;
Packer Institute.&#13;
I have seen the Booksellers,&#13;
but none of the them seem willing&#13;
to order the book until it&#13;
is introduced into some of the&#13;
schools. I told them that&#13;
I would take half of them,&#13;
but this would not do.&#13;
They had rather wait until &#13;
there was a certain [DE: call] sale&#13;
for it. I feel disposed to&#13;
do all in my power for&#13;
its success.&#13;
&#13;
If this influenza should&#13;
leave me I may be in&#13;
Philadelphia this week;&#13;
if it does not I cannot&#13;
say when I will be there.&#13;
Let me hear from you soon,&#13;
and believe me,&#13;
&#13;
Yours ever&#13;
Estelle.&#13;
&#13;
Mrs. Sarah J. Hale,&#13;
No. 4, Portico Place, Spruce St.&#13;
Philadelphia,&#13;
Pa -&#13;
</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>Estelle Anna Lewis to Sarah Josepha Hale</text>
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                <text>Lewis, Estelle Anna Robinson, 1824-1880</text>
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                <text>Postcard to Mrs. Laura J Young</text>
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            <name>Date</name>
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                <text>290-PC-06-140</text>
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              <elementText elementTextId="40326">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1169/manifest</text>
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                <text>Philadelphia, PA</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="40918">
                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Portraits and Paintings</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <description>A name given to the resource</description>
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                <text>Eves, Joseph Bennett</text>
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                <text>1959.07.01</text>
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                <text>Gift of The Ludwick Institute.</text>
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            <description>An account of the resource</description>
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                <text>Joseph Bennett Eves was one of the founders and first president of the Ludwick Institute.  Incorporated in 1801 as the Philadelphia Society for the Establishment of Charity Schools, it took the name of its original benefactor, German-born Christopher Ludwick (d.1801), in 1872.  Director of Baking in the Army of the United States under Washington, and a Philadelphia civic leader, Ludwick left an $8,000 estate "for the schooling and educating gratis, of poor children of all denominations, in the city and liberties of Philadelphia."</text>
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                <text>The University of Pennsylvania, originally founded as a charity school, had also been anxious to receive this bequest, but Governor Thomas McKean maintained that it would go to the first organization to submit documents of incorporation in the Rolls Office at Lancaster.  Thus, a messenger from the University, on horseback, and Joseph Bennett Eves, in a sulky, set out from Philadelphia in a "hot race...but Eves soon distanced his competitor and arrived in Lancaster, sixty-six miles distant, in seven hours," establishing legal claim to the Ludwick legacy.</text>
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                <text>The Ludwick Institute remains in existence today.  Its assets have grown considerably, and it supports a wide range of programs to benefit poor children.  The Institute has, for many years, held its meetings at the Athenaeum.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37926">
                <text>http://www.philaathenaeum.org/rights.html</text>
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              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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                <text>219-PR-155</text>
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            <description>A name given to the resource</description>
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                <text>Ex Libris -- Frank A. Freeman</text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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                <text>On long-term loan from Tom and Jill Lingenfelter.</text>
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                <text>Postcards</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>290-PC-02-102</text>
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                <text>https://www.philadelphiabuildings.org/pab/app/ho_display.cfm/1236176</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>en</text>
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                <text>thumb:001:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-02-102.jpg</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-02-102_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/6404D69E-155D-01E7-0006007CB1F9F138/full/1000,/0/default.jpg</text>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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            <name>Has Format</name>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-0184/manifest</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Fairmount Park, Philadelphia, PA</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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              <description>An account of the resource</description>
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                  <text>Presented here are portraits and paintings found in various Athenaeum collections.  Most are oil paintings, though a few portraits have been included that were created in other mediums.  There are additional portraits and paintings in the Bonaparte Collection, also available on this site.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>1975.06.01</text>
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            <description>The size or duration of the resource.</description>
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                <text>24" x 32"</text>
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                <text>Oil on canvas attached to wood panel; gilt frame</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>General Collection, Museum Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
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                <text>Gift of Samuel J. Dornsife.</text>
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            <description>An account of the resource</description>
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                <text>This view of the Fairmount Waterworks from the west bank of the Schuylkill River is a close copy of an engraving by English landscape artist William Henry Bartlett (1809-1854), which was published in his American Scenery (London, 1840).</text>
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                <text>The waterworks facility was designed by Frederick Graff (1774-1847) and began operation in 1815.  The covered Upper Ferry Bridge, depicted in the distance, was built in 1812 and destroyed by fire in 1838.  The locks of the Schuylkill Navigation Company are seen at the right.  The "fair mount" above the waterworks complex is the present site of the Philadelphia Museum of Art.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>219-PR-535</text>
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            <description>A name given to the resource</description>
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                <text>Fairy hopscotching over a mushroom</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>ink</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>http://www.philaathenaeum.org/rights.html</text>
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              <description>A name given to the resource</description>
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                  <text>Robert L. M. Camden Collection</text>
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                  <text>The Camden Collection consists of the artwork and personal materials of artist and graphic designer Robert L. M. Camden (1855-1922).  It includes drawings, prints,  photographs, and manuscripts.  Examples of his work include cigar box designs, notepad covers, lettering and company logos.  For most of his career, Camden worked as a solo artist and illustrator based in Philadelphia.  In 1887, he briefly partnered with René Théophile de Quélin as "Camden &amp; Quelin Artists, Designers &amp; Illustrators."</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fairy Linen Writing Tablet (illustrated cover)</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>print</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert L. M. Camden Collection, The Athenaeum of Philadelphia</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44684">
                <text>http://www.philaathenaeum.org/rights.html</text>
              </elementText>
            </elementTextContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bonaparte Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Bonaparte Collection contains items related to Napoleon, Joseph, Charlotte and other members of the Bonaparte Family.  It also includes Bonaparte souvenirs, and decorative items that may be described as  "French Philadelphia" or from the Napoleonic Era.</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fall front secretary desk</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>1961.03.01</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bouvier, Michel</text>
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            <name>Date</name>
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            <elementTextContainer>
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                <text>1818 - 1820</text>
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            </elementTextContainer>
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            <name>Extent</name>
            <description>The size or duration of the resource.</description>
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                <text>65.0" H x 43.375" W x 21.75" D</text>
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            </elementTextContainer>
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          <element elementId="64">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="36675">
                <text>Mahogany, cherry, pine, maple; ormolu mounts</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="72">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
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                <text>Bonaparte Collection, The Athenaeum of Philadelphia</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Gift of Gertruda Vroom Brooks Lushington</text>
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            <description>An account of the resource</description>
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                <text>This fall front secretary desk is attributed to the French-born and trained cabinetmaker Michel Bouvier (1792-1874) who emigrated to Philadelphia after the collapse of the Empire in 1815.  By 1819 he had established himself as a cabinetmaker, and in 1825 he was operating a "cabinet &amp; sofa warehouse" on South Second Street, where he remained for more than thirty years.   According to family tradition, Bouvier supplied this desk for Joseph Bonaparte (1768-1844) while superintending the building and furnishing of Bonaparte's home, "Point Breeze" near Bordentown, NJ on the Delaware River.  It is believed that the desk later passed to Garret Dorset Wall (1783-1850), a New Jersey lawyer who handled Bonaparte's legal affairs.  The desk descended to Wall's daughter, Maria Matilda (b. 1815), the wife of New Jersey Governor Peter Dumont Vroom (1791-1874), and it remained in the Vroom family until presented to the Athenaeum in 1961. </text>
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                  <text>Robert M. Skaler Postcard Collection</text>
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              <description>An account of the resource</description>
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                  <text>Gift of retired architect Robert M. Skaler, 2016. These 1899 postcards, (bulk dates 1900-1976), depict Philadelphia and surrounding area. Originally arranged in 14 ring binders, roughly by subject or type. The number following PC in each item's local id number indicates the original binder number. Binder subjects were as follows: 1-Atlantic City 2-Parks 3-Schools 4-Linens 5-Hotels/Restaurants 6-Center City/Waterfront 7-Churches/Hospitals/Clubs/Prisons/Cemeteries 8-Real Postcards 9-North Broad Street 10-South Broad Street 11-North Philadelphia Real Postcards 12-Art Cards 13-Commerce 14-Lutz/Architects/Panorama/Neighborhoods </text>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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                <text>thumb:002:https://www.philadelphiabuildings.org/pab-images/medium-display/pat-skaler/290-PC-09-039_Verso.jpg</text>
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                <text>full:002:https://www.philadelphiabuildings.org/pab-new/iiif.cfm/6405C204-155D-01E7-00F806D9E8F8A9E2/full/1000,/0/default.jpg</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Robert M. Skaler Postcard Collection, Athenaeum of Philadelphia</text>
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          <element elementId="77">
            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
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                <text>https://www.philadelphiabuildings.org/pab-new/iiif.cfm/HI-SK20161207-1204/manifest</text>
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            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
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                <text>Philadelphia, PA</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Permission to reproduce material from Athenaeum collections must be granted in writing and is at the discretion of The Athenaeum staff. All permission is granted on a per-use basis. Images may not be altered (aside from cropping) without special permission. The user of supplied reproductions assumes all responsibilities for citing sources properly, and using images in conformity with existing copyright laws, and may be required to supply The Athenaeum with a copy of any publication or project in which the images appear. The Athenaeum reserves the right to refuse to reproduce any item in its collections.</text>
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              <elementText elementTextId="40989">
                <text>For information on ordering reproductions of Athenaeum drawings, please see &lt;a href="http://www.philaathenaeum.org/rights.html"&gt;http://www.philaathenaeum.org/rights.html&lt;/a&gt;.</text>
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