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              <text>The mid of the 21st century would be defined by a paradigm shift affecting not only libraries and similar institutions but also the society as a whole. This period of time could be characterized by a continuous transition from a written text towards verbal information or from a keyboard towards the talking computers. &lt;br /&gt;&lt;br /&gt;New technologies will play an important role in this transition. Similarly libraries and other cultural institutions as we know them today would become prominent hubs mediating this transition between technology and society in terms of how information is being processed, stored, searched and presented to the individuals and society. &lt;br /&gt;&lt;br /&gt;Current text searching technology will be replaced by more advanced search browsers. These would allow us to access diverse information data with attributes such as texture, smell, tone, reflectivity etc. &lt;br /&gt;&lt;br /&gt;Exhibits presented by these institutions will display digitally processed and enhanced objects, 3d environments and projections in their full spectrum, including tones, smells, atmospheres, able to fully interact with the visitor and thus creating a unique experience.</text>
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              <text>The project is conceived as an interpretation of the existing Athenaeum brownstone building from 19th century during the shift of the cultural paradigm. What would the institution’s on-site and on-line presence look like in the period of time when written text is being slowly replaced by verbal information and images and video by digital objects, interactive models and simulations? &lt;br /&gt;&lt;br /&gt;In the time when the digital copy of an object is more real and vivid as the original. The project focuses on the internal organization of spaces within a generic volume and its relation to the digital content presented by the institution. &lt;br /&gt;&lt;br /&gt;One of the two main spaces is the basement. It serves as a main area for producing the digital content for the institution and contains facilities such as text-to-speech studio, digital lab for 3d scanning, printing and creating interactive digital projections of architectural exhibits, along with archive and server room. The other main space is the computer study room on the top floor which would allow the visitors access the digital content via voice-in/voice-out computers. Volume compressed by these two floors is conceived as a sequence of rather acoustic-like spaces for exhibiting the digital content such as interactive installations, digital 3d objects and environments. Ground floor is defined as variable space for temporary exhibitions, technology workshops, lectures and digital broadcasting.</text>
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              <text>The Athenaeum is a library and museum with historical design, literary, and educational activities. It is a member-supported library with a circulating collection and reading rooms that engage the public as well through lectures, programs, exhibitions, and publications. As technology has advanced, books and other materials have been made accessible through the Internet. Members could potentially access everything in the library from their home. These advances threaten the not only the existence of books, but also the need for libraries as well. Can architecture evolve to incorporate these advances in technology?</text>
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              <text>In this design, the Athenaeum changes from Georgian style to contemporary, symbolizing the advancement in technology. The first floor glass walls may be interactive digital screens displayed in the exhibition room. The digital center creates a space to access online services. Despite technological advances, there is a special quality about tangible books that digital material cannot offer. The Athenaeum provides learning and interactive space such as an exhibition space, lecture hall, and chess room that cannot be replaced by Internet. Therefore, it is important to adapt and include the technology, while giving visitors reason to come to the Athenaeum. </text>
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              <text>The scheme utilizes the current library as a basis for design: expanding the main library and reading rooms, adding a rotunda for storage and display of rare books, reinstating the basement lecture theatre and incorporating a roof top coffee shop and semi-public reading spaces.  The addition of 2d/3d scanning, projecting and printing studios will allow users to archive, explore, exhibit, and create in a new way.  The digital/ physical representations of this new archive will be presented in a series of hybrid spaces throughout the building, including the large multi-media ground floor gallery as well as the rooftop reading rooms.</text>
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              <text>This proposal is inspired by the history of the site, both in terms of aesthetics and use.  Updating the building - modifying its material palette from brown sandstone to vertical terracotta fins, and rationalizing and modernizing its geometry and detailing - can be seen as a metaphor for updating methods of communication: both are repackaged but retain their original purpose.  In this scheme, the old - physical - and new - digital - do not need to cannibalize each other.  By rewriting the myth of the Athenaeum with a new language, its role in society will continue.</text>
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              <text>Perhaps no other typology should be less concerned with the question ‘what will it be in xxx years’ than the athenaeum. Yet, perhaps no other typology should be more concerned.  Both reliquary / library, museum / archive, and a historic / projective project, the Athenaeum is a classic contradiction. However, speculations on the future of technology or the library miss the point. The inherent contradictions of an athenaeum are fodder for resistance to such conjecture without relinquishing an instrumental cultural status. The future of the Athenaeum is not bound up in the status of libraries or technology. Rather, it is an archetype that resists such architecturally antagonistic statements. Instead, the Athenaeum is a protagonist of architecture’s capacity to curate new social collectives as a disciplinary construct, developed here through anachronistic, elemental architectural geometries of a box, cone, and vault in novel arrangement. The future of the Athenaeum is architecture itself. </text>
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              <text>This proposal combines fundamental architectural elements in ways that are historically referential yet projective in nature. Here, the Athenaeum is an arrangement of primitive forms; the box, the barrel vault, and the cone. The box is its normal robust container, carved out by intersecting barrel vaults to produce an expanded public ground plane. Interior cones within the box serve as vertical light well aggregations and objects that structure programmatic shifts, thresholds, rooms, and spatial interruptions as elements between within the box mass constituting an interior figure. The facade consists of layers of red brick and white marble, traditional to many buildings considered to be the pride and ornament of Philadelphia as well as the original facade proposals for the current Athenaeum. </text>
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                <text>Thenhaus, Clark</text>
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              <text>My concept for the Athenaeum in 2050, is a contemporary structure that doesn’t compromise its historic standing, and functions as a hub for easily accessed knowledge. I created slopes that emerge from the grade to form the massing. I decided to enlist a sense of uniform to design in the form of even heights and widths of the volumes, as to not overwhelm the neighborhood. The fluidity of the slopes and how they subtly mimic nature and organic formation address the historical aspect, while the order, sharp angles, grids, and geometry address the macro scale of Philadelphia as a city.</text>
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              <text>In 2050, technology will be in every aspect of life. Not only will it be incorporated even more than it is now, it will be stronger than ever before. All types of information will be stored through technology. Libraries, specifically the Athenaeum, will act as places of gathering to discuss new ideas. The Philadelphia community will still be preserved in the way that it is now, but the Athenaeum will bring a different sense of community to the famous historic district yet still remain a private library. </text>
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              <text>The year is 2050.  Large-scale 3D-printing technology has become commonplace in the building industry.  Libraries have lost ground in their traditional functions to other institutions and technological phenomena.   Museums and remote storage facilities have taken over much of book storage.  Virtually all available information can be accessed instantly in a variety of formats through digital media.  Digital Storage is done cheaply on remote server farms.  This design must focus on the functions that the library is still in a strong position to serve.  The Dilworth property has been removed and the site is open to pedestrians on all sides.</text>
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              <text>Libraries have always served humanity at a very personal level.  The amount of cultural bandwidth apportioned solely to libraries is shrinking.  Libraries can best serve the public by joining and complementing other institutions.  This can be done by maintaining a broad focus beyond information storage and by continuing to hybridize with other public institutions such as museums, colleges, and community centers.  The library can also stay relevant to communities by acting as a 'third place', meaning a sanctuary that is neither work nor home.  As such, the design presented focuses on the range of functions that library is still in a strong position to serve, organized around the fundamental human needs of community/contact and personal repose/tranquility.</text>
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              <text>Athenaeum of Curiosities is based on the premise that humans will have a highly developed sense of memory through the preservation and interaction with physical objects of the past. While the project anticipates technological material advancement (i.e. façade systems made of archival glazing assemblies), it takes an opposite approach to the “everything will be digital” mantra of recent years. The proposal speculates on the possibility for architecture to institute change through the spatial, organizational, and effects-driven accumulation of historic objects. Hoarder-like in its overabundance and John Soane-esque in its careful curation of object types to create microcosms of the world, Athenaeum of Curiosities is a future projection on our attachment to objects and the potential for architecture to allow us to not just view them but to inhabit them. </text>
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              <text>There will always be things. Physical things, things that provide us with a sense of a past that we’ve never witnessed, things that give us a tangible connection to the materials and methods of those that came before us and most importantly, things that tell us stories of our future. Athenaeum of Curiosities is a portal to these things. Overabundant in its display of physical objects (books, art, artifacts), it is an architecture that projects on immersive experiences through both space and objects. Objects become façade and furniture turns spatial as the Athenaeum of 2050 celebrates the preservation of physical and material effects in the world.</text>
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              <text>The disappearance of the Athenaeum’s historical building will leave an imprint that draws the foundations of this proposal. The project context is the history of the place, a history around which the building stands. The opaque base, contemporary abstraction of the old building, crystallizes the legacy of the institution and protrudes into an extension structured around a broad patio. The body and the crowning result from the base as much as they define it. The interdependence of the composition illustrates the continuity that will guide the development of the Athenaeum by 2050. </text>
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              <text>This proposal is designed based on assumptions that we do not have to follow current zoning, environmental codes, or height limits.  The proposal also assumes that towards the year 2050 and beyond to 2150 Philadelphia will be growing exponentially with the Athenaeum of Philadelphia prospering and benefiting from endorsements, funding, archives, antiquities, and &#13;
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              <text>This proposal explores the Athenaeum as a vertical landscape of public and scholarly activities.  The design aims to centralize and disseminate the Athenaeum’s expansive collection and public programs throughout the building -- a tall house that reinforces fluid scholarly activities and public functions as well as creating spaces of surprise, excitement, and energy. The exposed activity-filled interior rooms and follies perpetually transform the Athenaeum’s ornamental quality.  The verticality allows the Athenaeum to concentrate its wealth of knowledge into a single tower.  The Athenaeum will perform a double duty as both an architectural library and a lighthouse to observe the ever-changing architecture of Philadelphia.</text>
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