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              <text>Athenaeum of Curiosities is based on the premise that humans will have a highly developed sense of memory through the preservation and interaction with physical objects of the past. While the project anticipates technological material advancement (i.e. façade systems made of archival glazing assemblies), it takes an opposite approach to the “everything will be digital” mantra of recent years. The proposal speculates on the possibility for architecture to institute change through the spatial, organizational, and effects-driven accumulation of historic objects. Hoarder-like in its overabundance and John Soane-esque in its careful curation of object types to create microcosms of the world, Athenaeum of Curiosities is a future projection on our attachment to objects and the potential for architecture to allow us to not just view them but to inhabit them. </text>
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              <text>There will always be things. Physical things, things that provide us with a sense of a past that we’ve never witnessed, things that give us a tangible connection to the materials and methods of those that came before us and most importantly, things that tell us stories of our future. Athenaeum of Curiosities is a portal to these things. Overabundant in its display of physical objects (books, art, artifacts), it is an architecture that projects on immersive experiences through both space and objects. Objects become façade and furniture turns spatial as the Athenaeum of 2050 celebrates the preservation of physical and material effects in the world.</text>
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              <text>In “thinking back | looking forward: the Athenaeum of Philadelphia”, the following is to be assumed: In 2050, new technologies and emphasis on social collaboration have advanced information gathering and exchange methods.  Valuing the foundation set forth by previous eras and the evolution of the new generation, interactive and visual elements juxtaposed with physical representation and creations of the past create a holistic experience within the Athenaeum.  Interactive visual walls, new forms of object and drawing recreation, and socially engaging spaces intertwined with foundational elements of the Athenaeum foster an innovative hub for the researchers and creators within the community.</text>
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              <text>Currently, the fortified-like structure exudes a presence but doesn’t connect strongly to the park. Its lantern and plaque are always lite, though its soul is mysterious to passerby.  Meanwhile, its online presence is booming. This duality became the concept of our design. The spaces are divided into public and private zones. As the floors ascend, the information gathering methods and level of vocal exchange becomes simpler and quieter. Glimpses through tectonics heighten the mysteriousness of the spaces beyond, while circulating light and ventilation.  Nature intertwines with research and creative exchange. A lantern at the entry signifies its ever going presence.</text>
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              <text>Recent decades have witnessed a shift from paper-based design to digital design in the field of immaterial production and in particular in the architectural profession. Thus the project envisions a library in a time that most of its collection will be born-digital and the future Athenæum will be an infrastructure of data where its knowledge will be stored in rows of servers. With its Cloud service for its users (mainly architects, scholars, designers in related fields and interested general public), the production of knowledge will be a simultaneous process of creation and storage and potentially sharing based on users’ choices.</text>
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              <text>&lt;p&gt;The project proposes two interdependent components for the future Athenæum: the &lt;em&gt;Wall&lt;/em&gt; - a highly efficient and controlled space for the production, exchange and storage of digital data - and an open space covered by tree &lt;em&gt;Canopy&lt;/em&gt; - a productive landscape where the publicness of a library is celebrated as it is a space dedicated to the coming together of individuals to the production and dissemination of knowledge. Together, the &lt;em&gt;Wall&lt;/em&gt; and &lt;em&gt;Canopy &lt;/em&gt;make the future Athenæum again the pride of Philadelphia for its collections and services, and more importantly, for its celebration of collectivity both online and on-site.&lt;/p&gt;</text>
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              <text>In the year 2050, technological innovation has progressed to the level of biomechanical implementation. Humans are able to supplant their natural abilities with digital devices, which can be implanted into their physical bodies. This allows them instant access to all knowledge, as well as the ability to share and contribute to that repository. As the ability to obtain knowledge has become more of an individual and private endeavor, there is a greater need to foster a physical connection to the communities that share common interests. The ATHENÆUM provides the venue for congregation and contemplation of those interests, in a setting that inspires innovation and discovery.</text>
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              <text>The new ATHENÆUM promises to become the city's cultural center, offering a variety of venues, with varying levels of access.  From the street level plaza, to the penthouse apartment, every type of  space is addressed.&#13;
&#13;
The building boasts sophisticated technology, supporting a priceless collection of traditional media. It is a place to study and learn, to congregate and contemplate,   More than a place for research, it is a place to live and work.&#13;
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The key to the financial success is the 28 story residential tower, featuring a 60 space parking garage.  The residences ensure ample income to support the collections, and guarantees traffic through the public spaces.&#13;
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              <text>This proposal is designed based on assumptions that we do not have to follow current zoning, environmental codes, or height limits.  The proposal also assumes that towards the year 2050 and beyond to 2150 Philadelphia will be growing exponentially with the Athenaeum of Philadelphia prospering and benefiting from endorsements, funding, archives, antiquities, and &#13;
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              <text>This proposal explores the Athenaeum as a vertical landscape of public and scholarly activities.  The design aims to centralize and disseminate the Athenaeum’s expansive collection and public programs throughout the building -- a tall house that reinforces fluid scholarly activities and public functions as well as creating spaces of surprise, excitement, and energy. The exposed activity-filled interior rooms and follies perpetually transform the Athenaeum’s ornamental quality.  The verticality allows the Athenaeum to concentrate its wealth of knowledge into a single tower.  The Athenaeum will perform a double duty as both an architectural library and a lighthouse to observe the ever-changing architecture of Philadelphia.</text>
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              <text>Since their inception, libraries and athenaeums have had a dual function - that of collection and dissemination (preserving and enabling). The importance of these roles has fluctuated over time, as has content. The destined mutability of our learning devices and artifacts brings us to question the true and lasting purpose of libraries and athenaeums in our society. Permanence, we ought to believe, lies in the shear significance of the “place” that the athenaeum creates in the city, with the memory it carries in its walls.</text>
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              <text>While most libraries today address both of these functions through a model of mass distribution and consumption, the athenaeum is curated and its content is highly significant, bordering the function that of a museum. It needs to display treasures as a museum does, protect them as an archive does, but have people interact with them in the intimate way that a library allows.&#13;
&#13;
In our proposal, content is form and content is structure.&#13;
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